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The Martyrdom of Saint Stephen
Red chalk, Red wash on brown paper. Ca. 1650
Anonymous
The Martyrdom of Saint Stephen
Red chalk, Red wash on brown paper. Ca. 1650
Anonymous

Dibujo en el que se representa a San Esteban arrodillado, mientras que cuatro sayones que le rodean arrojan piedras contra el. A la izquierda, dos personajes sentados. En la parte superior, un ángel c [+]

The Immaculate Conception
Pencil, Red ink, Grey-brown wash, Reddish wash on paper. XVII century
Ribalta, Francisco (Attributed To)
The Immaculate Conception
Pencil, Red ink, Grey-brown wash, Reddish wash on paper. XVII century
Ribalta, Francisco (Attributed To)

En pie sobre el creciente de la luna, al cual se enrosca el dragón infernal, alza sus ojos al cielo. De su cuerpo parten rayos luminosos, y rodea su cabeza la corona de estrellas. Ángeles mancebos y n [+]

Saint Joseph with the Christ Child
Red chalk, Red wash on dark yellow paper. Early Finales del siglo XVII - XVIII century
Stringa, Francesco
Saint Joseph with the Christ Child
Red chalk, Red wash on dark yellow paper. Early Finales del siglo XVII - XVIII century
Stringa, Francesco

El dibujo representa a San José sentado de frente y sosteniendo sobre sus rodillas al niño Jesús, al que ofrece una fruta. Es posible aceptar la atribución antigua del dibujo a Francesco Stringa por s [+]

Solomon and the Queen of Sheba
Pencil, Grey-brown wash, Red wash on dark yellow paper. Ca. 1647
Fracanzano, Francesco
Solomon and the Queen of Sheba
Pencil, Grey-brown wash, Red wash on dark yellow paper. Ca. 1647
Fracanzano, Francesco

The attribution of this drawing has long been uncertain as can be judged from the old inscriptions, which variously ascribe it to Salvator Rosa and to an unspecified Bolognese draughtsman. In the mode [+]

There they go plucked
Red wash on silk paper. Ca. 1797
Goya y Lucientes, Francisco de
There they go plucked
Red wash on silk paper. Ca. 1797
Goya y Lucientes, Francisco de

Goya used the drawing in Album A of a young woman sweeping to design this complex scene of a brothel, which is also preparatory work for an etching for the Caprichos. The first contemporary comments w [+]

Satan’s desperation
Red chalk, Red wash on ivory laid paper. 1816 - 1819
Goya y Lucientes, Francisco de
Satan’s desperation
Red chalk, Red wash on ivory laid paper. 1816 - 1819
Goya y Lucientes, Francisco de

Satan’s Desperation does not correspond to any of the prints from the Disparates, but it shares the same formal and technical characteristics as the rest of that series’ preliminary drawings: the same [+]

Big Booby
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Big Booby
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

A preparatory drawing for Disparates, 4, Big Booby. The big booby was an intellectually challenged giant who danced licentiously to the sound of the castanets at carnivals. In this drawing, he frighte [+]

Female Saint Seated on a Cloud
Black chalk, White chalk on tinted paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro
Female Saint Seated on a Cloud
Black chalk, White chalk on tinted paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro

Traditionally attributed to the Sienese Francesco Vanni (1563-1610), this drawing was subsequently placed in the collection as the work of the eighteenth-century Roman painter Pompeo Batoni (1708-1787 [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis

San Francisco se representa arrodillado con los brazos abiertos, eleva los ojos a un ángel niño que le muestra una esfera. En primer término una roca, y en ella una cruz de leño y libros. Fondo de pai [+]

The Agony in the Garden
Pencil ground, Red wash on dark yellow paper. XVII century
Pereda y Salgado, Antonio de
The Agony in the Garden
Pencil ground, Red wash on dark yellow paper. XVII century
Pereda y Salgado, Antonio de

En la escena aparece, en primer término, un Apóstol tendido. En el centro Cristo arrodillado, de perfil a la izquierda con las manos juntas. A la izquierda el ángel y a la derecha, en segundo término, [+]

Cruel Folly
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Cruel Folly
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

A preparatory drawing for Disparates, 6, Cruel Folly. The title of the plate comes from an artist’s proof now at the Museo Lázaro Galdeano in Madrid. Before this state proof with the handwritte [+]

Loyalty
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Loyalty
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

El dibujo preparatorio para Disparates, 17, La lealtad pertenece a una serie que Goya comenzó en 1815, siendo fiel reflejo del contexto histórico y personal del artista que, finalizada la Guerra de la [+]

The Literate Ass
Pencil, Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
The Literate Ass
Pencil, Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

A preparatory drawing for the aquatint, Capricho 39, As Far Back as his Grandfather (G02127), this is one of twenty-six pen drawings from the Dreams series that constitutes the basis for the Caprichos [+]

Two people looking into a luminous room
Red chalk, Red wash on ivory laid paper. 1816 - 1819
Goya y Lucientes, Francisco de
Two people looking into a luminous room
Red chalk, Red wash on ivory laid paper. 1816 - 1819
Goya y Lucientes, Francisco de

This drawing’s composition, its relaxed and summary technique and the paper on which it was drawn are all related to the preparatory drawings for the Disparates, although there is no known engraved ve [+]

People in Sacks
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
People in Sacks
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

People in Sacks is a drawing related to print no. 8 from the Disparates series that Goya began in 1815. The composition of this drawing is vaguely related to the print, People in Sacks (G02176). [+]

Exhortation
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Exhortation
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

A preparatory drawing for Disparates, 16, Exhortation. The series of figures aligned to form a chain alludes to the difficulty of choosing between virtue and chastity, on one hand; and lechery and vic [+]

The celebrated picador, Fernando del Toro, draws the fierce beast on with his pique
Red chalk, Red wash on ivory paper. 1814 - 1816
Goya y Lucientes, Francisco de
The celebrated picador, Fernando del Toro, draws the fierce beast on with his pique
Red chalk, Red wash on ivory paper. 1814 - 1816
Goya y Lucientes, Francisco de

Here Goya bears witness to the prominence of the role of picadors in bullfights, showing both the triumphs and the calamities they face due to the risk inherent in their activity. He concentrates the [+]

The Fire Eater
Red chalk, Red wash on ivory laid paper. 1816 - 1819
Goya y Lucientes, Francisco de
The Fire Eater
Red chalk, Red wash on ivory laid paper. 1816 - 1819
Goya y Lucientes, Francisco de

This scene shows a person shooting fire out of his mouth before a crowd of astonished onlookers, including a boy in the foreground. In light of the critical interpretation of the Disparates series, th [+]

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