The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
6 results
Portrait of a Young Girl in a Landscape
Oil on canvas. 1847
Ribera y Fieve, Carlos Luis de
Portrait of a Young Girl in a Landscape
Oil on canvas. 1847
Ribera y Fieve, Carlos Luis de

The sitter is seated in a landscape to which the artist has given a very prominent role. The artist, son of the painter Juan Antonio Ribera, along with his friend and rival, Federico de Madrazo, were leading figures of the Romantic movement in Spain, as evidenced by this work of precise drawing and brilliant colours.

Vase of Flowers decorated with a Triumphal Chariot seen in Profile
Oil on canvas. 1643
Hiepes, Tomás
Vase of Flowers decorated with a Triumphal Chariot seen in Profile
Oil on canvas. 1643
Hiepes, Tomás

This canvas with clearly defined characteristics is paired with another work at the Museo del Prado (P7912) whose shared circumstances help us to appreciate Hiepes’s achievements even more -especially his capacity to reflect the infinite aesthetic possibilities offered by the subject matter associated with still lifes. That second work was signed and dated in 1643, which allows us to assign a simi

Earth
Oil on canvas. XVI century
Vos, Martin de
Earth
Oil on canvas. XVI century
Vos, Martin de

Este cuadro formó parte de una serie de los Cuatro Elementos y está documentado en el inventario de 1794 del Palacio del Buen Retiro. Las pinturas se localizarían en una estancia próxima al Jardín de Verano, donde tenía habitación el conde de Altamira, alcaide del Real Sitio. El Museo del Prado conserva la Alegoría del Aire (P03328) y de la Tierra; la Alegoría del Agua se conserva en la colección

Vase of Flowers with a Triumphal Chariot seen frontally
Oil on canvas. 1643
Hiepes, Tomás
Vase of Flowers with a Triumphal Chariot seen frontally
Oil on canvas. 1643
Hiepes, Tomás

Flower painting quickly became a sub-genre of still life painting in which several Spanish artists became specialists. Hiepes was an assiduous proponent throughout his career and he specialized in flower vases like the present one and its pair (P7913), which look like the work of no other Spanish painter. They are quite large works characterized by their monumentality and symmetry. Instead of seek

The Virgin and Child in a Painting surrounded by Fruit and Flowers
Oil on panel. 1617 - 1620
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Virgin and Child in a Painting surrounded by Fruit and Flowers
Oil on panel. 1617 - 1620
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Jan Brueghel’s compositions with garlands surrounding holy figures were a reaction against Protestant ideas that refuted the cult of images. In the centre of the composition is a painted image of the Virgin, which hangs from the garland. The figures of Mary and the Christ Child were painted by Rubens.

Cup with the Four Seasons
Gold, Rock crystal / hyaline quartz, Enamel. 1570 - 1600
Fontana, Annibale -Designer- (?); Workshop Of The Sarachi
Cup with the Four Seasons
Gold, Rock crystal / hyaline quartz, Enamel. 1570 - 1600
Fontana, Annibale -Designer- (?); Workshop Of The Sarachi

This vessel has an ovate bowl with six gadroons and a lobed mouth. The shaft is formed by a triple knop, the upper and lower ones covered by enamelled gold mounts and the central one carved out of the rock crystal, with imitations of inset precious stones. The two enamelled gold mounts follow the same pattern of green scrolls framed by black whorls tooled in the gold, with a drop of red enamel in

Up