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Saint Andrew (copy after Ribera)
Oil on canvas. Ca. 1867
Fortuny, Mariano
Saint Andrew (copy after Ribera)
Oil on canvas. Ca. 1867
Fortuny, Mariano

Fortuny produces a faithful interpretation of Jusepe de Ribera’s painting in the Museo del Prado, though his attention is focused exclusively on capturing the effects of the light on an elderly man’s [+]

Anchorite. Fourth state
Etching, Aquatint, Burnisher on paper. 1869
Fortuny, Mariano
Anchorite. Fourth state
Etching, Aquatint, Burnisher on paper. 1869
Fortuny, Mariano

Fortuny was exceptionally skilled in printmaking techniques. Following his initial use of lithography in 1857, in the 1860s he produced a remarkable series of etchings that can be considered one of hi [+]

Anchorite. Second state
Etching, Aquatint, Burnisher on paper. 1869
Fortuny, Mariano
Anchorite. Second state
Etching, Aquatint, Burnisher on paper. 1869
Fortuny, Mariano

Fortuny was exceptionally skilled in printmaking techniques. Following his initial use of lithography in 1857, in the 1860s he produced a remarkable series of etchings that can be considered one of hi [+]

Anchorite
Etching, Aquatint, Burnisher on paper. Before 1874
Fortuny, Mariano
Anchorite
Etching, Aquatint, Burnisher on paper. Before 1874
Fortuny, Mariano

Fortuny was exceptionally skilled in printmaking techniques. Following his initial use of lithography in 1857, in the 1860s he produced a remarkable series of etchings that can be considered one of hi [+]

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