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The Sciences and the Arts
Oil on panel. Ca. 1650
Stalbent, Adriaen Van
The Sciences and the Arts
Oil on panel. Ca. 1650
Stalbent, Adriaen Van

A group of scholars discuss various questions in a room. Some are sitting around tables while others contemplate some of the many paintings and art objects scattered around the room. Depictions of dil [+]

Alegoría de la Aritmética
Oil on canvas. Ca. 1775
Castillo, José del
Alegoría de la Aritmética
Oil on canvas. Ca. 1775
Castillo, José del

The compositional structure and depiction of details reveal the artist’s ability to devise decorative elements such as garlands, flowers and scroll-work and to combine them with figures. The motifs ar [+]

Vault with the Apotheosis of the Spanish Monarchy
Fresco-secco, Fresco painting on wall covering. Ca. 1697
Giordano, Luca
Vault with the Apotheosis of the Spanish Monarchy
Fresco-secco, Fresco painting on wall covering. Ca. 1697
Giordano, Luca

The vault of the former Hall of Ambassadors at the Buen Retiro Palace, constructed alongside the former Royal Quarters of San Jerónimo at the behest of the Count-Duke of Olivares as a royal res [+]

Allegory of Astronomy
Oil on canvas. Ca. 1775
Castillo, José del
Allegory of Astronomy
Oil on canvas. Ca. 1775
Castillo, José del

This canvas, like P7349, is one of a group of six preparatory designs for the tapestries made for the private room of the Princess of Asturias in the Royal Palace. In each canvas a putto holds symbols [+]

Allegory of the Arts and Sciences
Oil on canvas. 1649
Raeth, Ignace
Allegory of the Arts and Sciences
Oil on canvas. 1649
Raeth, Ignace

The visual arts are represented by a palette filled with brushes and an ancient head; music, by a score; literature by an inkwell and several books; and geography by a globe. This work´s character as [+]

Allegory of Charles III
Black chalk, Pencil, Grey-brown wash on white paper. Ca. 1760
Tiepolo, Giovanni Battista
Allegory of Charles III
Black chalk, Pencil, Grey-brown wash on white paper. Ca. 1760
Tiepolo, Giovanni Battista

A preparatory sketch for the frontispiece of Paolo Antonio Paoli’s book on the classical ruins of Paestum, which was dedicated to Charles III. Although it was published in 1784, the texts and prints h [+]

Grammar
Marble. 1753 - 1761
Carnicero, Gregorio
Grammar
Marble. 1753 - 1761
Carnicero, Gregorio

This relief or medallion and other three more (E000459, E000474 and E000472), are part of a set of twenty-eight (although a total of forty-four had been commissioned, not all of them were made). They [+]

The Mathematical Sciences
Marble. 1753 - 1759
Helgueros, Andrés de los
The Mathematical Sciences
Marble. 1753 - 1759
Helgueros, Andrés de los

In the centre is a symbolic representation of Mathematics based on Cesare Ripa’s Iconology (1593). Holding a globe in one hand, with the other she uses a compass on a tablet held up by a boy. The flan [+]

Philosophy
Marble. 1753 - 1756
Ortiz, Fernando
Philosophy
Marble. 1753 - 1756
Ortiz, Fernando

The figure of Philosophy, personified by the woman in the centre, holds a sceptre, book and hourglass. Accompanying her are, amongst other figures, the Greek philosopher Theophrastus, considered the f [+]

The Practice of the Arts
Taille douce: etching and engraving on laid paper. 1573
Cort, Cornelis
The Practice of the Arts
Taille douce: etching and engraving on laid paper. 1573
Cort, Cornelis

One of the most significant allegorical images of the arts from the end of the Renaissance is this print engraved by Cort after a drawing by Van der Straet, known as Stradanus. The drawing, now at the [+]

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