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Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)
Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)

Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was re [+]

Portrait of Queen María Luisa
Oil on unlined canvas. 1790
Goya y Lucientes, Francisco de (Copy)
Portrait of Queen María Luisa
Oil on unlined canvas. 1790
Goya y Lucientes, Francisco de (Copy)

Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was re [+]

Bathsheba at her Bath
Oil on canvas. 1696 - 1698
Giordano, Luca
Bathsheba at her Bath
Oil on canvas. 1696 - 1698
Giordano, Luca

Giordano ofrece una versión amable del pasaje bíblico que narra el encuentro del rey David y Betsabé, dando relevancia a los elementos exóticos, anecdóticos o decorativos, donde solo la sensualidad de [+]

The Siesta, or Pompeian Scene
Oil on canvas. 1868
Alma-Tadema, Sir Lawrence
The Siesta, or Pompeian Scene
Oil on canvas. 1868
Alma-Tadema, Sir Lawrence

A domestic scene set in classical antiquity. An old man and a youth recline on divans while an attractive young woman plays music on a double flute. Both the clothing and the setting suggest the Greek [+]

Daniele Barbaro, Patriarch of Aquileia
Oil on canvas. Ca. 1545
Titian (Tiziano Vecellio)
Daniele Barbaro, Patriarch of Aquileia
Oil on canvas. Ca. 1545
Titian (Tiziano Vecellio)

Described by Lodovico Dolce as a gentleman of great merit and infinite goodness, Daniele Barbaro (1513-1570) was from a noble Venetian family. He was educated to the highest level first in Verona and [+]

Saint Thomas
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto
Saint Thomas
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto

Series of Apostles became very popular during the Counter-reformation; they were usually half-length figures against a neutral background, holding their iconographical attributes. One of the most impo [+]

Ecce Homo
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban
Ecce Homo
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban

Ecce Homo and The Virgin Dolorosa (P977) are comparable with regard to size, provenance and their partial dependence on models by Titian. Above all, they are linked by their subject matter and are mos [+]

The Assumption of the Virgin
Oil on canvas. Ca. 1698
Giordano, Luca
The Assumption of the Virgin
Oil on canvas. Ca. 1698
Giordano, Luca

En el plano superior aparece la Virgen sentada sobre una nube sostenida por ángeles; abajo y en sombra, ángeles músicos. El artista señala la existencia de planos a través del color y del detalle, más [+]

Saint Clare Driving Away the Infidels with the Eucharist
Oil on canvas. 1693
Arredondo, Isidoro
Saint Clare Driving Away the Infidels with the Eucharist
Oil on canvas. 1693
Arredondo, Isidoro

This painting is of considerable interest as there are very few surviving works by this artist, who was a fine example of the last generation of great decorators from Madrid. The architectural setting [+]

Sailing Boats in a River Estuary
Oil on panel. XVII century
Anonymous
Sailing Boats in a River Estuary
Oil on panel. XVII century
Anonymous

These two seascapes (P1581 and P1582) are traditionally considered pendants. In the Museum’s older catalogues and inventories they are attributed to Cornelis Molenaer (ca. 1540-1589) until 1933. As of [+]

The Prudent Abigail
Oil on canvas. 1696 - 1697
Giordano, Luca
The Prudent Abigail
Oil on canvas. 1696 - 1697
Giordano, Luca

David se hallaba con sus hombres en la montaña y envió al sanguinario Nabal un destacamento para pedirle comida. Ante su negativa, David ordenó a su ejército destruir su casa. Abigail, esposa de Nabal [+]

Christ of Mercy between the Prophets David and Jeremiah
Mixed method on panel. 1495 - 1500
Cruz, Diego de la
Christ of Mercy between the Prophets David and Jeremiah
Mixed method on panel. 1495 - 1500
Cruz, Diego de la

This devotional, eucharistic image was the central panel in the predella of an altarpiece. Christ is depicted as the Man of Sorrows with the crown of thorns and displaying the wounds of his Crucifixio [+]

The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus
The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus

The Garden of Earthly Delights is Bosch’s most complex and enigmatic creation. For Falkenburg the overall theme of The Garden of Earthly Delights is the fate of humanity, as in The Haywain (P02052), a [+]

Allegory of Justice and Peace
Oil on canvas. 1753 - 1754
Giaquinto, Corrado
Allegory of Justice and Peace
Oil on canvas. 1753 - 1754
Giaquinto, Corrado

This allegorical work, signed on the column lying on the ground in the centre of the composition, shows two women in Roman garb sitting on clouds. Representing Justice and Peace, they embrace and seem [+]

Still-Life with a Basket and Sweetmeats
Oil on canvas. 1622
Hamen y León, Juan Van Der
Still-Life with a Basket and Sweetmeats
Oil on canvas. 1622
Hamen y León, Juan Van Der

Although as a genre, bodegones, or still life paintings, were considered inferior to religious scenes, history painting and portraiture, they were very popular in Early Modern Spain. Following earlier [+]

Nymphs and Satyrs
Oil on canvas. Ca. 1615
Rubens, Peter Paul
Nymphs and Satyrs
Oil on canvas. Ca. 1615
Rubens, Peter Paul

In this picture, the setting epitomises the classical concept of a Locus amoenus ("pleasant place") which developed from the time of Homer and referred to an ideal place for sensual being, with flowin [+]

The Crucifixion
Oil on panel. 1475 - 1485
Master Of The Legend Of Saint Catherine
The Crucifixion
Oil on panel. 1475 - 1485
Master Of The Legend Of Saint Catherine

The wound in Christ`s side was inflicted after his death (John 19:34). The two angels, blue and dressed in blue, are apparently cherubim. Saint John the Evangelist steps forward to support the weeping [+]

Diana and a Nymph Discovered by a Satyr
Oil on canvas. 1622 - 1627
Dyck, Anthony Van (Workshop Of)
Diana and a Nymph Discovered by a Satyr
Oil on canvas. 1622 - 1627
Dyck, Anthony Van (Workshop Of)

From the 1857 Inventory of the Royal Museum through 2002, this work was listed as Diana and Endymion Discovered by a Satyr, but L. Ruiz has demonstrated that the scene is Diana and a Nymph Discovered [+]

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