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The Tooth Puller
Oil on canvas. 1844
Alenza, Leonardo
The Tooth Puller
Oil on canvas. 1844
Alenza, Leonardo

Al poco de su muerte se recordaba que Alenza recorría como Goya los barrios bajos de la Corte, las tabernas, los ventorrillos de las afueras, las casillas del río, observando las fisonomías, trajes, m [+]

The Triumph of Bacchus
Oil on canvas. 1844
Alenza, Leonardo
The Triumph of Bacchus
Oil on canvas. 1844
Alenza, Leonardo

Pareja de la obra El sacamuelas (P7945) y pintado en el mismo año de 1844, presenta una clara relación con la obra homónima de Velázquez, que Alenza conoció en el Museo del Prado. En este lienzo, de t [+]

The Painter's Children in the Japanese Room
Oil on canvas. 1874
Fortuny, Mariano
The Painter's Children in the Japanese Room
Oil on canvas. 1874
Fortuny, Mariano

Fortuny’s sudden death left this painting unfinished, yet it remains one of his finest pieces, and the maximum expression of the audacious pictorial modernity that characterizes his mature work.The tw [+]

Penitent Magdalen
Oil on canvas. Ca. 1665
Giordano, Luca
Penitent Magdalen
Oil on canvas. Ca. 1665
Giordano, Luca

La Magdalena penitente de Giordano ilustra sobre las dudas que sus imitaciones suscitaron en épocas diversas. A pesar de que ingresó en la Colección Real en el siglo XVIII con la atribución correcta, [+]

Landscape with Saint Paul the Hermit
Oil on canvas. 1637 - 1638
Poussin, Nicolas
Landscape with Saint Paul the Hermit
Oil on canvas. 1637 - 1638
Poussin, Nicolas

Nicolas Poussin has a curious relation to the Buen Retiro Palace. Úbea considers him the determinant artist among all those who took part in its decorative project. That could explain why he wa [+]

The Martyrdom of Saint Stephen
Oil on canvas. Ca. 1645
Cavallino, Bernardo
The Martyrdom of Saint Stephen
Oil on canvas. Ca. 1645
Cavallino, Bernardo

The lone figure of Saint Stephen is shown on the right of the composition with his hands crossed on his breast and his eyes raised to the heavens as he is stoned by his executioners. Cavallino was a N [+]

The Assumption of the Virgin
Oil on canvas. Ca. 1587
Carracci, Annibale
The Assumption of the Virgin
Oil on canvas. Ca. 1587
Carracci, Annibale

The Assumption of the Virgin is narrated in a late legend, inspired by the Prophet Elias`s vision and by the Ascension of Christ. It was only declared an article of faith in 1950, after centuries duri [+]

Queen Isabella the Catholic
Oil on panel. Ca. 1490
Anonymous
Queen Isabella the Catholic
Oil on panel. Ca. 1490
Anonymous

This portrait of Isabella I of Castile (1451-1504) is one of the earliest known depictions of the Catholic Queen, shown wearing a jewel she received from her father in a clear reference to dynastic co [+]

Apollo and the Muses
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Último cuarto del siglo XVI - XVII century
Balducci, Giovanni
Apollo and the Muses
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Último cuarto del siglo XVI - XVII century
Balducci, Giovanni

Although published by Perez Sanchez as Naldini in 1978, a recent note on the modern museum mount in the hand of Mario di Giampaolo rightly suggests this drawing is by his pupil and close follower Bald [+]

Standing male nude facing front, with left hand leaning on a stone block
Conté crayon, White chalk on laid paper. Ca. 1861
Fortuny, Mariano
Standing male nude facing front, with left hand leaning on a stone block
Conté crayon, White chalk on laid paper. Ca. 1861
Fortuny, Mariano

Executed as an exercise in anatomy, this drawing dates from the end of the painter’s formative period in Rome and displays the firm, well-defined strokes of a more mature artist. The light, artificial [+]

Look how solemn they are!
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Look how solemn they are!
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 63, Look how solemn they are! is part of The Caprichos. The subject matter was common in representations of that period. The composition has three figures, one of whom is being ridden by the [+]

Here comes the bogey-man.
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Here comes the bogey-man.
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Los Caprichos is the most widely disseminated of Goya´s series of prints and consists of 80 plates. They were published in 1799, following a creative process that began in 1794 with two sets of drawin [+]

Mummy’s Boy
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Mummy’s Boy
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Printer’s proof prior to the first edition Capricho 4, Mummy´s Boy (El de la rollona), before the replacement of the letter “y” with “ll” in “rollona”. Etching and burnished aquatint The word rollona [+]

Female Portrait
First half of the XX century
Anonymous
Female Portrait
First half of the XX century
Anonymous

Reproducción de un retrato de finales del siglo XVIII [+]

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