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The Battle of Wad-Rass
Oil on paper attached to cardboard. 1860 - 1861
Fortuny, Mariano
The Battle of Wad-Rass
Oil on paper attached to cardboard. 1860 - 1861
Fortuny, Mariano

Shortly before Mariano Fortuny concluded the second year of the pension he had received from the Regional Government of Barcelona in 1858 to complete his studies in Rome, that same institution commiss [+]

María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny, Mariano
María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny, Mariano

This watercolour is part of a group of works Fortuny painted shortly before returning to Rome in 1868 using the people around him as models. María Teresa was the only child born of the marriage [+]

Menippus, detail (copy after Velázquez)
Watercolour, Gouache / tempera on paper. 1866 - 1868
Fortuny, Mariano (Copy After Velázquez, Diego Rodríguez de Silva y)
Menippus, detail (copy after Velázquez)
Watercolour, Gouache / tempera on paper. 1866 - 1868
Fortuny, Mariano (Copy After Velázquez, Diego Rodríguez de Silva y)

Fortuny made an ample number of copies of famous paintings, some as late as the end of the 1860s. They reveal his interest in deepening his knowledge of the painting of the great masters, especially V [+]

Sand with Mountain Line. Morocco
Pencil strokes, Watercolour on white paper. Ca. 1860
Fortuny, Mariano
Sand with Mountain Line. Morocco
Pencil strokes, Watercolour on white paper. Ca. 1860
Fortuny, Mariano

The Provincial Council of Barcelona sent Fortuny to Morocco to compile graphic information for subsequent paintings on the most notable achievements in the Spanish-Moroccan War, in which Catalan volun [+]

Standing male nude facing front, with left hand leaning on a stone block
Conté crayon, White chalk on laid paper. Ca. 1861
Fortuny, Mariano
Standing male nude facing front, with left hand leaning on a stone block
Conté crayon, White chalk on laid paper. Ca. 1861
Fortuny, Mariano

Executed as an exercise in anatomy, this drawing dates from the end of the painter’s formative period in Rome and displays the firm, well-defined strokes of a more mature artist. The light, artificial [+]

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