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The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de
The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de

An image of a young milkmaid with an apron, a shawl on her shoulders and a scarf holding back her hair. There is a milk jug behind her, to the left. The bottom-to-top perspective seems intended to giv [+]

The Rope is Breaking
Red chalk on laid paper. Ca. 1817
Goya y Lucientes, Francisco de
The Rope is Breaking
Red chalk on laid paper. Ca. 1817
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 77, The Rope is Breaking. The title that appears on the print recalls the Spanish saying: “the rope always breaks at the weakest point.” Careful comparison [+]

Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

This is one of a group of drawings from Album C -numbers 85 through 114- offering images of people tortured by the Inquisition. Their critical view is consistent with the ideas that Juan Antonio Llore [+]

Neither
Brush, Bistre, Wash on laid paper. 1814 - 1822
Goya y Lucientes, Francisco de
Neither
Brush, Bistre, Wash on laid paper. 1814 - 1822
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

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