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Josefa Coello de Portugal
Oil on canvas. 1855
Madrazo y Kuntz, Federico de
Josefa Coello de Portugal
Oil on canvas. 1855
Madrazo y Kuntz, Federico de

In the mid-nineteenth century Federico de Madrazo produced some of the most successful portraits of the Spanish bourgeoisie during the reign of Isabel II (1833-68), presenting them with the opulence that their social status demanded. In addition to his remarkable artistic ability, his female portraits are outstanding for their depiction of the accessories and adornments. These details are emphasis

María Dolores Aldama, Marchioness of Montelo
Oil on canvas. 1855
Madrazo y Kuntz, Federico de
María Dolores Aldama, Marchioness of Montelo
Oil on canvas. 1855
Madrazo y Kuntz, Federico de

This young aristocrat, portrayed in three-quarter length, stands posed before the viewer wearing a magnificent black satin and velvet dress trimmed with lace and ribbons, a close-fitting bodice and a full, domed skirt. Her hair is smoothed and parted, with braids wound around her ears and gathered in the back, held in place with a large, bejewelled pin and lace frill. She wears, at her neckline, a

Sofía Vela y Querol
Oil on canvas. 1850
Madrazo y Kuntz, Federico de
Sofía Vela y Querol
Oil on canvas. 1850
Madrazo y Kuntz, Federico de

Although Federico de Madrazo began working in the genre of historical painting, his gifts as an artist promptly led him to portraiture, which he cultivated in all its forms throughout his lengthy career and in which he conspicuously excelled. This portrait of Sofía Vela is one of the best from the artist´s romantic period and is a superb example of the intimate portrait. It was exhibited at

Segismundo Moret y Quintana
Oil on canvas. 1855
Madrazo y Kuntz, Federico de
Segismundo Moret y Quintana
Oil on canvas. 1855
Madrazo y Kuntz, Federico de

This portrait provides exceptional testimony to Federico de Madrazo´s fully mature style, which made him the greatest Spanish portrait artist of the middle decades of the nineteenth century. Painted at the pinnacle of his career, Madrazo has combined the technical refinement of the French academic portrait -inspired by the work of Jean-Auguste-Dominique Ingres, a friend of his father´s- with the a

Carolina Coronado
Oil on canvas. Ca. 1855
Madrazo y Kuntz, Federico de
Carolina Coronado
Oil on canvas. Ca. 1855
Madrazo y Kuntz, Federico de

The writer Carolina Coronado (1820-1911) was a leading Romantic poet and a staunch advocate of education for women. Her sensitive, melancholy nature is conveyed here with delicate precision. The meticulous draughtsmanship reflects Madrazo’s academic training, whilst the beautiful black tones of the shawl, like the austere palette, recall the traditions of seventeenthcentury Spanish painting.

Benito Soriano
Oil on canvas. 1855
Madrazo y Kuntz, Federico de
Benito Soriano
Oil on canvas. 1855
Madrazo y Kuntz, Federico de

Retrato de busto en el que aparece el pintor retratado a los 28 años, cuando ya gozaba de una gran amistad con Federico de Madrazo. De frente, ligeramente girado hacia la izquierda, con lentes, amplio bigote y perilla. Sobre la chaqueta y resaltando sobre el blanco de la camisa, un semiabocetado lazo realizado con amplias pinceladas que contrastan con el acabado dibujístico del rostro. El brillo d

The Painter Karl von Blaas
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de
The Painter Karl von Blaas
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de

Retrato de Karl von Blaas (Nauders, Austria, 1815 – Viena, 1894), quien perteneció a una familia de distinguidos pintores austríacos. Se formó en la Academia de Bellas Artes de Venecia, en la que fue premiado en 1837 y donde posteriormente ejerció como profesor. Se le concedió la posibilidad de pasar cinco años viajando por Roma para realizar su obra Moisés en el Monte Sinaí. Allí entró en contact

The Painter Louis Robbe
Pencil on dark yellow paper. 1844
Madrazo y Kuntz, Federico de
The Painter Louis Robbe
Pencil on dark yellow paper. 1844
Madrazo y Kuntz, Federico de

Retrato del pintor Louis Robbe (Courtrai, Bélgica, 1808 – Bruselas, 1887), quien aprovechando un viaje a España y amparado por el pintor Genaro Pérez Villaamil (1807-1854), presentó en 1844 un cuadro a la Exposición de la Academia de San Fernando, que le valió la concesión del título de académico de mérito por la pintura de género de animales. Recibió numerosas recompensas en diversas exposiciones

The Painter Claudio Lorenzale
Pencil on dark yellow paper. 1841
Madrazo y Kuntz, Federico de
The Painter Claudio Lorenzale
Pencil on dark yellow paper. 1841
Madrazo y Kuntz, Federico de

Retrato de Claudio Lorenzale (Barcelona, 1815 - Barcelona, 1889), pintor de historia y discípulo de la Escuela de Bellas Artes de Barcelona, de la que llegó a ser director. Como otros artistas, viajó a Roma para formarse, conociendo de primera mano el arte clásico. Su extensa obra incluye, junto a la pintura al óleo, gran cantidad de dibujos para grabados, vidrieras o piezas de platería, entre otr

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