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Christ as the Gardener
Oil on canvas. 1553
Titian (Tiziano Vecellio)
Christ as the Gardener
Oil on canvas. 1553
Titian (Tiziano Vecellio)

In 1553 Titian painted a Noli me tangere for Mary of Hungary, the Emperor Charles V’s sister, which the Spanish Ambassador in Venice described as a “work very worthy of being seen”. Following its arri [+]

The Agony in the Garden
Oil on canvas. 1558 - 1562
Titian (Tiziano Vecellio)
The Agony in the Garden
Oil on canvas. 1558 - 1562
Titian (Tiziano Vecellio)

On 13 July 1558, Philip II asked Titian to make haste with the completion of an Agony in the Garden which the artist had agreed to finish one year earlier, but which was only sent to the monarch in 15 [+]

Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)
Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)

Titian painted his first self-portrait before leaving for Rome in 1545. However, it was after his Roman stay that he showed the most interest in disseminating his image in order to fully establish his [+]

The Allocution of Marquis del Vasto to his Troops
Oil on canvas. 1540 - 1541
Titian (Tiziano Vecellio)
The Allocution of Marquis del Vasto to his Troops
Oil on canvas. 1540 - 1541
Titian (Tiziano Vecellio)

Alfonso d´Avalos, first Marchese del Vasto, was born in Ischia on 25 May 1502 to a noble Neapolitan family of Castilian origins. He fought in Pavia (1525) under the orders of his uncle Fernando d´Aval [+]

Portrait of a Woman
Oil on canvas. Ca. 1560
Titian (Tiziano Vecellio) (And Workshop)
Portrait of a Woman
Oil on canvas. Ca. 1560
Titian (Tiziano Vecellio) (And Workshop)

Previously catalogued as Portrait of Titian’s Daughter Lavinia Vecellio by Veronese, this canvas of an unknown sitter was painted in Titian’s studio. The lively face, probably painted by Titian himsel [+]

The Adoration of the Magi
Oil on canvas. XVI century
Titian (Tiziano Vecellio)
The Adoration of the Magi
Oil on canvas. XVI century
Titian (Tiziano Vecellio)

[+]

The Virgin Dolorosa with her Hands apart
Oil. 1555
Titian (Tiziano Vecellio)
The Virgin Dolorosa with her Hands apart
Oil. 1555
Titian (Tiziano Vecellio)

We know from a letter of 30 June 1553 from the Spanish Ambassador in Venice that Titian was waiting for instructions from the emperor to paint a panel of Our Lady the same as the Ecce Homo which Your [+]

Mater Dolorosa with Clasped Hands
Oil on panel. 1554
Titian (Tiziano Vecellio)
Mater Dolorosa with Clasped Hands
Oil on panel. 1554
Titian (Tiziano Vecellio)

We know from a letter of 30 June 1553 from the Spanish Ambassador in Venice that Titian was waiting for instructions from the emperor to paint a panel of Our Lady the same as the Ecce Homo which Your [+]

Philip II
Oil on canvas. 1549 - 1550
Titian (Tiziano Vecellio) (Workshop Of)
Philip II
Oil on canvas. 1549 - 1550
Titian (Tiziano Vecellio) (Workshop Of)

Philip II (r. 1556-98) was Titian´s most important patron, and together they forged one of the most fruitful artistic relationships of the European Renaissance. Philip surpassed all of the Venetian pa [+]

The Burial of Christ
Oil on canvas. 1559
Titian (Tiziano Vecellio)
The Burial of Christ
Oil on canvas. 1559
Titian (Tiziano Vecellio)

Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]

Venus with an Organist and Cupid
Oil on canvas. Ca. 1555
Titian (Tiziano Vecellio)
Venus with an Organist and Cupid
Oil on canvas. Ca. 1555
Titian (Tiziano Vecellio)

Titian painted five images of Venus and music, but those five variations on a single theme were not made for the same client, nor intended to be exhibited together. Set in a villa, they show Venus rec [+]

Emperor Charles V with a Dog
Oil on canvas. 1533
Titian (Tiziano Vecellio)
Emperor Charles V with a Dog
Oil on canvas. 1533
Titian (Tiziano Vecellio)

The period between 1530 and 1533 was crucial for the formulation of the image of Charles V. The image that ultimately proved most influential was invented by Jacob Seisenegger who painted five full-le [+]

The Virgin and Child with Saints Dorothy and George
Oil on panel. 1515 - 1518
Titian (Tiziano Vecellio)
The Virgin and Child with Saints Dorothy and George
Oil on panel. 1515 - 1518
Titian (Tiziano Vecellio)

The authorship, dating and iconography of this work are all controversial. It was described as being by Titian in the Libro de entregas of the Escorial in 1593, an opinion maintained by Sigüenza [+]

Philip II
Oil on canvas. 1551
Titian (Tiziano Vecellio)
Philip II
Oil on canvas. 1551
Titian (Tiziano Vecellio)

Philip II was Titian’s most important patron, and the pair’s artistic relationship was one of the most fecund of the Renaissance. They met twice while Philip was still a prince, in Milan (December 154 [+]

Saint Margaret
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)
Saint Margaret
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)

Philip II owned two pictures of this saint painted by Titian. The first can be identified with the portrait of Saint Margaret mentioned by the painter in a letter sent to the then Prince Philip on II [+]

Empress Isabella of Portugal
Oil on canvas. 1548
Titian (Tiziano Vecellio)
Empress Isabella of Portugal
Oil on canvas. 1548
Titian (Tiziano Vecellio)

The portraits that Titian painted of Isabella (1503-1539), daughter of King Manuel of Portugal and wife of Charles V from 1526, constitute one of the most moving episodes within Renaissance art. When [+]

Knight with a Clock
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)
Knight with a Clock
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)

The unknown subject of this portrait has been identified, inconclusively, as either Gianello della Torre, a clockmaker at the Spanish court, or some member of the Cuccini family. Whether or not the fi [+]

Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)
Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)

The first Poesie presented to Prince Philip were Danaë (1553, The Wellington Collection) and Venus and Adonis (1554, Museo del Prado, P422), versions of other previous works, but endowed with all [+]

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