The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
125 results
Villerville Seaview
Oil on canvas mounted on cardboard. 1877 - 1884
Haes, Carlos de
Villerville Seaview
Oil on canvas mounted on cardboard. 1877 - 1884
Haes, Carlos de

Sobre una gran extensión de playa una barca pesquera con los mástiles erguidos y las velas replegadas descansa en la arena. Alrededor de ella cinco figuras diminutas de pescadores. A la izquierda mont [+]

Dario de Regoyos Playing the Guitar
Oil on canvas mounted on panel. 1885
Rysselberghe, Theo Van
Dario de Regoyos Playing the Guitar
Oil on canvas mounted on panel. 1885
Rysselberghe, Theo Van

La obra corresponde al primer periodo pictórico de Théo Van Rysselberghe, en el que los pintores que más admiraba constituían su guía para la realización de sus obras. Entre ellos se encontraban su pr [+]

Douarnenez Steeple
Oil on canvas. 1877 - 1884
Haes, Carlos de
Douarnenez Steeple
Oil on canvas. 1877 - 1884
Haes, Carlos de

These are instantaneous sketches taken directly from nature, here on the coast, in the French countryside, and in the mountains of Picos de Europa. Haes was a moving force in the transformation of lan [+]

Saint Mark the Evangelist
Oil on canvas. Ca. 1875
Sans Cabot, Francisco
Saint Mark the Evangelist
Oil on canvas. Ca. 1875
Sans Cabot, Francisco

[+]

Self-Portrait
Oil on canvas. 1884
Domingo Marqués, Francisco
Self-Portrait
Oil on canvas. 1884
Domingo Marqués, Francisco

From an early age, Domingo displayed considerable skill as a portraitist. In this self-portrait, he is seated in profile, standing out against a dark background. In contrast to the intimate, introspec [+]

A Square in Paris
Oil on canvas. 1887
Meifrén Roig, Eliseo
A Square in Paris
Oil on canvas. 1887
Meifrén Roig, Eliseo

This is one of Meifrén’s views of Paris, where he spent various periods from the late 1870s onwards. It depicts a café on the Place de Clichy near Montmartre. It predates the depictions [+]

Villerville Beach (Normandy)
Oil on canvas transferred to panel. 1877 - 1884
Haes, Carlos de
Villerville Beach (Normandy)
Oil on canvas transferred to panel. 1877 - 1884
Haes, Carlos de

A view of the profile of the Villerville mansion from the beach. The short, impasto and vibrant brushtrokes emphasize the sensation of a fleeting moment that Haes seems to have wanted to capture with [+]

Dunes of Villerville
Oil on canvas mounted on cardboard. 1877 - 1884
Haes, Carlos de
Dunes of Villerville
Oil on canvas mounted on cardboard. 1877 - 1884
Haes, Carlos de

A la izquierda, sobre un montículo, matorrales y un poste en primer término. Detrás, restos de una empalizada que baja hasta el mar. En el centro y sobre la arena, restos de troncos arrastrados por la [+]

Magdalena Parrella y Urbieta and her Daughter, Elisa Tapia y Parrella
Oil on canvas. 1850
Ribera y Fieve, Carlos Luis de
Magdalena Parrella y Urbieta and her Daughter, Elisa Tapia y Parrella
Oil on canvas. 1850
Ribera y Fieve, Carlos Luis de

Double portraits of this type, which were common in the mid-nineteenth century, were generally painted when the son or daughter was presented in society. The mother, depicted as seated, represented an [+]

The Port of Rouen
Oil on canvas attached to canvas. Ca. 1884
Haes, Carlos de
The Port of Rouen
Oil on canvas attached to canvas. Ca. 1884
Haes, Carlos de

These are instantaneous sketches taken directly from nature, here on the coast, in the French countryside, and in the mountains of Picos de Europa. Haes was a moving force in the transformation of lan [+]

Large Landscape (Aragon)
Oil on canvas. 1884
Domingo Marqués, Francisco
Large Landscape (Aragon)
Oil on canvas. 1884
Domingo Marqués, Francisco

A landscape of the barren plains of Aragon, where the absence of vegetation makes rock the protagonist and the element used to build the painting. From the boulders in the foreground to the mountains [+]

The Young Naturalists
Oil on canvas. 1893
Jiménez Aranda, José
The Young Naturalists
Oil on canvas. 1893
Jiménez Aranda, José

Jiménez Aranda spent the 1880s in France where he encountered the naturalistic style of Jules Bastien-Lepage (1848-1884), and a subsequent period in Madrid where his work influenced Joaqu&iacut [+]

Blind Man’s Buff
Oil on canvas. Ca. 1889
Jiménez Aranda, José
Blind Man’s Buff
Oil on canvas. Ca. 1889
Jiménez Aranda, José

During his time in Paris, Jiménez Aranda regularly produced tableautins (small, precisely painted works on eighteenth-century themes). The detailed description of the figures here contrasts wit [+]

Seaside of Villerville
Oil on canvas mounted on cardboard. 1877 - 1884
Haes, Carlos de
Seaside of Villerville
Oil on canvas mounted on cardboard. 1877 - 1884
Haes, Carlos de

Sobre la arena pedregosa, restos de seis postes de una empalizada. Al fondo, a la derecha, un montículo con cuatro construcciones y en el declive que se adentra en el mar, un embarcadero. Sobre el mar [+]

The Arrival in England of Saint Ursula
Tempera on panel. 1425 - 1450
Anonymous
The Arrival in England of Saint Ursula
Tempera on panel. 1425 - 1450
Anonymous

These works formed the upper section of the Altar Piece of Saint Ursula in the church of San Pablo in Palencia. The style of these paintings, typical of the International Gothic, led them to originall [+]

Wedding Banquet
Oil on canvas. 1623
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Wedding Banquet
Oil on canvas. 1623
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

The artist chose the end of a wedding banquet in the country to offer a depiction of rural life during one its most collective moments. Some figures are shown inebriated, others are dancing, kissing a [+]

The Petition of Saint Ursula's Hand in Marriage
Tempera on panel. 1425 - 1450
Anonymous
The Petition of Saint Ursula's Hand in Marriage
Tempera on panel. 1425 - 1450
Anonymous

These works formed the upper section of the Altar Piece of Saint Ursula in the church of San Pablo in Palencia. The style of these paintings, typical of the International Gothic, led them to originall [+]

Sight and Smell
Oil on canvas. Ca. 1620
Francken II, Frans; Balen, Hendrick Van; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Sight and Smell
Oil on canvas. Ca. 1620
Francken II, Frans; Balen, Hendrick Van; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This canvas and its companion, Taste, Hearing and Touch (P1404), represent the five senses embodied by female figures in palatial interiors. The sense of smell is conveyed by a woman holding flowers, [+]

Up