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Father Cabanillas
Oil on canvas. 1689 - 1693
Coello, Claudio
Father Cabanillas
Oil on canvas. 1689 - 1693
Coello, Claudio

This likeness of the Franciscan clergyman is a significant example of elongated bust portraits that are quiet customary in the Western figurative tradition. Such works allow a closer approach to the m [+]

The Duke and Duchess of Osuna and their Children
Oil on unlined canvas. 1787 - 1788
Goya y Lucientes, Francisco de
The Duke and Duchess of Osuna and their Children
Oil on unlined canvas. 1787 - 1788
Goya y Lucientes, Francisco de

A portrait of the Duke of Osuna, Pedro Téllez Girón (1755-1807); his wife, the Countess-Duchess of Benavente, Josefa Alonso de Pimentel (1752-1834) and their four children: Francisco de [+]

Passage from the Life of Saint Francis
Oil on canvas. Second half of the XVII century
Cabezalero, Juan Martín
Passage from the Life of Saint Francis
Oil on canvas. Second half of the XVII century
Cabezalero, Juan Martín

On the shore, Saint Francis receives a young man dressed in a black habit, ruff collar and hat, whom Christ carries over the water. In the background: a boat and an embankment with two figures.This ca [+]

An Artillery General
Oil on canvas. Ca. 1660
Rizi, Francisco
An Artillery General
Oil on canvas. Ca. 1660
Rizi, Francisco

The baton in the sitter’s right hand and the cannon indicate that he is an artillery general, while the insignia hanging from his neck denotes his membership of the Order of Calatrava. Stylistically t [+]

Tadea Arias de Enríquez
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de
Tadea Arias de Enríquez
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de

This portrait presents the lady at full length, dressed in the fashion of the time in a tulle gown with lace details. Goya perfectly captures the translucence of the fabric, through which we see the s [+]

Carlos IV on Horseback
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Carlos IV on Horseback
Oil on canvas. 1800
Goya y Lucientes, Francisco de

An equestrian portrait of the Spanish monarch wearing the uniform of a colonel of the Guardia de Corps, with other insignias, such as the Sash of the Order of Carlos III, that of Saint Genaro and the [+]

The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de
The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This portrait of the family of King Carlos IV (1748-1819) was painted in Aranjuez and Madrid in the spring and summer of 1800, shortly after Goya was named First Chamber Painter. It clearly show´s the [+]

Manuela Isidra Téllez-Girón, future Duchess of Abrantes
Oil on canvas. 1797
Esteve, Agustín
Manuela Isidra Téllez-Girón, future Duchess of Abrantes
Oil on canvas. 1797
Esteve, Agustín

Here Esteve combines the influence of Velázquez’s use of indefinite spaces with Murillo’s grace and chromatic harmony and Goya’s loose, precise technique. Considered the artist’s finest portrai [+]

Vision of Saint Francis of Assisi
Taille douce: etching and engraving on wove paper. 1797
Ribault, Jean François -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Alcántara, Francisco
Vision of Saint Francis of Assisi
Taille douce: etching and engraving on wove paper. 1797
Ribault, Jean François -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Alcántara, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Vulcan’s Forge
Taille douce: etching and engraving on continuous paper. 1798
Glairon-Mondet, e. J. -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco; Calcografía Nacional; Imprenta Real
Vulcan’s Forge
Taille douce: etching and engraving on continuous paper. 1798
Glairon-Mondet, e. J. -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco; Calcografía Nacional; Imprenta Real

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Vulcan’s Forge
Taille douce: etching and engraving on laid paper. 1798
Glairon-Mondet, e. J. -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco
Vulcan’s Forge
Taille douce: etching and engraving on laid paper. 1798
Glairon-Mondet, e. J. -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Vulcan’s Forge
Taille douce: etching and engraving on continuous paper. 1798
Glairon-Mondet, e. J. -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco; Calcografía Nacional
Vulcan’s Forge
Taille douce: etching and engraving on continuous paper. 1798
Glairon-Mondet, e. J. -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Mars
Taille douce: etching and engraving on continuous paper. 1797
Le Villain, Gerard René -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco; Calcografía Nacional
Mars
Taille douce: etching and engraving on continuous paper. 1797
Le Villain, Gerard René -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Vulcan’s Forge
Taille douce: etching and engraving on continuous paper. 1798
Glairon-Mondet, e. J. -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco; Calcografía Nacional
Vulcan’s Forge
Taille douce: etching and engraving on continuous paper. 1798
Glairon-Mondet, e. J. -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Mars
Taille douce: etching and engraving on laid paper. 1797
Le Villain, Gerard René -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco
Mars
Taille douce: etching and engraving on laid paper. 1797
Le Villain, Gerard René -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Mars
Taille douce: etching and engraving on laid paper. 1797
Le Villain, Gerard René -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco; Calcografía Nacional
Mars
Taille douce: etching and engraving on laid paper. 1797
Le Villain, Gerard René -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Alcántara, Francisco; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company fo [+]

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