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Abused and raped by their husbands the Counts of Carrión, the daughters of El Cid –Doña Elvira and Doña Sol– were abandoned, bound and semi-naked, in a forest. In the background, [+]
Aline Masson was Madrazo’s favourite model for genre paintings. Her heavy-lidded gaze and slightly defiant attitude convey the frivolous atmosphere of Paris, where Madrazo’s portraits met with great a [+]
Born in 1784 in El Escorial, Fernando VII was Carlos IV eldest son by Maria Luisa. In 1815, after abolishing the Constitution, he reined as an absolute monarch. He appears wearing the symbols of his r [+]
This canvas was displayed on the ceiling of the Salon Rouge of the Duke and Duchess of Riánsares’ Paris mansion. The decoration of this hall, which was designed to receive visitors, glorified M [+]
The Valencian painter Antonio Gomar (1853-1911), who specialised in landscapes and decorative compositions, is portrayed by his compatriot Sorolla at the age of 53. The work’s landscape format, influe [+]
An intensely sensual female nude that presents the figure in the form of a pearl enclosed in its box, the ocean, which may be an allusion to the birth of Venus. Presented at the Paris Salon of 1863, t [+]
María de la Concepción Serrano y Domínguez was the eldest child of General Serrano, the Duke of Torre. She was born in Havana in 1860, which her father was Commander in Chief of C [+]
Emperor Nero accused his teacher, Seneca, of treason and ordered his execution. Scorning imperial power, the philosopher decided to take his own life. First he cut his veins and then he took poison. I [+]
Fortuny’s predilection for beautifully colored and very carefully painted panels is perfectly exemplified by the present work, which reveals his mastery of tableautin, a type of painting that garnered [+]
The eldest of six children born to Joaquín María de Errazu and Guadalupe Rubio de Tejada, Manuela was born in Querétaro (Mexico) in 1839. Her family, of Spanish origin, amassed a [+]
This work bears exceptional witness to the concurrence of Fortuny’s painting with that of his close friend, Raimundo de Madrazo. Begun by the former, it was completed after his death by the latter wit [+]
This portrait of María Guerrero, Sorolla’s neighbour and friend, is probably the finest and most expressive example of the eminent actress’s lifelong obsession with her own image. From childhoo [+]
Fortuny’s sudden death left this painting unfinished, yet it remains one of his finest pieces, and the maximum expression of the audacious pictorial modernity that characterizes his mature work.The tw [+]
Fortuny produces a faithful interpretation of Jusepe de Ribera’s painting in the Museo del Prado, though his attention is focused exclusively on capturing the effects of the light on an elderly man’s [+]
This work was painted at a very important moment in Rico’s career, a period spent in direct contact with Fortuny in Granada in 1871 and 1872. He move there towards the end of 1870, but he was already [+]
As the dedication indicates, this portrait reflects the close friendship between the artist and Eduardo Zamacois (1841-1871), his friend and fellow artist in Paris. Despite the portrait’s restrained, [+]
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After revolutionizing the painting of his time with Queen Isabel la Católica dictating her Last Will and Testament (P4624), Rosales again shook the very foundations of the Spanish art world whe [+]
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