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The Painter Benito Soriano Murillo
Oil on canvas. 1863 - 1867
Madrazo y Garreta, Raimundo de
The Painter Benito Soriano Murillo
Oil on canvas. 1863 - 1867
Madrazo y Garreta, Raimundo de

Benito Soriano Murillo (1827-1891) was an artist and deputy director of the Museo del Prado. He shared Raimundo de Madrazo and his family’s love of music, referred to by the guitar and piano. The eleg [+]

Carolina Coronado
Oil on canvas. Ca. 1855
Madrazo y Kuntz, Federico de
Carolina Coronado
Oil on canvas. Ca. 1855
Madrazo y Kuntz, Federico de

The writer Carolina Coronado (1820-1911) was a leading Romantic poet and a staunch advocate of education for women. Her sensitive, melancholy nature is conveyed here with delicate precision. The metic [+]

The Surrender of Bailén
Oil on canvas. 1864
Casado del Alisal, José
The Surrender of Bailén
Oil on canvas. 1864
Casado del Alisal, José

With this canvas painted in Paris, Casado del Alisal reached his own understanding of Velázquez, bringing a new realism to Spanish history painting. But here, rather than reflecting history pai [+]

Montserrat Landscape from Roca Dreta
Oil on canvas. Ca. 1852
Rigalt y Farriols, Luis
Montserrat Landscape from Roca Dreta
Oil on canvas. Ca. 1852
Rigalt y Farriols, Luis

Paisaje al óleo sobre lienzo. La montaña que se divisa al fondo es Montserrat y el peculiar elemento natural que centra la composición es una roca derecha, traducción literal castellana del topónimo c [+]

The Immaculate Conception of Los Venerables
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Immaculate Conception of Los Venerables
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

Murillo created a highly successful formula for representing the Immaculate Conception, with the Virgin dressed in blue and white, her hands crossed over her bosom and her gaze directed at the heavens [+]

Josefa del Águila y Ceballos, later Marchioness of Espeja
Oil on canvas. 1852 - 1854
Madrazo y Kuntz, Federico de
Josefa del Águila y Ceballos, later Marchioness of Espeja
Oil on canvas. 1852 - 1854
Madrazo y Kuntz, Federico de

Madrazo interprets the elegance and refinement of the French painter Jean-Auguste-Dominique Ingres with a personality of his own, especially in the sitter’s pose. The handling of the textiles - notabl [+]

Landscape
Oil on canvas. 1852
Lucas Velázquez, Eugenio
Landscape
Oil on canvas. 1852
Lucas Velázquez, Eugenio

Eugenio Lucas Velázquez, a Romantic artist, painted mountain landscapes, some of notably large size. Here the depth within the panoramic view, the energy and variety of the brushstrokes and the [+]

View of the “Ponte Rotto” in Rome
Salt paper, Albumen on photographic paper. Ca. 1850
Caneva, Giacomo -Photographer- (Attributed To)
View of the “Ponte Rotto” in Rome
Salt paper, Albumen on photographic paper. Ca. 1850
Caneva, Giacomo -Photographer- (Attributed To)

The group of works on paper belonging to the Madrazo family, which the Museo del Prado acquired in 2006, includes an extraordinary collection of photographs. Most are calotypes by the Circle of Photog [+]

The Temple of Venus in Pompeii seen from the south
Salt paper on photographic paper. 1848 - 1852
Anonymous
The Temple of Venus in Pompeii seen from the south
Salt paper on photographic paper. 1848 - 1852
Anonymous

[+]

Sleeping monk
Salt paper on photographic paper. 1848 - 1852
Caneva, Giacomo
Sleeping monk
Salt paper on photographic paper. 1848 - 1852
Caneva, Giacomo

[+]

View of Saint Peter’s in Rome
Salt paper on photographic paper. 1848 - 1852
Caneva, Giacomo
View of Saint Peter’s in Rome
Salt paper on photographic paper. 1848 - 1852
Caneva, Giacomo

[+]

The Temple of the Sibyl at Tivoli
Salt paper on photographic paper. 1848 - 1852
Anonymous
The Temple of the Sibyl at Tivoli
Salt paper on photographic paper. 1848 - 1852
Anonymous

[+]

View of Saint Peter’s in Rome
Salt paper on photographic paper. 1848 - 1852
Caneva, Giacomo -Photographer- (Attributed To)
View of Saint Peter’s in Rome
Salt paper on photographic paper. 1848 - 1852
Caneva, Giacomo -Photographer- (Attributed To)

[+]

View of the Arch of Titus in Rome
Salt paper on photographic paper. 1848 - 1852
Anonymous
View of the Arch of Titus in Rome
Salt paper on photographic paper. 1848 - 1852
Anonymous

[+]

Roman Charity
Carrara marble. 1851
Solá, Antonio
Roman Charity
Carrara marble. 1851
Solá, Antonio

In this late sculpture, Solá addresses the subject of filial devotion; a daughter breast-feeds her imprisoned father to prevent him dying of starvation. The theme, though common in painting, wa [+]

Bust of Mariano Fortuny
Terracotta. 1869
D'épinay, Prosper
Bust of Mariano Fortuny
Terracotta. 1869
D'épinay, Prosper

The sculptor and caricature artist Prosper d’Épinay was a close friend of Fortuny’s and they made portraits of each other. Modelled in Rome, this bust is one of the only two portrait sculptures [+]

The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Venus and Adonis
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Titian (Tiziano Vecellio)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Venus and Adonis
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Titian (Tiziano Vecellio)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Florentino Decraene (1795-1852) que reproduce el lienzo de Tiziano conservado en el Museo Nacional del Prado (P00422). Esta estampa se entregaba con el cuadernillo LXXVIII e iba a [+]

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