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The Duke and Duchess of Osuna and their Children
Oil on unlined canvas. 1787 - 1788
Goya y Lucientes, Francisco de
The Duke and Duchess of Osuna and their Children
Oil on unlined canvas. 1787 - 1788
Goya y Lucientes, Francisco de

A portrait of the Duke of Osuna, Pedro Téllez Girón (1755-1807); his wife, the Countess-Duchess of Benavente, Josefa Alonso de Pimentel (1752-1834) and their four children: Francisco de [+]

Saints Justa and Rufina
Oil on cedar panel. 1817
Goya y Lucientes, Francisco de
Saints Justa and Rufina
Oil on cedar panel. 1817
Goya y Lucientes, Francisco de

The patron saints of Seville were potters. They were martyred for having refused to worship an image of the goddess, Venus. They are depicted with their clay pots, or alcazarras, and the palms of mart [+]

Infante Antonio Pascual
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Antonio Pascual
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Brother of Charles IV, the sitter was born in Naples in 1755. In 1795 he married his niece, the Infanta María Amalia, who died without [+]

The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de
The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This portrait of the family of King Carlos IV (1748-1819) was painted in Aranjuez and Madrid in the spring and summer of 1800, shortly after Goya was named First Chamber Painter. It clearly show´s the [+]

Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was neither engraved nor published. Its composition is framed in red chalk and the corners are emphasized with touches of the same material. The [+]

Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was neither engraved nor published. Its composition is framed in red chalk and the corners are emphasized with touches of the same material. The [+]

Group of Women Fleeing from Soldiers
Red chalk on cream laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Group of Women Fleeing from Soldiers
Red chalk on cream laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was never engraved. Its composition -specifically, the central figure of a woman fleeing- led Gassier and Wilson to suggest that the drawing may [+]

Taking the wounded to the hospital
Red chalk, Conté crayon on dark yellow laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Taking the wounded to the hospital
Red chalk, Conté crayon on dark yellow laid paper. Ca. 1812
Goya y Lucientes, Francisco de

This drawing related to one of the Disasters was neither engraved nor published. Its composition merges two groups of figures from drawing D03990. The postures and formal definition coincide in both d [+]

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