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Catalogado a su ingreso en el Museo en 1847 como “retrato de la Sa infanta Da Carlota Reyna de Portugal” de Joaquín Inza (1736-1811), forma parte de un grupo de retratos de infantes y del príncipe Fer [+]
Francis of Austria (1768-1835) was the son of Leopold and Maria Luisa, Grand Duke and Duchess of Tuscany, and the grandson of Charles III of Spain. He was the last Holy Roman Emperor, becoming the fir [+]
Daughter of Charles III of Spain and Maria Amalia of Saxony, the sitter was born in Naples in 1745. In 1765 she married Leopold of Austria, Grand Duke of Tuscany, and bore sixteen children, including [+]
Representación del sitio de Breda, que tuvo lugar entre el 12 de septiembre de 1624 y el 2 de junio de 1625. En primer plano aparece la visita de la infanta gobernadora al campo de batalla tras la vic [+]
The two children portrayed here were the children of the Grand Duke of Tuscany, Leopold of Habsburg –who became Emperor of the Holy Roman Empire in 1790–, and Maria Luisa of Bourbon, daughter of Charl [+]
The most famous of Esquivel´s pieces and a leading work of Spanish Romanticism. Considered the maximum graphical testimony to the intellectual atmosphere during the reign of Isabel II (1830 - 1904), t [+]
The sitter, daughter of Philip V, married Victor Amadeus III of Savoy in 1750. The carnation symbolises their marriage, as do the fragrant roses and jasmines given to her by Zephyr, the gentle spring [+]
Second son of the Empress Maria Teresa and of Francis I, the sitter was born in 1747. He succeeded his brother Joseph II, who died without heir in 1790, as emperor of Germany and died in 1792. Brother [+]
Considerado por Martínez Ibáñez (1997) como obra de Antonio Carnicero (1748-1814), Arturo Ansón Navarro (2012) lo atribuyó a Ramón Bayeu por motivos estilísticos y por su relación documental con una s [+]
Daughter of Philip V and Isabella Farnese, the sitter was born in 1718. At the age of four her marriage to Louis XV was arranged, but this was broken off when she was seven for reasons of internationa [+]
In portraits of female subjects, Anton Rafael Mengs displays a warm and gentle quality, more Rococo in tone than the slightly academic coldness marking his historical and mythological compositions. Th [+]
Bosch thus shows how man, irrespective of his social class or place of origin, is so possessed by the desire to enjoy and acquire material possessions that he allows himself to be deceived or seduced [+]
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The great charm of this still life has evidently long been apparent to lovers of painting, since it is first recorded in the collection of Gaspar de Haro, later VII Marqués del Carpio (1651), w [+]
Esta escena bíblica, perteneciente al Nuevo Testamento, refleja una anécdota de la juventud de Cristo, cuando estuvo disputando por cuestiones religiosas con los doctores judíos de la ley Mosaica, en [+]
As court painter to the Cardinal-Infante Ferdinand, Snayers’s compositions both document and glorify Spanish military activities. This painting represents the capture of Aire-sur-la-Lys from the Frenc [+]
This portrait of the family of King Carlos IV (1748-1819) was painted in Aranjuez and Madrid in the spring and summer of 1800, shortly after Goya was named First Chamber Painter. It clearly show´s the [+]
Saint Francis is one of the most venerated of all Christian saints. Born in 1182, he chose a religious life after a youth filled with empty pleasures and frolicking. He was followed by a considerable [+]
