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Landscape with a Carthusian (Saint Bruno?)
Oil on canvas. 1636 - 1638
Swanevelt, Herman Van
Landscape with a Carthusian (Saint Bruno?)
Oil on canvas. 1636 - 1638
Swanevelt, Herman Van

The painting entered the Museum holdings as an original work by Jan Both. In 1959 Blunt identifies it as the landscape listed in the 1701 inventory of the Palace of the Buen Retiro and maintains the a [+]

Self-portrait
Oil on canvas. 1810 - 1813
González Velázquez, Zacarías
Self-portrait
Oil on canvas. 1810 - 1813
González Velázquez, Zacarías

A member of a dynasty of artists that began with his grandfather, the sculptor Pablo González Velázquez (1664-1727), Zacarías González Velázquez initially trained wi [+]

Pietà
Mixed method on pine panel. 1465 - 1470
Gallego, Fernando
Pietà
Mixed method on pine panel. 1465 - 1470
Gallego, Fernando

By all indications, this panel at the Museo del Prado with the signature FERNA[N]DO GALLEG[U]S is the earliest surviving work by that painter from Salamanca. While some scholars think he must have mad [+]

Landscape with Shepherds near Roman Ruins
Oil on copperplate. 1622 - 1623
Poelenburch, Cornelis Van
Landscape with Shepherds near Roman Ruins
Oil on copperplate. 1622 - 1623
Poelenburch, Cornelis Van

During the years he spent in Rome, Van Poelenburch began painting scenes of this kind with small-or medium-sized figures, in which the presence of ruins is so powerful that they could almost be said t [+]

The Painter Eduardo Rosales
Oil on canvas. 1867
Madrazo y Kuntz, Federico de
The Painter Eduardo Rosales
Oil on canvas. 1867
Madrazo y Kuntz, Federico de

According to the inscription on the right, this is a portrait of the painter and friend of Madrazo, Eduardo Rosales. The detailed rendering of the face in profile stands out against the neutral green [+]

Petronella de Waert
Oil on canvas. 1670
Borch II, Gerard Ter
Petronella de Waert
Oil on canvas. 1670
Borch II, Gerard Ter

This painting formed part of the collection of the Marquis of Castro-Serna (Madrid) where, according to Michel (1887) -who repeats information given by Alfonso de Stuers- it appeared in 1887 as a pend [+]

Landscape with Saint Rosalia of Palermo
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van
Landscape with Saint Rosalia of Palermo
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van

The painting entered the Museum as an original by Jan Both, and it is recorded as such in subsequent inventories and catalogues until the edition of 1976. Further, up until 1972 it is described in the [+]

Lady from the Storer Family
Oil on canvas. 1810 - 1820
Lawrence, Sir Thomas
Lady from the Storer Family
Oil on canvas. 1810 - 1820
Lawrence, Sir Thomas

Depicted full-length, the sitter is shown seated in a gallery opening onto a park. She wears a sweeping gown in the Empire style with a shawl over her arms and a turban-like headdress. This is a chara [+]

The Crucifixion
Mixed method on pine panel. Ca. 1490
Master Of Ávila (Attributed To)
The Crucifixion
Mixed method on pine panel. Ca. 1490
Master Of Ávila (Attributed To)

The painting shows the dead Christ on Calvary; Mary and Saint John -holding the book identifying him as an Apostle and Evangelist- kneel at the foot of the cross, displaying their grief through differ [+]

Saint Sebastian
Oil on canvas. 1610 - 1614
el Greco (Domenikos Theotokopoulos)
Saint Sebastian
Oil on canvas. 1610 - 1614
el Greco (Domenikos Theotokopoulos)

According to ancient traditions collected by Jacobus de Voragine in his Legenda Aurea (1264), Saint Sebastian was a third-century Roman soldier who served in the Praetorian Guard, one of the most pres [+]

Miss Marthe Carr
Oil on canvas. Ca. 1789
Lawrence, Sir Thomas
Miss Marthe Carr
Oil on canvas. Ca. 1789
Lawrence, Sir Thomas

The daughter of a gentleman of Irish origins, William Carr, the sitter probably posed for this painting on the occasion of her marriage in 1789 to Thomas Chinnal Porter. Executed with bold, loose and [+]

The Birth of Venus
Oil on canvas. 1842
Esquivel, Antonio María
The Birth of Venus
Oil on canvas. 1842
Esquivel, Antonio María

The delicate figure of Venus, goddess of love and beauty, rises out of the waves on a large scallop shell supported by naiads crowned with seaweed. Using a refined technique, Esquivel respects the cla [+]

Landscape with Saint Paul the Hermit
Oil on canvas. 1637 - 1638
Poussin, Nicolas
Landscape with Saint Paul the Hermit
Oil on canvas. 1637 - 1638
Poussin, Nicolas

Nicolas Poussin has a curious relation to the Buen Retiro Palace. Úbea considers him the determinant artist among all those who took part in its decorative project. That could explain why he wa [+]

Desecration of the Crucifix or Christ of the Insults
Oil on canvas. XVII century
Camilo, Francisco
Desecration of the Crucifix or Christ of the Insults
Oil on canvas. XVII century
Camilo, Francisco

This is a very significant example of Camilo´s skill at representing uncommon narrative events. It presents one of the episodes in the story of desecration and offense to a crucifix by a family of Por [+]

The Immaculate Conception
Red chalk, Red wash on grey laid paper. XVIII century
Anonymous
The Immaculate Conception
Red chalk, Red wash on grey laid paper. XVIII century
Anonymous

Estudio preparatorio en el que se representa una Inmaculada en pie sobre las nubes y el creciente de la luna, con las manos sobre el pecho y la mirada baja. A ambos lados, arrodillados, dos ángeles ma [+]

The Virgin of Atocha
Pencil, Grey-brown wash on yellow laid paper. 1654
Herrera Barnuevo, Sebastián de
The Virgin of Atocha
Pencil, Grey-brown wash on yellow laid paper. 1654
Herrera Barnuevo, Sebastián de

La imagen, vestida y coronada con amplísima corona de radios, va sobre una peana de molduras cóncavas y convexas y flanqueada por dos pilastras cajeadas, decoradas con placas y guirnaldas, sobre las c [+]

The Thirty-six views of Mt. Fuji
Carving / a carved sculpture on paper. Ca. 1964
Hokusai, Katsushika (Copy); Takamizawa; Eijudo
The Thirty-six views of Mt. Fuji
Carving / a carved sculpture on paper. Ca. 1964
Hokusai, Katsushika (Copy); Takamizawa; Eijudo

Edición reducida de la obra de Hokusai The Thirty-six views of Mt. Fuji. (Treinta y seis vistas del Monte Fuji). La obra contiene 46 estampas de formato reducido, pegadas sobre un soporte de papel co [+]

This is the truth
Drypoint, Etching, Aquatint, Burnisher on continuous paper. 1814 - 1815
Goya y Lucientes, Francisco de
This is the truth
Drypoint, Etching, Aquatint, Burnisher on continuous paper. 1814 - 1815
Goya y Lucientes, Francisco de

The ruin of post-war Spain and the return to Fernando VII’s pre-constitutional tenets left no room at all for hope. All that Goya could do was to present what he considered that situation’s antithesis [+]

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