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The Fountain of the Tritons in the Island Garden, Aranjuez
Oil on canvas. 1657
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
The Fountain of the Tritons in the Island Garden, Aranjuez
Oil on canvas. 1657
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

[+]

Prince Baltasar Carlos on Horseback
Oil on canvas. 1634 - 1635
Velázquez, Diego Rodríguez de Silva y
Prince Baltasar Carlos on Horseback
Oil on canvas. 1634 - 1635
Velázquez, Diego Rodríguez de Silva y

In 1624, soon after Velázquez`s arrival at court, the political writer Almansa noted that the equestrian order was and is the backbone of republics. This notion was shared by the Spanish monarc [+]

Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

Of the equestrian portraits painted for the Hall of Realms, this is the only one with a declaration of authorship. The lower left corner has been a customary place throughout the history of painting f [+]

The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y
The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y

One of the most unique and distinctive areas within Velázquez`s oeuvre is that of his portraits of buffoons, dwarves and individuals collectively known as hombres de placer (men of pleasure). T [+]

Gaspar de Guzmán, Count-Duke of Olivares, on Horseback
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y
Gaspar de Guzmán, Count-Duke of Olivares, on Horseback
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y

Along with Philip IV and Velázquez, the third name intimately associated with the Buen Retiro Palace is Gaspar de Guzmán, Count-Duke of Olivares (1587-1645). When Philip IV took the thro [+]

View of the Gardens of the Villa Medici, Rome
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y
View of the Gardens of the Villa Medici, Rome
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y

A masterpiece in the history of Western landscape painting, in which Velázquez set out his idea of landscape without any narrative excuse to justify it, this Roman scene and its companion work [+]

Menippus
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y
Menippus
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y

Aesop and Menippus are first listed in the inventory of the Torre de la Parada between 1701 and 1703. Among other works, this hunting lodge had a vast cycle of mythological paintings made by Rubens an [+]

Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

This pair of portraits (P001220 and P001222) combines several aspects of Spanish portraiture of the Baroque period. In principle, the figures of Philip IV and his second wife, Mariana of Austria, are [+]

The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

On June 5, 1625 the Dutch governor of Breda, Justinus van Nassau, surrendered the keys of that city to Ambrosio Spínola, the Genoese general commanding the Spanish tercios (a group of soldiers [+]

A Sybil
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y
A Sybil
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y

The first known reference to this work dates from 1746, when an inventory of paintings at the La Granja Palace was drawn up. There, it is attributed to Velázquez and identified as a likeness of [+]

Juan Francisco de Pimentel, Count of Benavente
Oil on canvas. Ca. 1648
Velázquez, Diego Rodríguez de Silva y (Attributed To)
Juan Francisco de Pimentel, Count of Benavente
Oil on canvas. Ca. 1648
Velázquez, Diego Rodríguez de Silva y (Attributed To)

Juan Francisco Alfonso de Pimentel Ponce de León, 10th Count and 7th Duke of Benavente (1584-1652), is portrayed more than half length with a whole host of attributes that confirm is supreme mi [+]

Maria Anna of Spain, Queen of Hungary
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y
Maria Anna of Spain, Queen of Hungary
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y

Philip IV´s sister, Maria, was born in El Escorial in 1606. As a result of her royal lineage, she was destined to become yet another pawn in the play of matrimonial alliances that the European courts [+]

Philip IV in Armour, with a Lion at his Feet
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Philip IV in Armour, with a Lion at his Feet
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

In its present state the painting reveals two different phases of creation. The apparent age of the sitter and the notable similarities with his appearance in Velázquez`s portrait of the elderl [+]

Philip IV
Oil on canvas. 1626 - 1628
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. 1626 - 1628
Velázquez, Diego Rodríguez de Silva y

This is an extraordinary example of the eventful life of many royal portraits during the Siglo de Oro, and it shows just how much those paintings, rather than immutable artworks, were objects with a r [+]

Philip IV
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y

This image can be identified as that of a king and as a portrait of Philip IV on the basis of others of the monarch. In fact, nothing about the clothes or the sitter`s actions suggests his royal statu [+]

The Spinners, or the Fable of Arachne
Oil on canvas. 1655 - 1660
Velázquez, Diego Rodríguez de Silva y
The Spinners, or the Fable of Arachne
Oil on canvas. 1655 - 1660
Velázquez, Diego Rodríguez de Silva y

This painting is the result of two acts carried out in different periods. First, Velázquez painted the surface occupied by the figures and the tapestry in the background. Later, in the 18th cen [+]

The Boy from Vallecas (Francisco Lezcano)
Oil on canvas. 1635 - 1645
Velázquez, Diego Rodríguez de Silva y
The Boy from Vallecas (Francisco Lezcano)
Oil on canvas. 1635 - 1645
Velázquez, Diego Rodríguez de Silva y

In the foreground of this canvas, a figure dressed in green holds in his hands what appears to be a pack of cards and looks directly at the viewer, as if to invite us to participate in the game. He is [+]

The Coronation of the Virgin
Oil on canvas. 1635 - 1636
Velázquez, Diego Rodríguez de Silva y
The Coronation of the Virgin
Oil on canvas. 1635 - 1636
Velázquez, Diego Rodríguez de Silva y

Velázquez painted The Coronation of the Virgin for Queen Elizabeth of Bourbon`s new prayer chapel at Madrid`s Alcázar palace, where it was intended to complete the series of nine paintin [+]

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