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¡Que Necedad! darles destinos en la niñez
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
¡Que Necedad! darles destinos en la niñez
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

La huebera
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
La huebera
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Esta pretende el destino de rabanera
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Esta pretende el destino de rabanera
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Be Vd. que expresión, pues no lo cree el marido
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Be Vd. que expresión, pues no lo cree el marido
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Guilty misery
Brush, Bistre, Wash, Scraping out on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Guilty misery
Brush, Bistre, Wash, Scraping out on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Mejor fuera vino
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Mejor fuera vino
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

This smells of magic
Brush, Pencil, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
This smells of magic
Brush, Pencil, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Estas Brujas lo diran
Brush, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Estas Brujas lo diran
Brush, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

She leaves it wondering
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
She leaves it wondering
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

A lo menos hace algo
Brush, Pencil, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
A lo menos hace algo
Brush, Pencil, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Edad con desgracias
Brush, Pencil, Grey-brown ink, Iron gall ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Edad con desgracias
Brush, Pencil, Grey-brown ink, Iron gall ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Con la musica à otra parte
Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink, Wash, Scraping out on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Con la musica à otra parte
Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink, Wash, Scraping out on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]

Good woman, seemingly
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Good woman, seemingly
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Didn’t you know what you were carrying on your back?
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Didn’t you know what you were carrying on your back?
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

The last part of Album C -drawings 119 through 131- consists of a group of images that present clergy of both sexes with a degree of irony emphasized by the titles that Goya wrote on each page. Critic [+]

It will be the same
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
It will be the same
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

This is one of the six strange ink drawings that has been included in the group of preparatory drawings for the Disasters of War, although they are very different in conception, composition, technique [+]

Lux ex tenebris
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Lux ex tenebris
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

The woman in the air, who almost certainly holds the text of the Constitution of 1812, personifies Truth, which illuminates everything, as opposed to the forces of the Ancien Régime represented [+]

Not even this way
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Not even this way
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 11, Not even this way.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish [+]

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