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Bear, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous
Bear, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous

This set of mural paintings that adorned the interior of the early eleventh-century Mozarabe church of San Baudelio in Casillas de Berlanga was taken off the walls and exported to the United States in [+]

Infernal Landscape
Oil on panel. Ca. 1565
Anonymous
Infernal Landscape
Oil on panel. Ca. 1565
Anonymous

After Bosch’s death, his style remained very successful both in the Netherlands and in Italy and Spain. This picture, painted nearly half a century after his death, is an example of the many that were [+]

Coffered Ceiling
Polychromed, Carved. Ca. 1400
Anonymous
Coffered Ceiling
Polychromed, Carved. Ca. 1400
Anonymous

The principal beams are decorated with secular scenes, including dances, jousts or men fighting monsters, and with the coats-of-arms of Castile and León and those of the Luna and Rojas families [+]

Noah after the Flood
Oil on canvas. Second half of the XVI century
Anonymous
Noah after the Flood
Oil on canvas. Second half of the XVI century
Anonymous

If we compare this painting with the Animals Entering the Ark (P22), we find that the iconographic elements which identify the subject have been shifted to a middle plane -Noah thanking God for bringi [+]

Elephant, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous
Elephant, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous

This set of mural paintings that adorned the interior of the early eleventh-century Mozarabe church of San Baudelio de Berlanga was taken off the walls and exported to the United States in 1926, where [+]

Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous
Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous

Although the line work of the drawing has the appearance of being sixteenth century, it is indeed hard to see lay-lines in the paper. since there are no old inscriptions on the drawing itself, nor any [+]

Horseman
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Horseman
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

[+]

Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

An old attribution to Agostino Carracci (1557-1602) appears on the reserve of the sheet. In a note on the modern museum matte, Keith Andrews suggested Battista Franco?, to which comment Catherine Monb [+]

Allegorical Male Figure [Falsehood(¿?)]
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Allegorical Male Figure [Falsehood(¿?)]
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

Paul Joannides has suggested that a corresponding figure may appear in Salviati´s fresco decoration in the Sala dell´Udienza, the Palazzo Vecchio, Florence. The man has three faces and three animal ma [+]

Saint Margaret
Pencil ground, Ink, Grey-brown wash on yellow paper. Late XVI century
Anonymous
Saint Margaret
Pencil ground, Ink, Grey-brown wash on yellow paper. Late XVI century
Anonymous

Dibujo en el que se representa a la santa en pie, de frente, con las manos juntas, sosteniendo una cruz y con los pies sobre el dragón. Sigue la tradición escurialense, imitación de Zuccaro y Cambiaso [+]

Hercules forcing apart the jaws of the Nemean lion
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
Hercules forcing apart the jaws of the Nemean lion
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

The Suidas mention this drawing as perhaps the composition of one of the chiaroscuro frescoes of the Labors of Hercules, now lost, formerly on the façade, but possibly in the interior, of the p [+]

Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous
Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous

The composition is based on one of the prints in Tempesta´s Serie dei cavalli. The print in question is the fifteenth in the series. [+]

Hercules and the Minotaur
Pencil, Grey-brown ink on paper. XVI century
Anonymous
Hercules and the Minotaur
Pencil, Grey-brown ink on paper. XVI century
Anonymous

This drawing perhaps reflects the composition of one of the chiaroscuro frescoes of the Labors of Hercules, now lost, formerly in the palace of Sinibaldo Doria, Genoa. The Suidas describe the present [+]

The Adoration of the Magi
Pencil, Grey-brown wash on dark yellow paper. XVII century
Anonymous
The Adoration of the Magi
Pencil, Grey-brown wash on dark yellow paper. XVII century
Anonymous

La escena presenta en el centro a la Virgen sentada con el Niño, mientras que a su derecha aparecen, San José con los animales y a la izquierda los Reyes Magos con su comitiva. Al fondo se pueden apre [+]

Studies of heads, masks, the head of a lion, and hands
Pencil, Grey-brown ink on paper. XVI century
Anonymous
Studies of heads, masks, the head of a lion, and hands
Pencil, Grey-brown ink on paper. XVI century
Anonymous

The right half of the sheet, with studies of fifteen heads, including a mask in profile, upper right corner, repeats a drawing by an imitator of Cambiaso in the Accademia, Venice (inv. no. 418). Both [+]

Nude warrior, seen from the rear
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous
Nude warrior, seen from the rear
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous

This drawing seems to reflect the sort of diagrammatic pen drawing of human anatomy that Michelangelo sometimes made at the beginning of his career, while the general conception of the figure recalls [+]

Noah and the animals entering the ark
Pencil, Grey-brown wash, White lead on green paper. XVIII century
Anonymous
Noah and the animals entering the ark
Pencil, Grey-brown wash, White lead on green paper. XVIII century
Anonymous

On the right, the Ark. On the left, Noah and his sons lead the animal pairs, which occupy most of the composition, towards her. Copy of an original drawing by the 17th century Genoese artist Giovanni [+]

Ivory Christ on a Rock Crystal Cross
Silver gilt, Copper alloy, Rock crystal / hyaline quartz, Ivory. 1300 - 1330
Anonymous
Ivory Christ on a Rock Crystal Cross
Silver gilt, Copper alloy, Rock crystal / hyaline quartz, Ivory. 1300 - 1330
Anonymous

An ivory Christ with copper arms that were probably added at a later date. The cross consists of various pieces of rock crystal joined by metal rods covered with painted parchment. The clasps are of e [+]

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