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Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)
Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)

Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was re [+]

Abraham and the three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert
Abraham and the three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert

The date of this painting has been the subject of critical debate for over a century. The 1889 edition of the Prado catalogue states that it was signed but fails to mention a date. The 1910 version de [+]

The Mystic Marriage of Saint Catherine, with Saint Ursula and a Donor
Oil on panel. Ca. 1520
Anonymous
The Mystic Marriage of Saint Catherine, with Saint Ursula and a Donor
Oil on panel. Ca. 1520
Anonymous

This composition retains the structure of traditional triptychs, but the landscape links the three panels together to form a single scene, thus including the pilgrim-donor and Saint Ursula in the Myst [+]

Emblem of Death
Oil on panel. 1635 - 1640
Steenwijck, Pieter Van
Emblem of Death
Oil on panel. 1635 - 1640
Steenwijck, Pieter Van

Steenwijck brings to the vanitas a genre in which he specialised, according to the surviving inventories -the compositional structure, scheme, colour range and lighting characteristic of the so-called [+]

A Market
Oil on canvas. 1925
Fabrés y Costa, Antonio María
A Market
Oil on canvas. 1925
Fabrés y Costa, Antonio María

[+]

Pietà
Oil on panel. 1440 - 1450
Weyden, Rogier Van Der (Workshop Of)
Pietà
Oil on panel. 1440 - 1450
Weyden, Rogier Van Der (Workshop Of)

The panel has been extended at the top: the original part is one board of Baltic oak, horizontal in grain and about 27 cm high. Sections of the unpainted edges survive on all four sides. The last ring [+]

Saint Andrew (copy after Ribera)
Oil on canvas. Ca. 1867
Fortuny, Mariano
Saint Andrew (copy after Ribera)
Oil on canvas. Ca. 1867
Fortuny, Mariano

Fortuny produces a faithful interpretation of Jusepe de Ribera’s painting in the Museo del Prado, though his attention is focused exclusively on capturing the effects of the light on an elderly man’s [+]

Gypsy Family, Palencia
Oil on canvas. 1925
Echevarría Zuricalday, Juan de
Gypsy Family, Palencia
Oil on canvas. 1925
Echevarría Zuricalday, Juan de

Echevarría was inspired by the rural heritage of Spain’s gypsy people in the early decades of the 20th century, finding alternative themes and subjects to those of the urban, bourgeois culture [+]

Portrait of Queen María Luisa
Oil on unlined canvas. 1790
Goya y Lucientes, Francisco de (Copy)
Portrait of Queen María Luisa
Oil on unlined canvas. 1790
Goya y Lucientes, Francisco de (Copy)

Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was re [+]

Josefa Manzanedo e Intentas de Mitjans, 2nd Marchioness of Manzanedo
Oil on canvas. 1872
Meissonier, Jean-Louis-Ernest
Josefa Manzanedo e Intentas de Mitjans, 2nd Marchioness of Manzanedo
Oil on canvas. 1872
Meissonier, Jean-Louis-Ernest

The sitter, a leading figure in Parisian social circles, was the daughter of the Duke of Santoña (the origin of whose fortune came, above all, from the slave trade and real estate investments), [+]

The Adoration of the Magi
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Adoration of the Magi
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Josefa Manzanedo e Intentas de Mitjans, 2nd Marchioness of Manzanedo
Oil on panel. 1875
Madrazo y Garreta, Raimundo de
Josefa Manzanedo e Intentas de Mitjans, 2nd Marchioness of Manzanedo
Oil on panel. 1875
Madrazo y Garreta, Raimundo de

After establishing himself in Paris as portrait painter to the elegant and cosmopolitan high society of his time, Raimundo de Madrazo cultivated a particularly abundant clientele among the great ladie [+]

Dwarf with a Dog
Oil on canvas. Ca. 1645
Velázquez, Diego Rodríguez de Silva y (Follower Of)
Dwarf with a Dog
Oil on canvas. Ca. 1645
Velázquez, Diego Rodríguez de Silva y (Follower Of)

The custom of placing the principal figure in a portrait alongside another being that was physically or socially inferior was common practice among artists who portrayed figures from the Spanish court [+]

Taco postales del Museo Nacional de Arte Moderno de Madrid
Phototype on card. After 1905
Hauser y Menet
Taco postales del Museo Nacional de Arte Moderno de Madrid
Phototype on card. After 1905
Hauser y Menet

[+]

Marino vasco
Phototype on card. After 1905
Hauser y Menet -Photographer- (After Ramón de Zubiaurre)
Marino vasco
Phototype on card. After 1905
Hauser y Menet -Photographer- (After Ramón de Zubiaurre)

[+]

La Rendición de Bailén (de la tradición y de la historia)
Phototype on card. After 1905
Hauser y Menet -Photographer And Publisher- (After Casado del Alisal, José)
La Rendición de Bailén (de la tradición y de la historia)
Phototype on card. After 1905
Hauser y Menet -Photographer And Publisher- (After Casado del Alisal, José)

[+]

La muerte de Viriato, jefe de los lusitanos
Phototype on card. After 1905
Hauser y Menet -Photographer And Publisher- (After Madrazo y Agudo, José de)
La muerte de Viriato, jefe de los lusitanos
Phototype on card. After 1905
Hauser y Menet -Photographer And Publisher- (After Madrazo y Agudo, José de)

[+]

Doña juana la loca
Phototype on card. After 1905
Hauser y Menet -Photographer And Publisher- (After Pradilla y Ortiz, Francisco)
Doña juana la loca
Phototype on card. After 1905
Hauser y Menet -Photographer And Publisher- (After Pradilla y Ortiz, Francisco)

[+]

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