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San Juan Bautista visto de frente, con barba y cabellos largos y ondulados. Está vestido con una túnica sin mangas en color verde sobre la que se superpone un manto de color rojo que parte del hombro [+]
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On entering the Museum this painting was inventoried as a product of the Sevillian school, though the 1876 catalogue lists it as a work executed in the style of Jan Both. Valdivieso (1973) considers i [+]
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The 1910 catalogue states that Bredius attributed this painting to Jacop Gerritsz. Cuyp (1594-1652), ascription that was officially accepted by the Museum in 1985. However, neither the typology nor th [+]
In this half-length portrait, the young man wears a red cap and holds a musical instrument that combine features of both the vihuela and the violin. While only partially visible, its fretted neck sugg [+]
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En esta obra se aúnan los temas del descendimiento de la cruz y del llanto sobre Cristo muerto, asunto que, en una disposición asimétrica en diagonal, se presenta en primer término, buscando conmover [+]
This is a modest bottega product illustrating the passage on the birth of Christ (Luke 2: 8-20) which lends itself particularly well to a nocturnal setting. It is a replica, not of the Adoration of th [+]
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The painting may illustrate an episode from the Anglo-Dutch wars. Its condition makes it difficult to ascertain its authorship. The handling and arrangement of the clouds point to a late date, around [+]
The earliest documentary reference to this painting appears in the 1772 inventory of the Palace of the Buen Retiro, in which the setting is attributed to Viviano Codazzi (1603/4-1672) and the figures [+]
Traditionally this painting has been considered a copy of the original by Gerard Dou which, according to Somof (1901) and Martin (1913), was in the State Hermitage Museum in St Petersburg, but whose p [+]
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Pareja de El Descendimiento o La Quinta Angustia (P117), ambos son copias en pequeño formato de dos óleos sobre lienzo pintados por Correggio entre 1520 y 1524 para la iglesia de San Giovanni Evangeli [+]
San Juan Bautista aparece representado de medio cuerpo. Pérez Sánchez considera que la obra es copia de un original de Guido Reni, aunque no conoce ningún original que pueda citarse claramente como pr [+]
Antonio Ponz, en su Viage a España (1782) describe en el Palacio del Buen Retiro un dibujo con este tema, que quizá fuese este: "36 Por un pasillo se va desde este Oratorio a la pieza, que llaman del [+]
