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The Rape of Europe
Oil on panel. 1636 - 1637
Rubens, Peter Paul
The Rape of Europe
Oil on panel. 1636 - 1637
Rubens, Peter Paul

Europe turns a last glance at her companions, who are located outside the composition, as Jupiter carries her away. The god was profoundly enamored of her and transformed into a bull in order to appro [+]

Deucalion and Pyrrha
Oil on panel. 1636 - 1637
Rubens, Peter Paul
Deucalion and Pyrrha
Oil on panel. 1636 - 1637
Rubens, Peter Paul

Humanity´s rebirth after the flood is represented in Greek mythology through the story of Deucalion and Pyrrha. After surviving the disaster, they threw stones over their shoulders, each of which beca [+]

The Death of the Consul Publius Decius
Oil on panel. 1616 - 1617
Rubens, Peter Paul
The Death of the Consul Publius Decius
Oil on panel. 1616 - 1617
Rubens, Peter Paul

This panel is one of the models designed by Rubens for a series of tapestries on the life of the Consul Publius Decius(4th century BC). It offers an extremely eloquent depiction of this Roman hero’s m [+]

Equestrian Portrait of the Duke of Lerma
Oil on canvas. 1603
Rubens, Peter Paul
Equestrian Portrait of the Duke of Lerma
Oil on canvas. 1603
Rubens, Peter Paul

Felipe III´s favorite, Francisco de Sandoval y Rojas, Marquis of Denia and First Duke of Lerma is shown as chief of the Spanish Armies. Wearing half armor, he rides a white steed and carries a r [+]

Cephalus and Procris
Oil on panel. 1636 - 1637
Rubens, Peter Paul
Cephalus and Procris
Oil on panel. 1636 - 1637
Rubens, Peter Paul

Fearing she was a victim of infidelity, Procris followed her beloved Cephalus to a clearing in the woods, where he was resting during a hunting expedition. The young woman´s jealousy led her to her de [+]

The Education of Achilles
Oil on panel. 1630 - 1635
Rubens, Peter Paul (And Workshop)
The Education of Achilles
Oil on panel. 1630 - 1635
Rubens, Peter Paul (And Workshop)

A model for the tapestry on the same subject that belongs to a series of eight about the Greek hero. The Story of Achilles is smaller than other projects by Rubens, but the quality of its sketches, mo [+]

Diana and her Nymphs hunting
Oil on oak panel. 1636 - 1637
Rubens, Peter Paul
Diana and her Nymphs hunting
Oil on oak panel. 1636 - 1637
Rubens, Peter Paul

Recognizable by the crescent-moon-shaped diadem on her head, Diana hunts deer with spears and dogs, accompanied by various nymphs. The extremely horizontal composition is one of the peculiarities of t [+]

Briseis returned to Achilles by Nestor
Oil on panel. 1630 - 1635
Rubens, Peter Paul (And Workshop)
Briseis returned to Achilles by Nestor
Oil on panel. 1630 - 1635
Rubens, Peter Paul (And Workshop)

A model for the tapestry on the same subject that belongs to a series of eight about the Greek hero. The Story of Achilles is smaller than other projects by Rubens, but the quality of its sketches, mo [+]

Achilles discovered among the Daughters of Lycomedes
Oil on panel. 1630 - 1635
Rubens, Peter Paul (And Workshop)
Achilles discovered among the Daughters of Lycomedes
Oil on panel. 1630 - 1635
Rubens, Peter Paul (And Workshop)

A model for the tapestry on the same subject that belongs to a series of eight about the Greek hero. The Story of Achilles is smaller than other projects by Rubens, but the quality of its sketches, mo [+]

Vertumnus and Pomona
Oil on panel. 1636 - 1637
Rubens, Peter Paul
Vertumnus and Pomona
Oil on panel. 1636 - 1637
Rubens, Peter Paul

According to Ovid´s Metamorphosis, Vertumnus had to disguise himself as a woman in order to gain Pomona´s love. Rubens chose to depict the moment when, having removed his disguise, Vertumnus declares [+]

The Persecution of the Harpies
Oil on panel. 1636 - 1637
Rubens, Peter Paul
The Persecution of the Harpies
Oil on panel. 1636 - 1637
Rubens, Peter Paul

In his Metamorphoses, Ovid tells of the moment when the Harpies, monstrous beings that were half bird and half woman, were pursued and killed by two of the Argonauts that accompanied Jason. On this pa [+]

Hercules and Cerberus
Oil on panel. 1636 - 1637
Rubens, Peter Paul
Hercules and Cerberus
Oil on panel. 1636 - 1637
Rubens, Peter Paul

The mythological hero fights against the fearful three-headed dog that guards the Underworld while two figures, possibly the Underworld´s titular gods, Pluto and Proserpina, watch the scene in terror. [+]

Apollo and the Serpent Python
Oil on panel. 1636 - 1637
Rubens, Peter Paul
Apollo and the Serpent Python
Oil on panel. 1636 - 1637
Rubens, Peter Paul

Apollo fights the terrible Python to free beautiful Andromeda, who was destined to be one of the victims of this monster. She is sketched in behind the beast. In the air, Cupid shoots his arrows into [+]

The Death of Hyacinth
Oil on panel. 1636 - 1637
Rubens, Peter Paul
The Death of Hyacinth
Oil on panel. 1636 - 1637
Rubens, Peter Paul

Apollo helplessly contemplates the death throes of his beloved Hyacinth, who was hit by one of the discs the two were throwing in a display of their athletic skills. This is one of the preparatory ske [+]

Prometheus
Oil on panel. 1636 - 1637
Rubens, Peter Paul
Prometheus
Oil on panel. 1636 - 1637
Rubens, Peter Paul

The mythological hero, Prometheus, was Jupiter´s son. He defied the gods by stealing fire from them and giving it to Humanity in order to improve their life on Earth. This story told by Hesiod in his [+]

The Birth of Apollo and Diana
Ink, White lead, Wash on laid paper. Ca. 1625
Rubens, Peter Paul
The Birth of Apollo and Diana
Ink, White lead, Wash on laid paper. Ca. 1625
Rubens, Peter Paul

Held by two young maids, Leto gives birth to Diana and Apollo before a temple portico. She is surrounded by women and children who help her bear the pain. A second group of children in the foreground [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules; Rubens, Peter Paul (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules; Rubens, Peter Paul (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules; Rubens, Peter Paul (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules; Rubens, Peter Paul (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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