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The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)
The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)

Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]

The Bivouac
Oil on panel. 1640 - 1650
Teniers The Younger, David
The Bivouac
Oil on panel. 1640 - 1650
Teniers The Younger, David

Of the artists who painted war scenes in the 17th century, none was as interested as David Teniers II in capturing images from behind the lines. With his customary tactile rigor, he depicts a plethora [+]

Landscape with Hermit preaching
Oil on canvas. 1639 - 1641
Swanevelt, Herman Van
Landscape with Hermit preaching
Oil on canvas. 1639 - 1641
Swanevelt, Herman Van

The painting entered the Museum as an original work by Herman van Swanevelt. This attribution is maintained in later catalogues and accepted by all authors. In early Museum catalogues the work is desc [+]

Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)
Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)

The first Poesie presented to Prince Philip were Danaë (1553, The Wellington Collection) and Venus and Adonis (1554, Museo del Prado, P422), versions of other previous works, but endowed with all [+]

Venus, Adonis and Cupid
Oil on canvas. Ca. 1590
Carracci, Annibale
Venus, Adonis and Cupid
Oil on canvas. Ca. 1590
Carracci, Annibale

Venus, the Roman goddess of Love and Beauty, is accidentally wounded by one of her son Cupid´s arrows, which triggers her passion for Adonis. This love story ends with the tragic death of the he [+]

Venus and Adonis
Oil on canvas. Ca. 1580
Veronese, Paolo (Paolo Cagliari)
Venus and Adonis
Oil on canvas. Ca. 1580
Veronese, Paolo (Paolo Cagliari)

Like its pair, Cephalus and Procris (Strasbourg Museum, inv. 634, oil on canvas, 162 x 185 cm), this canvas illustrates a passage from the Metamorphoses by the Roman poet Ovid. Both stories involve lo [+]

Landscape with Saint Francis in Meditation
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van
Landscape with Saint Francis in Meditation
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van

Although the painting entered the Museum as a copy of a work by Jan Both, it is recorded as an anonymous work by the Flemish school from the 1843 catalogue onwards. It is listed as such by Díaz [+]

The Rape of Europe
Oil on canvas. 1628 - 1629
Rubens, Peter Paul
The Rape of Europe
Oil on canvas. 1628 - 1629
Rubens, Peter Paul

Rape of Europa is a faithful copy made by Peter Paul Rubens in Madrid after an original by Titian. It shows the Phoenician princess Europa after she was abducted by Zeus, who had taken on the form of [+]

Venus and Adonis
Oil on canvas. 1554
Titian (Tiziano Vecellio)
Venus and Adonis
Oil on canvas. 1554
Titian (Tiziano Vecellio)

The first Poesie presented to Prince Philip were Danaë (1553, The Wellington Collection) and Venus and Adonis (1554), versions of other previous works, but endowed with all the prestige of the co [+]

Mercury and Argus
Oil on unlined canvas. Ca. 1659
Velázquez, Diego Rodríguez de Silva y
Mercury and Argus
Oil on unlined canvas. Ca. 1659
Velázquez, Diego Rodríguez de Silva y

Wearing his characteristic winged hat, and with a pan flute next to his left hand, Mercury stealthily approaches a shepherd he has lulled to sleep with the unlimited powers of his music. The latter is [+]

Hercules killing the Dragon in the Garden of the Hesperides
Oil on canvas. 1639 - 1640
Rubens, Peter Paul (And Workshop)
Hercules killing the Dragon in the Garden of the Hesperides
Oil on canvas. 1639 - 1640
Rubens, Peter Paul (And Workshop)

Rubens painted this scene for Philip IV of Spain. It shows Hercules fighting with the dragon which guarded the Garden of Hesperides, to where the hero had travelled in search of the golden apples that [+]

The Virgin and Child
Red chalk on paper. Ca. 1606
Arpino, Il Cavaliere D'
The Virgin and Child
Red chalk on paper. Ca. 1606
Arpino, Il Cavaliere D'

This drawing was formerly placed under the name of the French painter Jacques Blanchard (1600-1638), to whom it is traditionally attributed. The style, however, points directly to the work of the late [+]

Mercurio, variante del ''Hermes Andros-Farnese''
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Mercurio, variante del ''Hermes Andros-Farnese''
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous
Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous

The drawing has been detached from the Album page and the old numbering lost. Cupid is here represented as older than on the other composition of the subject from the Album group. That he is indeed Cu [+]

Venus, Adonis and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
Venus, Adonis and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

[+]

Venus, Adonis and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
Venus, Adonis and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

The Suidas connected this drawing with Cambiaso´s Venus and Adonis in the Galleria Borghese. Another studio version of the same composition, corresponding closely in outline to the Prado drawing but d [+]

Venus, Adonis and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
Venus, Adonis and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

Venus´s reclining body, with her left hand raised in order to pull Adonis´s head close to hers, echoes the goddess´s pose in a painting of Venus and Adonis in a private collection, Genoa. The position [+]

Venus, Adonis and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
Venus, Adonis and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

This and nos. D01715, D01716, D01890 and D01899 from the Album were connected by the Suidas with a painting of Venus Restraining Adonis from the Hunt in the Palazzo Bianco, Genoa. The composition show [+]

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