The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
39 results
The Duke and Duchess of Osuna and their Children
Oil on unlined canvas. 1787 - 1788
Goya y Lucientes, Francisco de
The Duke and Duchess of Osuna and their Children
Oil on unlined canvas. 1787 - 1788
Goya y Lucientes, Francisco de

A portrait of the Duke of Osuna, Pedro Téllez Girón (1755-1807); his wife, the Countess-Duchess of Benavente, Josefa Alonso de Pimentel (1752-1834) and their four children: Francisco de Borja (1785-1820), the following Duke of Osuna; Pedro de Alcántara (1786-1851), the future Prince of Anglona; Maria Manuela (1783-1838) and Joaquina (1784-1851), the future Marchioness of Santa

The Funeral of Saint Anthony Abbot
Tempera on poplar panel. 1426 - 1430
Angelico, Fra
The Funeral of Saint Anthony Abbot
Tempera on poplar panel. 1426 - 1430
Angelico, Fra

This scene is from the predella of an altarpiece dedicated to Saint Anthony Abbot, the founder of the eremitic movement. Its technical and formal characteristics suggest a dating close to that of The Virgin with the Pomegranate. Like that work, it was acquired in Florence in 1817 by Carlos Miguel Fitz-James Stuart y Silva, 14th Duke of Alba de Tormes.

Charles IV and his Family honoured by the University of Valencia
Oil on canvas. 1802
López Portaña, Vicente
Charles IV and his Family honoured by the University of Valencia
Oil on canvas. 1802
López Portaña, Vicente

During his visit to Valencia in 1802, the Literary University of the city gave the King this painting which shows the university, personified as a young matron, introducing the royal family to the various faculties: Theology, Law, Philosophy and Medicine. They are accompanied by the goddess Minerva, who points to Peace, Victory and Abundance, who fly over this symbolic reception.

The Virgin with the Pomegranate
Tempera on panel. Ca. 1426
Angelico, Fra
The Virgin with the Pomegranate
Tempera on panel. Ca. 1426
Angelico, Fra

The Virgin with the Pomegranate is an exceptional work painted during one of the key periods in the history of art, in Florence, cradle of the Renaissance, in the first quarter of the fifteenth century, by one of its principal protagonists. Guido di Pietro, known as Fra Angelico and probably trained with Lorenzo Monaco, is first documented as an independent master in 1418. Between that date and 14

The Holy Family with a Little Bird
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Holy Family with a Little Bird
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

A domestic scene filled with tenderness showing the Virgin Mary winding a skein of thread and watching the Christ Child, who leans on Saint Joseph while he plays with a little bird and a dog. The almost leading role of the saint corresponds to the increased worship of his figure during the Counterreformation. The apparently insignificant composition of this painting exalts home life, the family an

Ignacio Gutiérrez Solana, Overseer of the Royal Stables
Oil on canvas. Ca. 1823
López Portaña, Vicente
Ignacio Gutiérrez Solana, Overseer of the Royal Stables
Oil on canvas. Ca. 1823
López Portaña, Vicente

The man in the portrait, wearing his palace uniform, holds in his left hand a bundle of “royal orders”. The painting follows the style of portraits of professionals that López worked on in his years at the service of Fernando VII, in which he stressed the sitter’s job through the tools of his trade.

Saturn devouring a Son
Oil on canvas. 1636 - 1638
Rubens, Peter Paul
Saturn devouring a Son
Oil on canvas. 1636 - 1638
Rubens, Peter Paul

Portrayed as an old man in accordance with the conventional method that was faithful to prevailing iconographic precepts, in his right hand the god Saturn clasps a scythe, his inveterate attribute, using it to steady himself. At the same time, with impressive bestial energy, he leans over a boy, into whom he sinks his teeth to devour him, while the defenceless creature attempts to kick himself fre

Infante Antonio Pascual
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Antonio Pascual
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Brother of Charles IV, the sitter was born in Naples in 1755. In 1795 he married his niece, the Infanta María Amalia, who died without heir in 1798. In 1808 Ferdinand VII appointed him president of the Junta Suprema of the government while the monarch was obliged to attend Napoleon’s summons to France. During the War of Independence

Sofía Vela y Querol
Oil on canvas. 1850
Madrazo y Kuntz, Federico de
Sofía Vela y Querol
Oil on canvas. 1850
Madrazo y Kuntz, Federico de

Although Federico de Madrazo began working in the genre of historical painting, his gifts as an artist promptly led him to portraiture, which he cultivated in all its forms throughout his lengthy career and in which he conspicuously excelled. This portrait of Sofía Vela is one of the best from the artist´s romantic period and is a superb example of the intimate portrait. It was exhibited at

Maria Isabel of Braganza
Oil on canvas. Ca. 1816
López Portaña, Vicente
Maria Isabel of Braganza
Oil on canvas. Ca. 1816
López Portaña, Vicente

Retrato en óvalo, de busto corto, de María Isabel de Braganza (Lisboa, 1797-Aranjuez, Madrid, 1818). Segunda esposa del rey Fernando VII (1784-1833), con quien casó el 28 de septiembre de 1816. Tuvo una hija, María Isabel Luisa, nacida el 21 de agosto de 1817, que murió pocos meses después, el 9 de enero de 1818, por cuyo embarazo el ayuntamiento le regaló el edificio conocido desde entonces como

The Queen of Etruria and her Children
Oil on canvas. 1815
Aparicio e Inglada, José
The Queen of Etruria and her Children
Oil on canvas. 1815
Aparicio e Inglada, José

This is a family portrait of María Luisa Josefa de Borbón (1782-1824) and her children, Carlos Luis and María Luisa Carlota de Borbón-Parma, painted during the time that María Luisa was regent of Etruria following the death of her husband, Louis I. The inclusion in this portrait of symbols such as the throne, canopy, red footstool, crown and column all identify t

The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de
The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This portrait of the family of King Carlos IV (1748-1819) was painted in Aranjuez and Madrid in the spring and summer of 1800, shortly after Goya was named First Chamber Painter. It clearly show´s the artist´s mastery at individualizing characters. The forerunners to this complex composition are Louis-Michel van Loo´s Portrait of Felipe V and his Family (P02283) and Velázquez´s Las Meninas

The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis
The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis

This work shows politician, poet, playwright and tutor to Queen Elizabeth II, Manuel José Quntana (Madrid, April 11, 1772- Madrid, March 11, 1857) on the day of his coronation in the Senate as Illustrious Poet (March 25, 1855).

Antonio Pascual of Bourbon and Saxony, Infante of Spain
Oil on canvas. 1767
Mengs, Anton Raphael
Antonio Pascual of Bourbon and Saxony, Infante of Spain
Oil on canvas. 1767
Mengs, Anton Raphael

Mengs depicted the Infante Antonio (1755-1817), son of Charles III and Maria Amalia of Saxony, in the Palace of San Ildefonso, Segovia. The artist made use of the type of elegant, natural portrait that he had developed in Rome to depict English visitors. The Infante wears the insignias of the Orders of the Golden Fleece and of San Gennaro and Santiago.

Aeneas tells Dido of the Misfortunes of Troy
Oil on canvas. Ca. 1815
Guérin, Pierre
Aeneas tells Dido of the Misfortunes of Troy
Oil on canvas. Ca. 1815
Guérin, Pierre

This piece has long been regarded as a sketch for the picture of the same name at the Louvre, Didon. Énée racontant à Didon les malheurs de la ville de Troie (INV 5184), a huge success at the Paris Salon of 1817, of which several versions are known as well as some preparatory sketches. It shows the arrival in Carthage of the Trojan hero Aeneas, who is asked by the queen of the

Contemporary Poets. A Reading by Zorilla in the Painter's Studio
Oil on canvas. 1846
Esquivel, Antonio María
Contemporary Poets. A Reading by Zorilla in the Painter's Studio
Oil on canvas. 1846
Esquivel, Antonio María

The most famous of Esquivel´s pieces and a leading work of Spanish Romanticism. Considered the maximum graphical testimony to the intellectual atmosphere during the reign of Isabel II (1830 - 1904), this canvas depicts a fictitious meeting of Esquivel´s most relevant cultural contemporaries. The composition combines the complexities of a group portrait with the scheme of Flemish Baroque cabinet po

Saints Justa and Rufina
Oil on cedar panel. 1817
Goya y Lucientes, Francisco de
Saints Justa and Rufina
Oil on cedar panel. 1817
Goya y Lucientes, Francisco de

The patron saints of Seville were potters. They were martyred for having refused to worship an image of the goddess, Venus. They are depicted with their clay pots, or alcazarras, and the palms of martyrdom, while a lion licks saint Rufina´s foot. Seville Cathedral, with the Giralda tower, is visible in the background. This tower remained standing after the earthquake of 1504, thanks to the saints´

José Gutiérrez de los Ríos
Oil on canvas. 1849
López Portaña, Vicente
José Gutiérrez de los Ríos
Oil on canvas. 1849
López Portaña, Vicente

Está retratado hasta las rodillas a sus sesenta y nueve años, sentado en un sillón. Viste traje y corbata negros, chaleco marfil y un bello broche en la pechera de la camisa. En la solapa luce la venera de caballero de Montesa y de la botonadura del chaleco pende la leontina de su reloj. Apoya el brazo derecho en un libro sobre varias cartas, en una de las cuales se lee la dedicatoria, sobre un ve

Up