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Josefa Coello de Portugal
Oil on canvas. 1855
Madrazo y Kuntz, Federico de
Josefa Coello de Portugal
Oil on canvas. 1855
Madrazo y Kuntz, Federico de

In the mid-nineteenth century Federico de Madrazo produced some of the most successful portraits of the Spanish bourgeoisie during the reign of Isabel II (1833-68), presenting them with the opulence t [+]

The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de
The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de

An image of a young milkmaid with an apron, a shawl on her shoulders and a scarf holding back her hair. There is a milk jug behind her, to the left. The bottom-to-top perspective seems intended to giv [+]

The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis
The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis

This work shows politician, poet, playwright and tutor to Queen Elizabeth II, Manuel José Quntana (Madrid, April 11, 1772- Madrid, March 11, 1857) on the day of his coronation in the Senate as [+]

A Landscape. Recollections of Andalusia: The Mediterranean Coast near Torremolinos
Oil on canvas. 1860
Haes, Carlos de
A Landscape. Recollections of Andalusia: The Mediterranean Coast near Torremolinos
Oil on canvas. 1860
Haes, Carlos de

Throughout the second half of the nineteenth century, Carlos de Haes was the leading landscape artist in Spain, not only because of his continuous activity as a painter in that genre but also because [+]

Contemporary Poets. A Reading by Zorilla in the Painter's Studio
Oil on canvas. 1846
Esquivel, Antonio María
Contemporary Poets. A Reading by Zorilla in the Painter's Studio
Oil on canvas. 1846
Esquivel, Antonio María

The most famous of Esquivel´s pieces and a leading work of Spanish Romanticism. Considered the maximum graphical testimony to the intellectual atmosphere during the reign of Isabel II (1830 - 1904), t [+]

The Four Parts of the World. Europe
Oil on copperplate. 1660
Kessel el Viejo, Jan Van
The Four Parts of the World. Europe
Oil on copperplate. 1660
Kessel el Viejo, Jan Van

The Four Parts of the World, that is, the continents known at that time -Europe, Asia, Africa and America -became a very popular subject, as it was totally in keeping with that period’s interest in sc [+]

The Four Parts of the World. Asia
Oil on copperplate. 1660
Kessel el Viejo, Jan Van
The Four Parts of the World. Asia
Oil on copperplate. 1660
Kessel el Viejo, Jan Van

The Four Parts of the World, that is, the continents known at that time -Europe, Asia, Africa and America -became a very popular subject, as it was totally in keeping with that period’s interest in sc [+]

The Four Parts of the World. Africa
Oil on copperplate. 1660
Kessel el Viejo, Jan Van
The Four Parts of the World. Africa
Oil on copperplate. 1660
Kessel el Viejo, Jan Van

The Four Parts of the World, that is, the continents known at that time -Europe, Asia, Africa and America -became a very popular subject, as it was totally in keeping with that period’s interest in sc [+]

The Four Parts of the World. America
Oil on copperplate. 1660
Kessel el Viejo, Jan Van
The Four Parts of the World. America
Oil on copperplate. 1660
Kessel el Viejo, Jan Van

The Four Parts of the World, that is, the continents known at that time -Europe, Asia, Africa and America -became a very popular subject, as it was totally in keeping with that period’s interest in sc [+]

The Sculptor Pietro Tenerani
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de
The Sculptor Pietro Tenerani
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de

Retrato de Pietro Tenerani, escultor que comenzó su formación en la Academia de Bellas Artes de Turín hasta que consiguió marchar a Roma en 1813. Se convirtió en la mano derecha del escultor Bertel Th [+]

Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

This is one of a group of drawings from Album C -numbers 85 through 114- offering images of people tortured by the Inquisition. Their critical view is consistent with the ideas that Juan Antonio Llore [+]

Neither
Brush, Bistre, Wash on laid paper. 1814 - 1822
Goya y Lucientes, Francisco de
Neither
Brush, Bistre, Wash on laid paper. 1814 - 1822
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

King Charles IV
Marble. 1815
Barba, Ramón
King Charles IV
Marble. 1815
Barba, Ramón

The King is portrayed as a Roman emperor, with laurel wreath and classical toga. Barba was one of the leading figures in the first generation of Spanish artists to train in Rome, where he lived from 1 [+]

Philip V on horseback
Bronze. 1702
Vaccaro, Lorenzo
Philip V on horseback
Bronze. 1702
Vaccaro, Lorenzo

In this sculptural group conceived in the classical manner Philip V wears a Roman-style cuirass and a curly wig of the French type. Vaccaro’s bronze is a small-scale version of his equestrian monument [+]

Venus and Mars
Marble. 1820 - 1830
Canova, Antonio (Circle Of)
Venus and Mars
Marble. 1820 - 1830
Canova, Antonio (Circle Of)

The goddess of love, draped in a light tunic, embraces the god of war, who wears a helmet; their gazes meet in a composition conveying a refined sensuality. This is a reproduction of an original by th [+]

Modes de Paris
Hand coloured print, Etching on wove paper. 1846
Anonymous; Fuller, S. & J.
Modes de Paris
Hand coloured print, Etching on wove paper. 1846
Anonymous; Fuller, S. & J.

Anuncio de moda de París, 1846: vestido en tejido merino con volantes bordados, pluma de Chagot, guantes de Mayer, pañuelo de Chapron, y perfume de Guerlain. Petit Courrier des Dames. [Paris: Mess. S. [+]

Modes de Paris
Stipple engraving, Hand coloured print, Etching on wove paper. 1847
Clomesnil, Florensa de; Fuller, S. & J.
Modes de Paris
Stipple engraving, Hand coloured print, Etching on wove paper. 1847
Clomesnil, Florensa de; Fuller, S. & J.

Anuncio de moda de París, 1847: sombrero de Penet, vestido de Camille, telas y chal de Gagelin, traje de falda de montar de Robin, sombrero Montpensier de Desprey, látigo de Verdier y guantes de Mayer [+]

Modes de Paris
Stipple engraving, Hand coloured print, Etching on wove paper. 1847
Clomesnil, Florensa de; Fuller, S. & J.
Modes de Paris
Stipple engraving, Hand coloured print, Etching on wove paper. 1847
Clomesnil, Florensa de; Fuller, S. & J.

Anuncio de moda de París, 1847: sombrero de Penet, encaje de Violard, pasamanería de Richenet Bayard, paraguas de Verdier, guantes de Mayer, y perfume de Guerlain. Colección "Petit courrier des dames" [+]

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