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Young Man in a Feathered Hat
Oil on panel. 1647 - 1648
Verelst, Pieter Hermansz. -Painter- (Attributed To)
Young Man in a Feathered Hat
Oil on panel. 1647 - 1648
Verelst, Pieter Hermansz. -Painter- (Attributed To)

This portrait was listed as an original by Schalcken in the collection of the Duke of Arcos, an attribution that is maintained by Tormo and Valdivieso (1973). Behermann (1988) ascribes it to Karel de [+]

Seated Woman
Oil on canvas. Ca. 1785
Camarón, José
Seated Woman
Oil on canvas. Ca. 1785
Camarón, José

Seated Woman reflects the type of genre scene popular for cabinet paintings in the eighteenth century. Of small format and refined colour, it depicts an exquisitely dressed young woman, her heading re [+]

The Two Caudillos
Oil on canvas. 1866
Casado del Alisal, José
The Two Caudillos
Oil on canvas. 1866
Casado del Alisal, José

This painting was presented at the National Exhibition of Fine Arts in 1866. It depicts the Great Captain´s encounter with the body of his adversary after the famous battle for the control of the King [+]

The Resurrection
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Resurrection
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Portrait of a Man
Oil on canvas. 1645 - 1650
Ceresa, Carlo
Portrait of a Man
Oil on canvas. 1645 - 1650
Ceresa, Carlo

This canvas, which was previously attributed to Velázquez, depicts an unknown sitter with a serious, slightly melancholy expression, looking intently at the viewer. Ceresa, who worked in Bergam [+]

Kitchen Boy
Oil on canvas. Ca. 1620
López Caro, Francisco
Kitchen Boy
Oil on canvas. Ca. 1620
López Caro, Francisco

A table bears various earthenware vessels, a portable stove, a bronze mortar and two peppers. At its corner, a boy looks out of the painting. A sausage and a rabbit hang from above. The boy and object [+]

Supper in the House of Simon (fragment)
Mixed method on panel. Ca. 1480
Master Of Robredo
Supper in the House of Simon (fragment)
Mixed method on panel. Ca. 1480
Master Of Robredo

The name for this painter comes from the Saint Peter Altar Piece of Robredo de Zamanzas (Burgos). His style is influenced by that of Jorge Inglés, although it shows more expressiveness, apparen [+]

Portrait of a Humanist
Oil on panel. Ca. 1540
Scorel, Jan Van (Attributed To)
Portrait of a Humanist
Oil on panel. Ca. 1540
Scorel, Jan Van (Attributed To)

Although this panel is not documented, it has been attributed to Scorel since its attribution by Hoogewerff in 1923.The artist depicts the unknown humanist half-length in front of a landscape. Scorel’ [+]

The Virgin and the Souls of Purgatory
Oil on poplar panel. 1517
Machuca, Pedro
The Virgin and the Souls of Purgatory
Oil on poplar panel. 1517
Machuca, Pedro

This work is a curious version of the Virgin of the Milk, a symbol of Mary’s compassion that serves, in this case, to comfort the souls in Purgatory. The subject, and especially its derivation here as [+]

Bronze Vase with Roses
Oil on canvas. 1640 - 1660
Camprobín, Pedro de
Bronze Vase with Roses
Oil on canvas. 1640 - 1660
Camprobín, Pedro de

Flower paintings were one of the most popular forms of still lifes in Spain as their attractive and varied appearance allowed for infinite combinations of different forms of plant life that could in t [+]

Christ Pantocrator surrounded by the Tetramorph, altar frontal, Solanllong (Ripoll)
Tempera on panel. 1200 - 1210
Master Of Lluça (Workshop Of)
Christ Pantocrator surrounded by the Tetramorph, altar frontal, Solanllong (Ripoll)
Tempera on panel. 1200 - 1210
Master Of Lluça (Workshop Of)

In the centre is Christ in majesty with the Tetramorph (the angel of Saint Matthew; the eagle of Saint John; the lion of Saint Mark, and the bull of Saint Luke). On the left and right sides, respectiv [+]

Saint John the Baptist in a Landscape
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
Saint John the Baptist in a Landscape
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Saint John the Baptist
Oil. Before 1613
Maíno, Fray Juan Bautista
Saint John the Baptist
Oil. Before 1613
Maíno, Fray Juan Bautista

Saint John the Baptist in a landscape could be described as an already-known work within Maíno’s oeuvre. Two other versions of this composition have been published, both of which are characteri [+]

The Muse Talía
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Talía
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

The Muse Polymnia
White marble. 130 - 150
Anonymous
The Muse Polymnia
White marble. 130 - 150
Anonymous

This marble statue and other seven more (E000068, E000041, E000040, E000062, E000061, E000038, E000037) were unearthed in about 1500 in Hadrian´s Villa at Tivoli, where the decorated the stage of the [+]

The Muse Terpsichore
White marble. 130 - 150
Anonymous
The Muse Terpsichore
White marble. 130 - 150
Anonymous

This marble statue and other seven more (E000068, E000040, E000062, E000061, E000038, E000069, E000037) were unearthed in about 1500 in Hadrian´s Villa at Tivoli, where the decorated the stage of the [+]

Exhortation
Etching, Aquatint, Burnisher on wove paper. 1815 - 1819
Goya y Lucientes, Francisco de
Exhortation
Etching, Aquatint, Burnisher on wove paper. 1815 - 1819
Goya y Lucientes, Francisco de

Disparates, 16, Exhortation. The print varies from this preparatory drawing in certain aspects of its composition. It increases the number of figures, which makes it more confusing, and adds a dramati [+]

Cruel Folly
Etching, Aquatint, Burnisher on wove paper. 1815 - 1819
Goya y Lucientes, Francisco de
Cruel Folly
Etching, Aquatint, Burnisher on wove paper. 1815 - 1819
Goya y Lucientes, Francisco de

Disparates, 6, Cruel Folly. The title of the plate comes from an artist’s proof now at the Museo Lázaro Galdeano in Madrid. Before this state proof with the handwritten title, Cruel Folly came [+]

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