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When describing the work of this prolific painter of still lifes, it is frequently said that Luis Meléndez included only commonplace objects in his canvases; this painting, in fact, offers the [+]
In the shadow of great names like Velázquez, a very interesting school of painting developed in Madrid during the seventeenth century. On occasions, it reached very high levels of quality. One [+]
The thin naked torso, the cloth made from rushes, the skull and the book suggest that the figure in the painting is a hermit; the bread crust in the foreground tells us that it is Saint Paul, the firs [+]
Seghers trained in Antwerp and was a member of the Jesuit Order. Around 1640 he started to paint reliefs with religious motifs framed by garlands. Works of this type proclaimed the legitimacy of image [+]
Luycks depicts a table with a basket of grapes, quince and other fruit as well as a hare and various dead birds. At the lower right a dog barking at a cat adds a note of life to the scene. Christiaan [+]
In the foreground, Diana holds a bow in her left hand while extracting an arrow from her quiver with the right. The moon appears over her forehead, and behind her, a fragment of the Zodiac includes th [+]
On what appears to be a wooden table or ledge we see boiled crabs and shrimp, several freshwater fish (two carp, a roach, possibly several ide, and a northern pike), a dark glass goblet, a brass candl [+]
Three figures enjoy tobacco in an expressive manner in the foreground while an onlooker leans through the window. Around a table in the background, another group of figures drinks or plays cards. This [+]
El santo portugués aparece representado de tres cuartos, de pie, junto a un oratorio o bufete cubierto por un paño, sobre el que reposa un libro y una vara de azucenas, mientras sostiene al Niño Jesús [+]
Ferdinand IV (1751-1825) was the third son of Charles VII of Naples and his wife, Maria Amalia of Saxony. When his father acceded to the Spanish throne as Charles III in 1759, he became king of Naples [+]
"David contempló desde la terraza de su palacio a la bella Betsabé que se encontraba desnuda bañándose. Preguntó por ella y le respondieron que se trataba de la mujer de Urías, el jeteo, lo cual no de [+]
This full-length portrait by Pompeo Batoni shows a young English nobleman dressed in a scarlet coat, posing against the Roman countryside. The picture conforms to the Grand Tour portrait model of whic [+]
Within the large series of paintings dedicated to the history of Rome, this work and Meleager’s Hunt (P2320) belong to a small group of scenes from mythology and the history of Antiquity. This is undo [+]
María Magdalena es una de las santas más célebres del cristianismo, por haber conocido a Cristo y porque representó el paradigma de la mujer arrepentida. En su etapa de vida mundana suele caracterizar [+]
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The first known reference to this work dates from 1746, when an inventory of paintings at the La Granja Palace was drawn up. There, it is attributed to Velázquez and identified as a likeness of [+]
Jesus is shown half-length, crowned with thorns and with a haggard face, parted lips, prominent cheekbones, and moist eyes raised in an attitude of submission to the divine will. His hair, beard, mous [+]
Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]
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