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The Virgin and Child
Black chalk on yellow laid paper. Ca. 1662
Cano, Alonso
The Virgin and Child
Black chalk on yellow laid paper. Ca. 1662
Cano, Alonso

De más de medio cuerpo, la Virgen sostiene con la mano izquierda al Niño, desnudo, sentado en su regazo, mientras con la derecha hace ademán de descubrirse el seno.Wethey señala su relación con los mo [+]

Cristo flagelado, recogiendo sus vestiduras
Pencil ground, Ink, Grey-brown wash on green paper. 1645 - 1650
Cano, Alonso
Cristo flagelado, recogiendo sus vestiduras
Pencil ground, Ink, Grey-brown wash on green paper. 1645 - 1650
Cano, Alonso

Nude, Christ leans over to the right while holding his tunic. The whipping post and whips are visible in the background to the left. This is a preparatory work for the canvas at the Academy of San Fer [+]

The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso
The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso

La Virgen se encuentra sentada sobre unas nubes, en la parte superior derecha, y el Niño se aleja de su madre para dirigirse hacia San Félix, cuyos brazos abiertos esperan al pequeño que ha sido confi [+]

The Virgin and Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVII century
Cano, Alonso
The Virgin and Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVII century
Cano, Alonso

Vemos a la Virgen en una longitud de tres cuartos, vuelta ligeramente hacia la izquierda y sosteniendo al Niño Jesús. Un velo le cubre parte de la cabeza, y los pliegues voluminosos de esta misma pren [+]

Angel with the Trumpet of the Last Judgement
Pencil, Wash on yellow laid paper. 1660 - 1667
Cano, Alonso
Angel with the Trumpet of the Last Judgement
Pencil, Wash on yellow laid paper. 1660 - 1667
Cano, Alonso

Un ángel adolescente con las alas desplegadas está tocando una trompeta, que sujeta con la mano derecha, al tiempo que la izquierda descansa en una nube. La relación entre este dibujo, una copia Ángel [+]

The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)
The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)

The Virgin appears full length, standing on the crescent moon and held by three cherubs. Her hands are joined and her head is gently tilted to the right. Wethey does not consider this a work by Cano, [+]

Saint Dominic in Soriano
Pencil, Pencil ground, Grey-brown wash on yellow paper. Ca. 1660
Cano, Alonso
Saint Dominic in Soriano
Pencil, Pencil ground, Grey-brown wash on yellow paper. Ca. 1660
Cano, Alonso

The Virgin appears at the right of the composition, with extended arms. At the left, Saint Mary Magdalene and Saint Catherine hand a canvas with the likeness of Saint Dominic to the kneeling monk. Thi [+]

Standing Angel
Pencil, Grey-brown wash on yellow laid paper. 1630
Cano, Alonso
Standing Angel
Pencil, Grey-brown wash on yellow laid paper. 1630
Cano, Alonso

Sánchez Cantón thought the inscription on the banner was by the artist himself and added that this may have been the design for an ex-libris or a frontispiece. The Museo del Prado’s 1857 [+]

Saint Joseph with the Christ Child in a Cradle
Pencil, Grey-brown ink on yellow paper. Ca. 1645
Cano, Alonso
Saint Joseph with the Christ Child in a Cradle
Pencil, Grey-brown ink on yellow paper. Ca. 1645
Cano, Alonso

In this indoor scene, Saint Joseph appears at the left of the composition, kneeling beside the infant Jesus’ cradle and leaning on a cross-shaped crook. The drawing has been cropped on both sides and [+]

The Annunciation
Pencil, Pencil ground, Grey-brown wash on yellow paper. 1645
Cano, Alonso
The Annunciation
Pencil, Pencil ground, Grey-brown wash on yellow paper. 1645
Cano, Alonso

La delicada belleza que Cano podía lograr a cualquier escala es claramente evidente en este dibujo de composición acabada. El ángel Gabriel acaba de aparecerse a la Virgen, y se ha posado en tierra co [+]

The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso
The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso

Several pieces of paper have been glued to the original support by the artist in order to correct the original lines of certain parts of the composition (the angel’s shoulder and Abraham’s head). Isaa [+]

Young Saint John and the Christ Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. 1666 - 1667
Cano, Alonso
Young Saint John and the Christ Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. 1666 - 1667
Cano, Alonso

Kneeling at the left, with his left arm around the lamb, young Saint John raises his eyes to the nude Christ Child standing at his side. The scene is presented in a heart-shaped cartouche. This is a p [+]

Saint Joseph and the Child Jesus
Pencil, Grey-brown wash on yellow paper. XVII century
Cano, Alonso
Saint Joseph and the Child Jesus
Pencil, Grey-brown wash on yellow paper. XVII century
Cano, Alonso

En un paisaje, delante de un grueso árbol, aparecen San José con el Niño de su mano. La escena aparece encuadrada en un marco arquitectónico fingido, flanqueada por columnas corintias, como si se trat [+]

Design for an altarpiece dedicated to Saint Andrew, from Madrid / Heads
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Ca. 1643
Cano, Alonso
Design for an altarpiece dedicated to Saint Andrew, from Madrid / Heads
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Ca. 1643
Cano, Alonso

Un retablo imponente, de elegantes proporciones, no incluye demasiados componentes pictóricos o escultóricos, confiriendo así mayor importancia a la arquitectura y su ornamentación. En el registro inf [+]

Saint Anthony of Padua
Black chalk, Red chalk on yellow laid paper. XVII century
Cano, Alonso (Attributed To)
Saint Anthony of Padua
Black chalk, Red chalk on yellow laid paper. XVII century
Cano, Alonso (Attributed To)

Representación del Santo, de cuerpo entero, de pie, con el Niño Jesús en los brazos.Según Wethey no es obra de Cano. En el Inventario de 1857 aparece recogido tan solo como obra de escuela de Cano. Pu [+]

Saint John the Evangelist in Patmos
Pencil, Pencil ground, Ink, Grey-brown wash on yellow laid paper. 1635 - 1645
Cano, Alonso
Saint John the Evangelist in Patmos
Pencil, Pencil ground, Ink, Grey-brown wash on yellow laid paper. 1635 - 1645
Cano, Alonso

Este dibujo presenta a San Juan en la madurez (se le puede representar en la juventud o en la vejez). Esta sentado a la izquierda, posiblemente sobre las raíces de un árbol, sujetando una tablilla par [+]

Altarpiece of Saint John of God
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso
Altarpiece of Saint John of God
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso

In the bottom section, the tabernacle is flanked by two scenes: Saint John distributing alms in the company of an angel, and Saint John washing Christ’s feet. The middle section has an image of the Vi [+]

The Virgin and Child with Angels
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Ca. 1665
Cano, Alonso
The Virgin and Child with Angels
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Ca. 1665
Cano, Alonso

El motivo central de este dibujo –la Virgen con el Niño de pie- guarda una estrecha relación con la composición pintada que realizó Cano de La Virgen del Rosario de la Catedral de Málaga, finalizada e [+]

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