The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
18 results
Josefa Coello de Portugal
Oil on canvas. 1855
Madrazo y Kuntz, Federico de
Josefa Coello de Portugal
Oil on canvas. 1855
Madrazo y Kuntz, Federico de

In the mid-nineteenth century Federico de Madrazo produced some of the most successful portraits of the Spanish bourgeoisie during the reign of Isabel II (1833-68), presenting them with the opulence t [+]

Contemporary Poets. A Reading by Zorilla in the Painter's Studio
Oil on canvas. 1846
Esquivel, Antonio María
Contemporary Poets. A Reading by Zorilla in the Painter's Studio
Oil on canvas. 1846
Esquivel, Antonio María

The most famous of Esquivel´s pieces and a leading work of Spanish Romanticism. Considered the maximum graphical testimony to the intellectual atmosphere during the reign of Isabel II (1830 - 1904), t [+]

The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de
The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de

An image of a young milkmaid with an apron, a shawl on her shoulders and a scarf holding back her hair. There is a milk jug behind her, to the left. The bottom-to-top perspective seems intended to giv [+]

The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis
The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis

This work shows politician, poet, playwright and tutor to Queen Elizabeth II, Manuel José Quntana (Madrid, April 11, 1772- Madrid, March 11, 1857) on the day of his coronation in the Senate as [+]

The Four Parts of the World
Oil on copperplate. 1660
Kessel el Viejo, Jan Van
The Four Parts of the World
Oil on copperplate. 1660
Kessel el Viejo, Jan Van

The Four Parts of the World, that is, the continents known at that time -Europe, Asia, Africa and America -became a very popular subject, as it was totally in keeping with that period’s interest in sc [+]

A Landscape. Recollections of Andalusia: The Mediterranean Coast near Torremolinos
Oil on canvas. 1860
Haes, Carlos de
A Landscape. Recollections of Andalusia: The Mediterranean Coast near Torremolinos
Oil on canvas. 1860
Haes, Carlos de

Throughout the second half of the nineteenth century, Carlos de Haes was the leading landscape artist in Spain, not only because of his continuous activity as a painter in that genre but also because [+]

The Sculptor Pietro Tenerani
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de
The Sculptor Pietro Tenerani
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de

Retrato de Pietro Tenerani, escultor que comenzó su formación en la Academia de Bellas Artes de Turín hasta que consiguió marchar a Roma en 1813. Se convirtió en la mano derecha del escultor Bertel Th [+]

The Rope is Breaking
Red chalk on cream laid paper. Ca. 1817
Goya y Lucientes, Francisco de
The Rope is Breaking
Red chalk on cream laid paper. Ca. 1817
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 77, The Rope is Breaking. The title that appears on the print recalls the Spanish saying: “the rope always breaks at the weakest point.” Careful comparison [+]

Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

This is one of a group of drawings from Album C -numbers 85 through 114- offering images of people tortured by the Inquisition. Their critical view is consistent with the ideas that Juan Antonio Llore [+]

King Charles IV
Marble. 1815
Barba, Ramón
King Charles IV
Marble. 1815
Barba, Ramón

The King is portrayed as a Roman emperor, with laurel wreath and classical toga. Barba was one of the leading figures in the first generation of Spanish artists to train in Rome, where he lived from 1 [+]

Venus and Mars
Marble. 1820 - 1830
Canova, Antonio (Circle Of)
Venus and Mars
Marble. 1820 - 1830
Canova, Antonio (Circle Of)

The goddess of love, draped in a light tunic, embraces the god of war, who wears a helmet; their gazes meet in a composition conveying a refined sensuality. This is a reproduction of an original by th [+]

Console
Gilt-bronze, Paragone, Lapis lazuli. 1774 - 1782
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro
Console
Gilt-bronze, Paragone, Lapis lazuli. 1774 - 1782
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro

A table with two images of paintings (a seascape and a landscape) on a background of touchstone or Belgian black marble. Various books, a checkerboard, a small cup and a bag have been haphazardly arra [+]

The Badminton Game, console
Gilt-bronze, Chalcedony, Lapis lazuli. 1782 - 1788
Real Laboratorio de Piedras Duras del Buen Retiro
The Badminton Game, console
Gilt-bronze, Chalcedony, Lapis lazuli. 1782 - 1788
Real Laboratorio de Piedras Duras del Buen Retiro

Corals, pearls, shells, fruit and flowers are arranged on the table with wide Lapis-lazuli borders. The central scene has a light chalcedony background framed by a garland with an asymmetrical rocaill [+]

Console Table
Gilt-bronze, Chalcedony, Paragone, Lapis lazuli. 1775 - 1780
Real Laboratorio de Piedras Duras del Buen Retiro
Console Table
Gilt-bronze, Chalcedony, Paragone, Lapis lazuli. 1775 - 1780
Real Laboratorio de Piedras Duras del Buen Retiro

Two men play skittles among Roman ruins in a setting that recalls Venetian view paintings or vedute. The scene is framed by a border with fruit, musical and scientific instruments, books and a tray wi [+]

Console Table
Gilt-bronze, Paragone, Jasper. 1775 - 1783
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro
Console Table
Gilt-bronze, Paragone, Jasper. 1775 - 1783
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro

The decoration of the tabletop is a trompe l’oeil design of the "disordered table" type. The objects refer to the liberal arts, including paintings, of which two are anamorphic and one a silhouette po [+]

Console table
Gilt-bronze, Chalcedony, Paragone, Red jasper, Lapis lazuli. 1779 - 1781
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro
Console table
Gilt-bronze, Chalcedony, Paragone, Red jasper, Lapis lazuli. 1779 - 1781
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro

This table`s exquisitely made top is based on a painting by Charles-Joseph Flipart (1721-1797) which is also in the Prado (P07824). The central scene depicts figures in a port, of which the two in the [+]

Console
Gilt-bronze, Paragone, Lapis lazuli. 1774 - 1783
Real Laboratorio de Piedras Duras del Buen Retiro
Console
Gilt-bronze, Paragone, Lapis lazuli. 1774 - 1783
Real Laboratorio de Piedras Duras del Buen Retiro

This table has the image of a painting of a seascape and its frame, back to front, as well as playing cards, various chips, a ruler, a hammer, a compass and other carpentry tools, two buckles, a key r [+]

Console
Gilt-bronze, Paragone, Jasper. 1781 - 1786
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro
Console
Gilt-bronze, Paragone, Jasper. 1781 - 1786
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro

The tabletop, which bears its date of completion, is decorated with trompe l’oeil decorations organized like a messy table. A painting with two Oriental figures is surrounded by various books, a ruler [+]

Up