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The dimensions, format, theme, support and pictorial style of these three works -The Crucifixion (P8211), Lamentation over the Dead Christ (Museo de Salamanca, CE 106) and The Resurrection (P8212)- al [+]
This is the moment in Christ´s Passion, as told in the New Testament, when the Roman Soldiers nail his body to the Cross. In the middle ground, Saint John the Evangelist indicates the scene to t [+]
Although this painting bears a curious apocryphal signature in large letters at the lower left corner of the canvas, Pérez Sanchez (1983) attributed it to Victoria in 1983 on the basis of its V [+]
This Charity, one of the most important works by the Tuscan painter Portelli, derives from a work on the same subject by Francesco Salviati (1510-1563) now in the Uffizi, Florence, emulating its compo [+]
Painted in Paris, this is Casado del Alisal’s first known female portrait and one of his works that best summarises the importance of French models, which were in turn influenced by Velázquez. [+]
Large-format versions of the Virgin holding the dead body of Christ, like those at Badajoz Cathedral and at the Real Academia de Bellas Artes de San Fernando, gave way in Morales’s oeuvre to smaller c [+]
En la producción de Fillol es sobre todo conocida su vertiente costumbrista y regionalista, que nos ha legado una amplia y multitudinaria galería de tipos, costumbres y escenas folklóricas. En estas v [+]
A view of the rocky cliffs of Aiguablava, painted from nature and probably over the course of numerous sessions. The short and rapid brushstrokes and the attention to the effect of the light on the bo [+]
The dimensions, format, theme, support and pictorial style of these three works -The Crucifixion (P8211), Lamentation over the Dead Christ (Museo de Salamanca, CE 106) and The Resurrection (P8212)- al [+]
Wearing a brownish-green shawl, the sitter looks at the viewer with a serious expression as she opens a fan and raises her skirt to continue her walk across the fields by the Manzanares. In the backgr [+]
Since Gustave Courbet, realist painters had been interested in the representation of clairvoyants and mediums, associated by art with feminine practices. Set inside a dark room, Benlliure’s work is a [+]
In the bay of a Renaissance cloister, Mary is seated on a throne with her Son on her lap. On the left is Saint Benedict and on the right, Saint Bernard, patrons of the Order of Montesa. The latter pro [+]
The goddess of love, draped in a light tunic, embraces the god of war, who wears a helmet; their gazes meet in a composition conveying a refined sensuality. This is a reproduction of an original by th [+]
Desolation and defeat, yearning and loneliness are all conveyed through the sensual female nude that seems to emerge softly from the block of marble. The girl’s face is not shown and remains hidden be [+]
Tras diversas iniciativas para dedicar un monumento al presidente de la Primera República Francisco Pi y Margall (1824-1901), el 29 de abril de 1917 se colocó, como inicio de las obras, el busto del p [+]
A vessel formed by a large and voluminous body in the shape of a ship’s hull, a small unadorned foot and a stem with a knop, a spout at the prow, balusters, and a kind of forecastle, somewhat damaged. [+]
A vessel consisting of three pieces of rock crystal and three mounts. The hemispherical bowl has an oval mouth and eight gadroons, the two frontal ones being the broadest, with a decoration of rounded [+]
Vessel made up of four pieces of heliotrope and five gold mounts enamelled in opaque sky blue, turquoise, white and black, and translucent green. The irregular body has the form of a scallop shell, wi [+]
