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Self-Portrait
Oil on canvas. 1815
Goya y Lucientes, Francisco de
Self-Portrait
Oil on canvas. 1815
Goya y Lucientes, Francisco de

Goya deliberately presents himself here as vulnerable and fragile, revealing the most serene and welcoming facet of his personality. A dark background painted with rapid, energetic crossing brushstrok [+]

The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de
The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de

An image of a young milkmaid with an apron, a shawl on her shoulders and a scarf holding back her hair. There is a milk jug behind her, to the left. The bottom-to-top perspective seems intended to giv [+]

The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis
The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis

This work shows politician, poet, playwright and tutor to Queen Elizabeth II, Manuel José Quntana (Madrid, April 11, 1772- Madrid, March 11, 1857) on the day of his coronation in the Senate as [+]

Maria Josepha of Saxony
Oil on canvas. Ca. 1828
López Portaña, Vicente
Maria Josepha of Saxony
Oil on canvas. Ca. 1828
López Portaña, Vicente

Retrato de María Josefa Amalia de Sajonia Borbón-Parma (Dresde, Alemania, 1803-Aranjuez, Madrid, 1829), reina consorte de España y tercera esposa (1819) del rey Fernando VII. Peinada con el cabello re [+]

Saint John the Evangelist
Oil on panel. Ca. 1608
Pacheco, Francisco
Saint John the Evangelist
Oil on panel. Ca. 1608
Pacheco, Francisco

Esta obra formaba parte del retablo de doña Francisca de León en la iglesia del convento sevillano del Santo Ángel, junto con P01022, P01023 y P01023, que el pintor contrató en 1605. Ingresaron en el [+]

Bacchic Scene
Oil on canvas. 1626 - 1628
Poussin, Nicolas
Bacchic Scene
Oil on canvas. 1626 - 1628
Poussin, Nicolas

In a lush, wooded landscape on the banks of a quiet river, a nude woman, sitting on a richly colored red cloak, gestures to two male figures posed beside her. Supporting a glazed jug in her lap, she p [+]

The Death of the Virgin
Mixed method on panel. Ca. 1462
Mantegna, Andrea
The Death of the Virgin
Mixed method on panel. Ca. 1462
Mantegna, Andrea

The Virgin Mary lies on her deathbed, surrounded by eleven Apostles. Through the window, the Borgo di San Giorgio and the Laguna of Mantua can be seen in the background. This scene depicts the Virgin [+]

Ecce Homo
Oil on panel. 1520 - 1525
Maestro de la Santa Sangre
Ecce Homo
Oil on panel. 1520 - 1525
Maestro de la Santa Sangre

Trained in Antwerp and influenced by Quintin Massys, as this panel reveals, the anonymous Master of the Holy Blood had an active workshop in Bruges. In contrast to Massys’ painting of this subject in [+]

Maria Isabel of Braganza, Queen of Spain, as Founder of the Museo del Prado
Oil on canvas. 1829
López Piquer, Bernardo
Maria Isabel of Braganza, Queen of Spain, as Founder of the Museo del Prado
Oil on canvas. 1829
López Piquer, Bernardo

María Isabel de Braganza nació en Lisboa el 19 de mayo de 1797, hija de Juan VI de Portugal y de Carlota Joaquina de Borbón, se convirtió en reina de España al casarse, el 28 de septiembre de 1816, co [+]

Olympus. The Battle of the Giants
Oil on canvas. 1767 - 1768
Bayeu, Francisco
Olympus. The Battle of the Giants
Oil on canvas. 1767 - 1768
Bayeu, Francisco

Francisco Bayeu, who came from minor nobility, trained in Zaragoza under José Luzán (who, years later, would also teach Francisco de Goya). However, a decisive change in the young Bayeu´ [+]

Bacchanal
Oil on canvas. 1625 - 1626
Poussin, Nicolas
Bacchanal
Oil on canvas. 1625 - 1626
Poussin, Nicolas

This is a traditional scene from the iconography of Bacchus, the Roman god of wine. It depicts his meeting with Ariadne on the island of Naxos. The god rides a chariot pulled by lions, and helps his f [+]

Saint John the Baptist
Oil on panel. Ca. 1608
Pacheco, Francisco
Saint John the Baptist
Oil on panel. Ca. 1608
Pacheco, Francisco

Esta obra formaba parte del retablo de doña Francisca de León en la iglesia del convento sevillano del Santo Ángel, junto con P01022, P01023 y P01023, que el pintor contrató en 1605. Ingresaron en el [+]

The Goddess Juno entering the Realm of Sleep
Oil on canvas. 1829
López Piquer, Luis
The Goddess Juno entering the Realm of Sleep
Oil on canvas. 1829
López Piquer, Luis

This is a preliminary oil sketch for the ceiling of the ante-chamber of Ferdinand VII’s bedroom in the Royal Palace in Madrid. Hymen, bearer of the flame of chaste love and the nuptial torch, leads th [+]

The Assumption of the Magdalen
Oil on canvas. 1670 - 1675
Antolínez, José
The Assumption of the Magdalen
Oil on canvas. 1670 - 1675
Antolínez, José

According to Jacobus de Voragine´s Golden Legend (c.1260), 14 years after Christ´s Passion, Mary Magdalene and her companions were abandoned and set adrift in a small boat to die. The boat miraculousl [+]

Maria Isabel of Braganza
Oil on canvas. Ca. 1816
López Portaña, Vicente
Maria Isabel of Braganza
Oil on canvas. Ca. 1816
López Portaña, Vicente

Retrato en óvalo, de busto corto, con la cabeza ligeramente inclinada, peinada y vestida a la moda imperio, con el cabello rizado ceñido por una diadema. Viste traje de terciopelo rojo, de talle alto [+]

Maria Cristina of Bourbon, Queen of Spain
Oil on canvas. 1830
López Portaña, Vicente
Maria Cristina of Bourbon, Queen of Spain
Oil on canvas. 1830
López Portaña, Vicente

This wedding portrait by Vicente López depicts Ferdinand VII’s fourth and final wife, his niece Maria Cristina. All three of his previous spouses, María Antonia of Bourbon (1784-1806), M [+]

The Coronation of the Virgin
Oil on panel. After 1521
Macip, Vicente
The Coronation of the Virgin
Oil on panel. After 1521
Macip, Vicente

The Virgin is crowned in the heavens by God the Father, Christ and the Holy Spirit, depicted in the form of a dove with its wings outstretched. Around them are grouped thirty-three saints of a type ch [+]

Two people looking into a luminous room
Red chalk, Red wash on ivory laid paper. 1816 - 1819
Goya y Lucientes, Francisco de
Two people looking into a luminous room
Red chalk, Red wash on ivory laid paper. 1816 - 1819
Goya y Lucientes, Francisco de

This drawing’s composition, its relaxed and summary technique and the paper on which it was drawn are all related to the preparatory drawings for the Disparates, although there is no known engraved ve [+]

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