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A portrait of the Duke of Osuna, Pedro Téllez Girón (1755-1807); his wife, the Countess-Duchess of Benavente, Josefa Alonso de Pimentel (1752-1834) and their four children: Francisco de [+]
La mujer romana Peru, recién parida, alimentó con su leche materna a su padre Cimón, condenado a morir de hambre en la cárcel. Esta pieza participó en la Exposición Nacional de Bellas Artes de 1856 (n [+]
The doctor poses in an armchair, crossing his legs and turning to look forward with a lively expression concentrated in his intelligent gaze. He looks about forty years old and wears a gray suit with [+]
Availing himself of trompe l’oeil, the painter portrays himself at the age of 26 in an oval-shaped painting placed on a table surrounded by various items alluding to the theory and practice of the art [+]
Two young women spin at their wheels in the workshop of a tapestry factory, recalling Velasquez´s Tapestry Weavers (P01173). Goya interprets the scene as an allegory of Industry, in which young [+]
Joaquina Téllez-Girón y Pimentel (1784-1851) was the daughter of the Duke and Duchess of Osuna and Marchioness of Santa Cruz by her marriage to José Gabriel de Silva y Walstein in [+]
Joaquina Téllez-Girón (1784-1851) married José de Silva Bazán, the future Marquis of Santa Cruz, in 1801. Goya had painted her as a child in the family portrait and alone, [+]
El maestro sevillano se retrata de busto ante un fondo neutro, vistiendo una sencilla levita con cuello de terciopelo y corbata de lazo. Peinado con su abundante cabellera algo alborotada y su caracte [+]
Although Federico de Madrazo began working in the genre of historical painting, his gifts as an artist promptly led him to portraiture, which he cultivated in all its forms throughout his lengthy care [+]
Sancho II (1038-1072), called the Strong, was King of Castile and León (1072). The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to a [+]
This canvas is one of a series of twelve still lifes that were listed among the artist’s possessions in 1812. Since his early years Goya included still-life elements in his canvases but there is no re [+]
The most famous of Esquivel´s pieces and a leading work of Spanish Romanticism. Considered the maximum graphical testimony to the intellectual atmosphere during the reign of Isabel II (1830 - 1904), t [+]
Two Eastern merchants go over their accounts, leaning over a table illuminated by light flooding through a window on the left of the composition. Under their plank table are two full sacks. Two women [+]
Along with twelve other still lifes, the present work appears in the inventory of Goya´s property made after the death of his wife, Josefa Bayeu (1747-1812) The rich and warm palette and a certain ins [+]
Sigeric was a Visigoth king for seven days in 415 AD. The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at th [+]
Ramiro II (c. 900-951) was a King of León. The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Re [+]
The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), [+]
The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), [+]
