The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

RDF
Refine results
6 results
Vase of Flowers decorated with a Triumphal Chariot seen in Profile
Oil on canvas. 1643
Hiepes, Tomás
Vase of Flowers decorated with a Triumphal Chariot seen in Profile
Oil on canvas. 1643
Hiepes, Tomás

This canvas with clearly defined characteristics is paired with another work at the Museo del Prado (P7912) whose shared circumstances help us to appreciate Hiepes’s achievements even more -especially his capacity to reflect the infinite aesthetic possibilities offered by the subject matter associated with still lifes. That second work was signed and dated in 1643, which allows us to assign a simi

Vase of Flowers
Oil on canvas. 1650 - 1700
Arellano, Juan de
Vase of Flowers
Oil on canvas. 1650 - 1700
Arellano, Juan de

In each of these paintings (P596, P597), the central motif around which the entire composition is organised is a glass flower vase, the base of which rests on a stone surface. The flask-shaped vessel contains water. The specific varieties of flowers vary in the two works, but the similarities in the paintings´ dimensions and in the strategies adopted in the depiction of their subjects -toget

Flower Vase
Oil on panel. 1689 - 1691
Pérez, Bartolomé
Flower Vase
Oil on panel. 1689 - 1691
Pérez, Bartolomé

Esta obra y su pareja (P06397) están realizadas sobre tabla, lo que resulta poco habitual en la pintura de flores realizada en España, y el fondo es dorado, algo muy poco corriente. Por otra parte, la gama vegetal es parecida y la descripción de las flores guarda muchos puntos de contacto, como se aprecia comparando los tulipanes y las rosas. Asímismo, existe una clara relación estilística con otr

Floral Still Life
Oil on copperplate. 1633 - 1666
Kessel el Viejo, Jan Van
Floral Still Life
Oil on copperplate. 1633 - 1666
Kessel el Viejo, Jan Van

Jan van Kessel era nieto de Jan Brueghel el Viejo y sobrino de Jan Brueghel el Joven y de David Teniers II, de quienes fue discípulo. En esta obra aúna varios de los géneros pictóricos en que destacó. Representa una naturaleza muerta con flores en la que se integran pájaros y roedores, mientras que la composición se abre a la derecha para mostrar, en la lejanía, un paisaje dominado por un palacio

Garland of Flowers with Saint Anthony of Padua
Oil on canvas. After 1689
Pérez, Bartolomé
Garland of Flowers with Saint Anthony of Padua
Oil on canvas. After 1689
Pérez, Bartolomé

This is one of the artist’s later works. It must date from 1689 at the very earliest, as that is the year he became one of the king’s painters and this is indicated alongside his signature by the letters P and R, intertwined and topped by a crown. This sort of work- a religious scene surrounded by a garland -was quite frequent in 17th-century Flemish painting, but the same genre was cultivated by

Vase of Flowers
Oil on canvas. 1650 - 1700
Arellano, Juan de
Vase of Flowers
Oil on canvas. 1650 - 1700
Arellano, Juan de

In each of these paintings (P596, P597), the central motif around which the entire composition is organised is a glass flower vase, the base of which rests on a stone surface. The flask-shaped vessel contains water. The specific varieties of flowers vary in the two works, but the similarities in the paintings' dimensions and in the strategies adopted in the depiction of their subjects -together wi

Up