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Penitent Magdalen
Oil on canvas. XVII century
Murillo, Bartolomé Esteban (Copy)
Penitent Magdalen
Oil on canvas. XVII century
Murillo, Bartolomé Esteban (Copy)

[+]

The Immaculate Conception of El Escorial
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Immaculate Conception of El Escorial
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

In this personification of the Virgin Mary as the Immaculate Conception, the protagonist, although still very youthful, is not as childlike as those of Zurbarán and Velázquez and lacks t [+]

The Penintent Saint Jerome
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Penintent Saint Jerome
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

Jerome meditates before a crucifix in the solitude of his retreat. The numerous objects depicted around him refer to different aspects of his life. The books, papers and writing equipment allude to hi [+]

The Prodigal Son squandering his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son squandering his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

Esta obra, junto con El hijo pródigo recoge su legítima (P997), La despedida del hijo pródigo (P998) y El hijo pródigo abandonado (P1000), son los cuatro únicos bocetos conocidos de una serie integrad [+]

The Prodigal Son taking leave of his Home
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son taking leave of his Home
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

Esta obra, junto con El hijo pródigo recoge su legítima (P997), La disipación del hijo pródigo (P999) y El hijo pródigo abandonado (P1000), son los cuatro únicos bocetos conocidos de una serie integra [+]

The Prodigal Son receiving his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son receiving his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

These are the four surviving preparatory sketches for a series of six canvases now in the National Gallery in Dublin, based on the parable of the Prodigal son (Lc 15). They are partly based on prints [+]

The Immaculate Conception
Oil on canvas. Ca. 1665
Murillo, Bartolomé Esteban
The Immaculate Conception
Oil on canvas. Ca. 1665
Murillo, Bartolomé Esteban

The colours of the Virgin’s tunic and cloak, her loose hair, hands crossed on her breast, her devoted gaze raised to heaven and the presence of the moon are elements of the imagery of the Immaculate C [+]

The Martyrdom of Saint Andrew
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban
The Martyrdom of Saint Andrew
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban

At the centre of this painting, the apostle Saint Andrew is being tied to the X-shaped cross on which he will die. His muscles are taut and he raises his eyes heavenward, where several angels carry th [+]

The Vision of Saint Francis in the Portiuncula
Oil on canvas. 1670 - 1680
Murillo, Bartolomé Esteban
The Vision of Saint Francis in the Portiuncula
Oil on canvas. 1670 - 1680
Murillo, Bartolomé Esteban

As Saint Francis prayed in the chapel of the Portiuncula, Christ and the Virgin appeared to him. Murillo used the flowers, angels, clouds and light to create a link between everyday reality and the sp [+]

The crucified Christ
Oil on canvas. Ca. 1675
Murillo, Bartolomé Esteban
The crucified Christ
Oil on canvas. Ca. 1675
Murillo, Bartolomé Esteban

The background of a dark, cloudy sky creates a dramatic setting for this presentation of Christ’s sacrifice on the cross. Murillo uses light to model the body, while the slight twist of the torso and [+]

The Conversion of Saint Paul
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban
The Conversion of Saint Paul
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban

Saint Paul fell from his horse as he heard Christ’s words “Why persecutest thou me?” which brought about his conversion. Murillo’s interpretation is notably dynamic, making use of the contrast between [+]

Ecce Homo
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban
Ecce Homo
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban

Ecce Homo and The Virgin Dolorosa (P977) are comparable with regard to size, provenance and their partial dependence on models by Titian. Above all, they are linked by their subject matter and are mos [+]

The Head of Saint John the Baptist
Oil on canvas. XVII century
Murillo, Bartolomé Esteban (Attributed To)
The Head of Saint John the Baptist
Oil on canvas. XVII century
Murillo, Bartolomé Esteban (Attributed To)

[+]

The Apparition of the Virgin to Saint Bernard
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban
The Apparition of the Virgin to Saint Bernard
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban

The Virgin appears miraculously to Saint Bernard to offer him her milk as a reward for his praises and defense. The Saint is surprised while studying and falls to his knees. His desk and bookshelves a [+]

The Annunciation
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
The Annunciation
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

A New Testament scene (Luke 1, 26-38) that depicts the Archangel Gabriel´s Annunciation to the Virgin Mary and her acceptance of the fact that she will become the Mother of God through the intercessio [+]

The Apparition of the Virgin to Saint Ildephonsus
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban
The Apparition of the Virgin to Saint Ildephonsus
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban

This miraculous scene from the life of Saint Ildefonso portrays the moment when the Virgin descended from Heaven to give him a chasuble as a prize for his praises. The choice of this subject correspon [+]

Rebecca and Eliezer
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
Rebecca and Eliezer
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

In his search for a wife for his master, Isaac, Eliezer encountered Rebecca, who offered him water from her pitcher by the well. The biblical account offered Murillo the perfect pretext for depicting [+]

The Apostle James
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban
The Apostle James
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban

The Apostle James can be identified by the pilgrim’s staff in his right hand and the cockle shell on his breast. Standing firmly before a dark background, his face and powerful body indicate the lesso [+]

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