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The Painter Aureliano de Beruete is the most outstanding of all the portraits made by Sorolla. In this work he successfully combined the Velázquez inspiration that was a feature of his oeuvre d [+]
This is one of Meifrén’s views of Paris, where he spent various periods from the late 1870s onwards. It depicts a café on the Place de Clichy near Montmartre. It predates the depictions [+]
The most famous of Esquivel´s pieces and a leading work of Spanish Romanticism. Considered the maximum graphical testimony to the intellectual atmosphere during the reign of Isabel II (1830 - 1904), t [+]
Simonet´s work is based on a passage from the Gospel of Saint Luke (19: 41) which prophesies the destruction of Jerusalem: “Videns Jesus civitatem flevit super illam” (And when he was come near, he be [+]
The crucifixion of Christ is depicted by the artist in a barren, desolate landscape, a setting essentially undefined thanks to an enormous neutral background intended to heighten its dramatic effect. [+]
These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]
These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]
These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]
This emblematic picture is undoubtedly the best-known work on a social theme produced by Sorolla in his youth. It is also an especially good example of how fully the artist became involved in a genre [+]
Simonet painted this portrait in Malaga on his return from a study period in Rome and following the success of Flevit super illam (1892). The image conveys the artist’s esteem for his father, a land r [+]
A young, completely nude slave sits on a carpet. The sign hanging from her neck bears a Greek inscription (Rose, 18 years old, on sale for 800 coins) that offers her as merchandise at an Oriental mark [+]
An image of a young milkmaid with an apron, a shawl on her shoulders and a scarf holding back her hair. There is a milk jug behind her, to the left. The bottom-to-top perspective seems intended to giv [+]
Pinazo captured the essence of childhood on numerous occasions, but here he proves more ambitions. With the inquisitive and profound gaze of his son, he manages to capture the intelligence and curiosi [+]
This scene represents an audience the Catholic Kings supposedly gave to the maximum representative of the Jews after they ordered the expulsion of his people. According to literary tradition, the inqu [+]
Depicting himself without the tools of his profession, Pla is accompanied by portraits of his aunt and his mother and a terracotta bust of his father. These family images imply a homage to his parents [+]
This work shows politician, poet, playwright and tutor to Queen Elizabeth II, Manuel José Quntana (Madrid, April 11, 1772- Madrid, March 11, 1857) on the day of his coronation in the Senate as [+]
The sitter, a Monarchist writer, an excellent horsewoman and a friend of the artist, is seated in a fine armchair, her figure brightly lit in the shadowy room. This appealing portrait has a decidedly [+]
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