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Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis

San Francisco se representa arrodillado con los brazos abiertos, eleva los ojos a un ángel niño que le muestra una esfera. En primer término una roca, y en ella una cruz de leño y libros. Fondo de pai [+]

Soldiers Sacking a City
Pencil, Pencil ground, Grey wash, Grey-brown ink on paper. Second half of the XVI century
Vecchi, Giovanni de
Soldiers Sacking a City
Pencil, Pencil ground, Grey wash, Grey-brown ink on paper. Second half of the XVI century
Vecchi, Giovanni de

The present, convincing attribution to the Roman Mannerist painter Giovanni de´ Vecchi, a late follower of the Zuccari is due to Florian Härb (2003). The unusual composition, with its over-abunda [+]

The Immaculate Conception
Pencil, Red ink, Grey-brown wash, Reddish wash on paper. XVII century
Ribalta, Francisco (Attributed To)
The Immaculate Conception
Pencil, Red ink, Grey-brown wash, Reddish wash on paper. XVII century
Ribalta, Francisco (Attributed To)

En pie sobre el creciente de la luna, al cual se enrosca el dragón infernal, alza sus ojos al cielo. De su cuerpo parten rayos luminosos, y rodea su cabeza la corona de estrellas. Ángeles mancebos y n [+]

Conversion of Saint Paul
Pencil, Pencil ground, Grey-brown ink, Wash on dark toned laid paper. XVIII century
Anonymous
Conversion of Saint Paul
Pencil, Pencil ground, Grey-brown ink, Wash on dark toned laid paper. XVIII century
Anonymous

The same composition is recorded in the Cambiaso Album, no.31, D01825, where two further drawn versions of the design, including one probably by Cambiaso himself, are cited. The draftsman responsible [+]

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