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The Inquisition
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
The Inquisition
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Witches' Sabbath, or the Great He-Goat
Oil on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Witches' Sabbath, or the Great He-Goat
Oil on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Asmodea
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Asmodea
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Reading
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Reading
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

View of the Castle in Gaucín
Oil on canvas. 1849
Pérez Villaamil y Duguet, Genaro
View of the Castle in Gaucín
Oil on canvas. 1849
Pérez Villaamil y Duguet, Genaro

This view of the so-called Eagle’s Castle in Gaucín (Malaga), with the valley of the Genal River and the Plain of Gibraltar in the background, is similar to an earlier view by Villaamil’s maste [+]

Saturn
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Saturn
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Self-Portrait
Oil on canvas. 1884
Domingo Marqués, Francisco
Self-Portrait
Oil on canvas. 1884
Domingo Marqués, Francisco

From an early age, Domingo displayed considerable skill as a portraitist. In this self-portrait, he is seated in profile, standing out against a dark background. In contrast to the intimate, introspec [+]

Washerwomen of La Varenne, France
Oil on canvas. Ca. 1865
Rico y Ortega, Martín
Washerwomen of La Varenne, France
Oil on canvas. Ca. 1865
Rico y Ortega, Martín

Martín Rico was one of the leading Spanish landscape painters of the second half of the nineteenth-century. He was particularly interested in depicting tranquil stretches of water, and during h [+]

The Drowning Dog
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
The Drowning Dog
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

The Painter Eduardo Rosales
Oil on canvas. 1867
Madrazo y Kuntz, Federico de
The Painter Eduardo Rosales
Oil on canvas. 1867
Madrazo y Kuntz, Federico de

According to the inscription on the right, this is a portrait of the painter and friend of Madrazo, Eduardo Rosales. The detailed rendering of the face in profile stands out against the neutral green [+]

Tile Factories on Príncipe Pío Hill
Oil on canvas. Ca. 1872
Haes, Carlos de
Tile Factories on Príncipe Pío Hill
Oil on canvas. Ca. 1872
Haes, Carlos de

The ruins of an old Tile Factory and the adjacent constuction on Príncipe Pío Hill at the Royal Seat of La Florida, Madrid. This enclave was one of the most visited by Haes and his disci [+]

The Fight at the Cock Inn (Brawl at the Mesón del Gallo Inn)
Oil on canvas. 1777
Goya y Lucientes, Francisco de
The Fight at the Cock Inn (Brawl at the Mesón del Gallo Inn)
Oil on canvas. 1777
Goya y Lucientes, Francisco de

This is the preparatory sketch for the cartoon of The Fight at the New Inn (P-770). It differs from the final composition in some respects, most importantly the name of the inn, which is “The Cock Inn [+]

Two Old Men eating
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Two Old Men eating
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks [+]

Young Boy Seated
Oil on canvas. 1859
Manzano y Mejorada, Víctor
Young Boy Seated
Oil on canvas. 1859
Manzano y Mejorada, Víctor

Manzano, a skilled portraitist and leading painter of genre scenes, highlights the fact that -despite his poverty- the boy can read, an uncommon skill in the nineteenth century, even among the middle [+]

Concepción Miramón
Oil on canvas. 1889
Palmaroli y González, Vicente
Concepción Miramón
Oil on canvas. 1889
Palmaroli y González, Vicente

In this three-quarters portrait, the lady is standing and slightly turned to the left. Her pose, with interlaced fingers, is very relaxed. Concepción Miramón de Duret´s father, General M [+]

Pool in the Gardens of the Real Alcázar, Seville
Oil on panel. 1868
Madrazo y Garreta, Raimundo de
Pool in the Gardens of the Real Alcázar, Seville
Oil on panel. 1868
Madrazo y Garreta, Raimundo de

Two little girls play with one of the swans in the pool of the Jardín de las Damas at the Real Alcázar in Seville. Madrazo displays here his extraordinary skill with colours, particularl [+]

Saint Andrew (copy after Ribera)
Oil on canvas. Ca. 1867
Fortuny, Mariano
Saint Andrew (copy after Ribera)
Oil on canvas. Ca. 1867
Fortuny, Mariano

Fortuny produces a faithful interpretation of Jusepe de Ribera’s painting in the Museo del Prado, though his attention is focused exclusively on capturing the effects of the light on an elderly man’s [+]

The Pilgrimage to San Isidro
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
The Pilgrimage to San Isidro
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

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