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Dead Turkey
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de
Dead Turkey
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de

This canvas is one of a series of twelve still lifes that were listed among the artist’s possessions in 1812. Since his early years Goya included still-life elements in his canvases but there is no re [+]

Dead Fowl
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de
Dead Fowl
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de

Along with twelve other still lifes, the present work appears in the inventory of Goya´s property made after the death of his wife, Josefa Bayeu (1747-1812) The rich and warm palette and a certain ins [+]

Witches’ proclamation prohibiting those under the age of thirty, no matter how deserving they may be
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Witches’ proclamation prohibiting those under the age of thirty, no matter how deserving they may be
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for an unpublished plate from the Caprichos does not correspond to any specific etching. Together, the twenty-six pen-and-ink drawings that constitute the basis for The Capric [+]

I am still learning
Black chalk, Lithographic crayon on grey laid paper. Ca. 1826
Goya y Lucientes, Francisco de
I am still learning
Black chalk, Lithographic crayon on grey laid paper. Ca. 1826
Goya y Lucientes, Francisco de

I am still learning, from the Bordeaux Sketchbook G, dates from around 1825-28, and may well be the drawing that best sums up Goya’s spirit in the final years of his life. In fact, it has become a rec [+]

Is it enough?
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Is it enough?
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Visit to the quack
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de
Visit to the quack
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de

This vaulted space, the site of what seems to be a visit to a quack, is a typical feature used in Goya´s composition when his intention is to create a dark atmosphere for symbolic purposes. The scene [+]

For those who are in deadly sin
Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
For those who are in deadly sin
Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

To the market
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de
To the market
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de

A good number of the drawings in this Sketchbook F portray scenes from the daily lives of humble country people. With intense strokes of washes applied with a brush, Goya created compositions depictin [+]

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