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Saint Leocadia before the Praetor
Black chalk, Grey-brown wash on yellow laid paper. 1775
Maella, Mariano Salvador
Saint Leocadia before the Praetor
Black chalk, Grey-brown wash on yellow laid paper. 1775
Maella, Mariano Salvador

Dibujo rematado en medio punto. En él nos encontramos a la derecha, sobre dos gradas, junto a una gran columna, el magistrado en su solio. Ante él, Santa Leocadia rechaza el sacrificio, a que la invit [+]

St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Bellini, Filippo (Attributed To)
St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Bellini, Filippo (Attributed To)

Formerly classified as anonymous Italian. The style brings to mind some aspects of Bellini´s pen-and-wash drawings, especially the large, almost grotesque hands with stubby fingers-with only three on [+]

Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio
Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio

La figura en pie en el centro lleva en la mano una espada flameante, y en la izquierda, el escudo; en la parte baja, las figuras de los demonios, desnudos y contorsionados, ofrecen resistencia al arcá [+]

Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous
Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous

Dibujo en el que se representa a Judith, ricamente vestida, que sostiene la cabeza de Holofernes con la mano izquierda. Al fondo aparece la sirvienta. Se relaciona con la técnica de la xilografía al c [+]

Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco
Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco

The traditional attribution to Castello, which appears in an old inscription on the reverse of the mount, needs to be taken seriously. Not only is the pen work reminiscent of Castello´s handling of th [+]

God the Father with Angels Appearing among Clouds
Pencil ground, Grey-brown ink, White lead, Wash on green paper. Second half of the XVI century
Farinati, Paolo
God the Father with Angels Appearing among Clouds
Pencil ground, Grey-brown ink, White lead, Wash on green paper. Second half of the XVI century
Farinati, Paolo

Farinati was one of the most prolific draftsmen active in Verona in the second half of the sixteenth century. His pictorial approach to drawing -many of his studies are carried out largely with the br [+]

Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)
Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)

The old attribution CORREGIO, in which both Brun (?) and Fernández Durán may have believed, is not correct. The drawing displays some stylistic traits associable with Bernardino India, t [+]

Presentation in the Temple
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Segunda mitad del siglo XVI - XVII century
Poccetti, Bernardino Barbatelli (Attributed To)
Presentation in the Temple
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Segunda mitad del siglo XVI - XVII century
Poccetti, Bernardino Barbatelli (Attributed To)

Florian Harb (2004), was the first to make the convincing suggestion, on stylistic grounds, that this drawing could be by Poccetti. [+]

Moses about to Break the Tablets of the Law
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)
Moses about to Break the Tablets of the Law
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)

This is a sixteenth-century copy after Parmigianino’s fresco of Moses in the Steccata at Parma [+]

Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))
Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))

[+]

Saint Anthony of Padua
Pencil, Pencil strokes, Grey-brown wash on dark yellow paper. XVII century
Ribalta, Francisco
Saint Anthony of Padua
Pencil, Pencil strokes, Grey-brown wash on dark yellow paper. XVII century
Ribalta, Francisco

Es uno de los escasos dibujos conservados de Francisco Ribalta y obra importante para el conocimiento de su estilo. [+]

Man about to strike a seated soldier
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Man about to strike a seated soldier
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

Insofar as it is possible to judge from its fragmentary condition (more than half the drawing is made up; the original piece of paper on which the study is made occupies the upper section only of the [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis

San Francisco se representa arrodillado con los brazos abiertos, eleva los ojos a un ángel niño que le muestra una esfera. En primer término una roca, y en ella una cruz de leño y libros. Fondo de pai [+]

Saint Anne and the Immaculate Conception
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1600
Cesi, Bartolomeo
Saint Anne and the Immaculate Conception
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1600
Cesi, Bartolomeo

St. Anne, the mother of the Virgin Mary, is the elderly female saint kneeling on the floor in the interior of a temple and the heavenly apparition that takes place above her head foretells her concept [+]

Way to Calvary
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Tibaldi, Pellegrino (Attributed To)
Way to Calvary
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Tibaldi, Pellegrino (Attributed To)

Traditionally placed as after Pellegrino Tibaldi, whose frescoes of The Stories of Christ´s Passion painted in 1587-90 in the Escorial are similar in format to the composition of this drawing. [+]

Birth of Saint John the Baptist
Pencil, Pencil ground, Grey-brown ink, Wash on grey paper. Second half of the XVI century
Veronese, Paolo (Paolo Cagliari) (Attributed To)
Birth of Saint John the Baptist
Pencil, Pencil ground, Grey-brown ink, Wash on grey paper. Second half of the XVI century
Veronese, Paolo (Paolo Cagliari) (Attributed To)

[+]

Saint Joseph’s Dream
Black chalk, Pencil, Grey-brown wash on white paper. 1668 - 1682
Murillo, Bartolomé Esteban
Saint Joseph’s Dream
Black chalk, Pencil, Grey-brown wash on white paper. 1668 - 1682
Murillo, Bartolomé Esteban

Semejante en la composición a un dibujo conservado en el Fogg Art Museum de la Universidad de Cambridge, fechado en los años tardíos de la actividad del artista. [+]

The Virgin and Child
Black chalk, Pencil, Grey-brown wash on dark yellow paper. 1600 - 1635
Anonymous
The Virgin and Child
Black chalk, Pencil, Grey-brown wash on dark yellow paper. 1600 - 1635
Anonymous

Dibujo en el que se representa a la Virgen sentada sobre nubes que sostiene al Niño Jesús semiarrodillado sobre su regazo. No es posible aceptar la atribución antigua del dibujo a Schedone, ya que se [+]

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