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Prince Carlos de Viana
Oil on canvas. 1881
Moreno Carbonero, José
Prince Carlos de Viana
Oil on canvas. 1881
Moreno Carbonero, José

The eldest son of King Juan II of Aragon and Queen Blanca of Navarre, Carlos de Viana was heir to both thrones, yet his father disowned him in favor of his other son, Fernando “The Catholic.” Because [+]

Magdalena Parrella y Urbieta and her Daughter, Elisa Tapia y Parrella
Oil on canvas. 1850
Ribera y Fieve, Carlos Luis de
Magdalena Parrella y Urbieta and her Daughter, Elisa Tapia y Parrella
Oil on canvas. 1850
Ribera y Fieve, Carlos Luis de

Double portraits of this type, which were common in the mid-nineteenth century, were generally painted when the son or daughter was presented in society. The mother, depicted as seated, represented an [+]

The Viaticum
Oil on canvas. 1840
Alenza, Leonardo
The Viaticum
Oil on canvas. 1840
Alenza, Leonardo

Leonardo Alenza y Nieto was, without doubt, the painter par excellence of romantic costumbrismo from Madrid. (Costumbrismo refers to nineteenth-century genre scenes representing folkloric subjects and [+]

The 2nd of May 1808 in Madrid or “The Fight against the Mamelukes”
Oil on canvas. 1814
Goya y Lucientes, Francisco de
The 2nd of May 1808 in Madrid or “The Fight against the Mamelukes”
Oil on canvas. 1814
Goya y Lucientes, Francisco de

In 1814, Goya addressed the reagent, Cardinal Luis de Bourbon, offering to make works commemorating events from the War of Independence (1808-1812): "to perpetuate, with a paintbrush, the most notable [+]

The 3rd of May 1808 in Madrid, or “The Executions”
Oil on canvas. 1814
Goya y Lucientes, Francisco de
The 3rd of May 1808 in Madrid, or “The Executions”
Oil on canvas. 1814
Goya y Lucientes, Francisco de

A depiction of the execution of patriots from Madrid by a firing squad from Napoleon´s army in reprisal for their uprising against the French occupation on the second of May, 1808. The French soldiers [+]

The Fall of Lucifer
Oil on canvas. 1840
Esquivel, Antonio María
The Fall of Lucifer
Oil on canvas. 1840
Esquivel, Antonio María

Lucifer was one of God´s favorite angels. He was expulsed from Heaven when he rebelled against His power. To represent the subject, Esquivel chose the moment when, with a stern expression, Saint Micha [+]

The Clothed Maja
Oil on canvas. 1800 - 1807
Goya y Lucientes, Francisco de
The Clothed Maja
Oil on canvas. 1800 - 1807
Goya y Lucientes, Francisco de

An unidentified lady wearing delicate transparent clothing and a yellow jacket with black decorations lies on a green velvet divan with cushions and a spread. There has been a great variety of opinion [+]

The Drunkard
Oil on cardboard. Ca. 1835
Alenza, Leonardo
The Drunkard
Oil on cardboard. Ca. 1835
Alenza, Leonardo

Célebre por sus escenas de género inspiradas en las obras de Teniers y de Wouwerman que pudo ver en el Museo del Prado, Alenza está considerado como el gran narrador de las costumbres de las clases má [+]

José Nicolás de Azara
Oil on panel. 1774
Mengs, Anton Raphael
José Nicolás de Azara
Oil on panel. 1774
Mengs, Anton Raphael

El retrato de Nicolás de Azara, de Anton Rafael Mengs, que conservaban aún los herederos del retratado, es una de las obras más singulares del artista bohemio desde el punto de vista artístico e histó [+]

View of the south Façade of the Museo del Prado from inside the Botanical Gardens
Oil on canvas. Ca. 1835
Avrial y Flores, José María
View of the south Façade of the Museo del Prado from inside the Botanical Gardens
Oil on canvas. Ca. 1835
Avrial y Flores, José María

Avrial trained with Fernando Brambilla in the Italian tradition of the classicising veduta. His urban views include clear, accurate descriptions of buildings and monuments rendered with a precise and [+]

The Surrender of Bailén
Oil on canvas. 1864
Casado del Alisal, José
The Surrender of Bailén
Oil on canvas. 1864
Casado del Alisal, José

With this canvas painted in Paris, Casado del Alisal reached his own understanding of Velázquez, bringing a new realism to Spanish history painting. But here, rather than reflecting history pai [+]

Portrait of a Lady with her Son
Oil on canvas. 1849
Ribera y Fieve, Carlos Luis de
Portrait of a Lady with her Son
Oil on canvas. 1849
Ribera y Fieve, Carlos Luis de

This portrait reveals the artist`s assimilation of French models, particularly those of his master, Paul Delaroche (1797-1856), who frequently used an oval format and low viewpoint in order to emphasi [+]

The Painter Matías Moreno
Oil on canvas. 1867
Carolus Duran. Charles-Emile-Auguste Durand
The Painter Matías Moreno
Oil on canvas. 1867
Carolus Duran. Charles-Emile-Auguste Durand

This work and its dedication reflect the friendship between the French artist Carolus-Duran and Matías Moreno (1840-1906), which arose during their time as copyists in the Museo del Prado and c [+]

Allegory of the Redemption
Oil on panel. Ca. 1587
Ligozzi, Jacopo
Allegory of the Redemption
Oil on panel. Ca. 1587
Ligozzi, Jacopo

Ligozzi painted numerous allegories on death and the vices, using a macabre and morbid language that included skeletons and hourglasses. In works of this type the artist employed his imagination and p [+]

Fantasy on Faust
Oil on canvas. 1866
Fortuny, Mariano
Fantasy on Faust
Oil on canvas. 1866
Fortuny, Mariano

In this work, Fortuny establishes an eloquent link between painting and music and a clear exposition of what his friend, the Baron Davillier, called his very lively and very pure taste in music. Fortu [+]

And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

No one has seen us
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
No one has seen us
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Might not the pupil know more?
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
Might not the pupil know more?
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

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