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Landscape
Gouache / tempera on paper. XVII century
Uden, Lucas Van
Landscape
Gouache / tempera on paper. XVII century
Uden, Lucas Van

[+]

Leda and the Swan
Second third of the XIX century
Anonymous
Leda and the Swan
Second third of the XIX century
Anonymous

Pintura decorativa que reproduce un asunto usual en la miniatura francesa del siglo XVIII. Este tipo de obras se emplearon posteriormente para adorno de cajas, neceseres, fundas de gafas o estuches (T [+]

Portrait of a Gentleman
Albumen, Gouache / tempera, Photomechanical reproduction on photographic paper. Second half of the XIX century
Anonymous
Portrait of a Gentleman
Albumen, Gouache / tempera, Photomechanical reproduction on photographic paper. Second half of the XIX century
Anonymous

Esta fotografía se había identificado erróneamente como un autorretrato del pintor Carlos Luis de Ribera (1815-1891) a la acuarela y como tal fue publicado en 1983. Previamente, la obra había formado [+]

The Virgin nursing the Child
Mid-XVIIIcentury
Anonymous
The Virgin nursing the Child
Mid-XVIIIcentury
Anonymous

Miniatura de devoción trabajada sobre una gruesa tablilla de marfil, rasgo característico de las piezas pintadas sobre este soporte a mediados del siglo XVIII. Los asuntos religiosos de pequeño format [+]

Prayer in the Garden
Gouache / tempera on paper. Late XVI - Primer tercio del siglo XVII century
Tintoretto, Domenico
Prayer in the Garden
Gouache / tempera on paper. Late XVI - Primer tercio del siglo XVII century
Tintoretto, Domenico

As Anna Forlani has observed in a note on the museum mount (1980), this drawing is a typical work of the son of Jacopo Tintoretto (1519-1594), Domenico, who was taught by his father and assited him in [+]

Self-portrait
Ca. 1770
Paret y Alcázar, Luis
Self-portrait
Ca. 1770
Paret y Alcázar, Luis

The features of the model in Paret’s only known miniature recall those seen in other self-portraits by the artist. The style and form of the wig and the youthful face indicate a period around 1770. No [+]

Lanscape at Portici
Watercolour, Gouache / tempera on paper. 1874
Fortuny, Mariano
Lanscape at Portici
Watercolour, Gouache / tempera on paper. 1874
Fortuny, Mariano

In the summer of 1874 Fortuny settled in a seaside villa in Portici, near Naples, where he painted several landscapes and seascapes that show his interest in the study of painting from life. This inte [+]

Menippus, detail (copy after Velázquez)
Watercolour, Gouache / tempera on paper. 1866 - 1868
Fortuny, Mariano (Copy After Velázquez, Diego Rodríguez de Silva y)
Menippus, detail (copy after Velázquez)
Watercolour, Gouache / tempera on paper. 1866 - 1868
Fortuny, Mariano (Copy After Velázquez, Diego Rodríguez de Silva y)

Fortuny made an ample number of copies of famous paintings, some as late as the end of the 1860s. They reveal his interest in deepening his knowledge of the painting of the great masters, especially V [+]

Old Tree Trunk
Gouache / tempera on paper. 1886
Jiménez Aranda, José
Old Tree Trunk
Gouache / tempera on paper. 1886
Jiménez Aranda, José

An old tree trunk attracted Jiménez Aranda’s attention during his walks in the outskirts of Paris, and he devoted this painting from life to it, in which he represents in extraordinary detail its roug [+]

The Beach at Chipiona
Gouache / tempera on paper. 1899
Jiménez Aranda, José
The Beach at Chipiona
Gouache / tempera on paper. 1899
Jiménez Aranda, José

A view of Las Canteras Beach in Chipiona with the city’s bell tower in the background, the pebble beach in the foreground and figures walking by the ocean. This work belongs to a series that Jim&eacut [+]

Christ Bearing the Cross
1866
Nicolau Parody, Teresa
Christ Bearing the Cross
1866
Nicolau Parody, Teresa

Teresa Nicolau presented this miniature based on Sebastiano del Piombo’s painting from the Museo del Prado (P00345) at the National Exhibition of 1867 along with three others: a Mary Magdalene copied [+]

Idyll
Watercolour, Gouache / tempera on paper. 1868
Fortuny, Mariano
Idyll
Watercolour, Gouache / tempera on paper. 1868
Fortuny, Mariano

This watercolor offers a profile view -similar to a low relief- of a child or young faun sitting on a fragment of an Ionic entablature with egg-and-dart decorations above an astragal. The slender, nud [+]

Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]

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