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A landscape with waterfalls appears at one side of the composition. At the other, various buildings oppose their rational and geometrical mass to Nature’s freer expression. The canvas’s human presence [+]
Towards the edges of two moulded stone shelves (P549, P550) rest two bronze vases with broad decorated bases and slender stems embraced, in one case by a group of tritons (P550) and, in the other by, [+]
This work belongs to a group from the History of Rome series for the Buen Retiro Palace. Dedicated to depictions of Roman public pastimes, the group includes athletes, gladiators, chariots, animal fig [+]
En un bellísimo paisaje, pleno de luz y diferentes detalles, a cuál más refinado y auténtico, tomado del amplísimo repertorio que ofrece la naturaleza, en cuyos fondos se aprecian unas edificaciones, [+]
As Saint Francis prayed in the chapel of the Portiuncula, Christ and the Virgin appeared to him. Murillo used the flowers, angels, clouds and light to create a link between everyday reality and the sp [+]
This work belongs to a group from the History of Rome series for the Buen Retiro Palace. Dedicated to depictions of Roman public pastimes, the group includes athletes, gladiators, chariots, animal fig [+]
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A masterpiece in the history of Western landscape painting, in which Velázquez set out his idea of landscape without any narrative excuse to justify it, this Roman scene and its companion work [+]
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Wearing a white tunic and bearing the standard of victory, Christ leans toward Adam and Eve who, nude, hope to be rescued from Limbo and taken to the Kingdom of Heaven. This passage appears in the Apo [+]
The motif of the sleeping Christ Child is a traditional image that prefigures his death. He is watched by Joseph and Mary, who is surrounded by the roses that symbolise her. She restrains the Infant S [+]
Towards the edges of two moulded stone shelves (P550, P549) rest two bronze vases with broad decorated bases and slender stems embraced, in one case by a group of tritons (P550) and, in the other by, [+]
In this painting, the Virgin is seated on a stone bench and is, herself, serving as a throne for the Christ Child, who rests on her right leg. The Virgin and Child are slightly larger than life-size a [+]
The fruit in the foreground is projected with unrivaled expressive force—a superb rendering of its attractive freshness. The works sober composition is executed in a manner that brings out its author’ [+]
In each of these paintings (P596, P597), the central motif around which the entire composition is organised is a glass flower vase, the base of which rests on a stone surface. The flask-shaped vessel [+]
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