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This work shows politician, poet, playwright and tutor to Queen Elizabeth II, Manuel José Quntana (Madrid, April 11, 1772- Madrid, March 11, 1857) on the day of his coronation in the Senate as [+]
A portrait of Ignacio, the artist´s youngest son and one of his favorite models, shown here at the age of eleven. The profusion of child portraits by Pinazo is based on his capacity to capture the fre [+]
In the mid-nineteenth century Federico de Madrazo produced some of the most successful portraits of the Spanish bourgeoisie during the reign of Isabel II (1833-68), presenting them with the opulence t [+]
Este lienzo es una de las obras más significativas de Espinosa en un período especialmente afortunado de su producción, con una notable influencia de Pedro Orrente, tanto en la gama tostada de su colo [+]
A portrait of the Duke of Osuna, Pedro Téllez Girón (1755-1807); his wife, the Countess-Duchess of Benavente, Josefa Alonso de Pimentel (1752-1834) and their four children: Francisco de [+]
From an early age, Muñoz Degrain was particularly attracted to landscape painting. This large canvas, which he produced at the age of twenty-six, is based on a realist conception of nature. Non [+]
This preparatory sketch for the large-scale canvas painted by Madrazo in Rome (also on display in this room) reveals various differences with respect to the final composition. Madrazo gave more space [+]
This is a modellino for the canvas commissioned by Charles IV during his exile in Rome for the ceiling of a room in the Palazzo di Spagna. The artist and his royal client’s tastes are revealed in the [+]
This portrait of María Guerrero, Sorolla’s neighbour and friend, is probably the finest and most expressive example of the eminent actress’s lifelong obsession with her own image. From childhoo [+]
María Tomasa Palafox (1780-1835), Marchioness of Villafranca, is shown wearing a white empire-style dress and sitting on a red silk damask armchair, with her feet on a cushion. She is painting [+]
This portrait of María Antonia Gonzaga y Caracciolo (1735-1801), the dowager Marchioness of Villafranca, corresponds to the period in which Goya executed his two portraits of her eldest son, Jo [+]
These two paintings were first shown in Amsterdam in 1858. On that occasion the sitters were identified as Lambert Witsen and his wife Sara Nuyts owing to the woman`s purported similarity to the portr [+]
These two paintings (P7607 and P7608) were first shown in Amsterdam in 1858. On that occasion the sitters were identified as Lambert Witsen and his wife Sara Nuyts owing to the woman`s purported simil [+]
Under the influence of hygienist theories, painting and literature began in the late nineteenth century to explore the topic of the awakening of sexual maturity. Chrysalid, the title of the work by Pe [+]
The significance of this work is revealed by the evident contrast between the clothes of the lowly parents and the smart outfit of their granddaughter, possibly born of an illicit love affair involvin [+]
Precediendo a otros pintores españoles como Sorolla y Zuloaga, que adquirieron gran renombre como retratistas en Madrid y en París y realizaron después numerosos retratos en los Estados Unidos de Nort [+]
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In the work the corpses of two castaways are represented, the youngest with his chest exposed. Both lie between the nets and tackle that are scattered on the bottom of a boat guided by a sailor in the [+]
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