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Triumph of Love
Oil on copperplate. XVII century
Lint, Pieter Van
Triumph of Love
Oil on copperplate. XVII century
Lint, Pieter Van

Representación alegórica del triunfo del Amor que lleva a Júpiter con los brazos atados en una suntuosa carroza tirada por cuatro caballos blancos. Entre las figuras que acompañan a la carroza, a la d [+]

The Goddess Cybele offering her Produce to the Earth
Oil on canvas. 1798
Maella, Mariano Salvador
The Goddess Cybele offering her Produce to the Earth
Oil on canvas. 1798
Maella, Mariano Salvador

Sketch for the fresco adorning the ceiling of the Sala de Maria Luisa in the Casa del Labrador at Aranjuez. Beneath Flora in flight is the Earth goddess, Cybele, to whom some farmers pay their respect [+]

The Sun. Apollo with the Sign of Leo
Oil on canvas. XVI century
Facchetti, Pietro
The Sun. Apollo with the Sign of Leo
Oil on canvas. XVI century
Facchetti, Pietro

Apollo appears in the foreground with drawn bow. Behind him, a fragment of the Zodiac shows the sign of Leo, and at the top: a winged figure holds the Sun.This painting and its companions (P307 to P31 [+]

Jupiter and the Gods urging Apollo to take back the Reins of his Chariot
Oil on panel. 1594
Cornelisz. Van Haarlem, Cornelis
Jupiter and the Gods urging Apollo to take back the Reins of his Chariot
Oil on panel. 1594
Cornelisz. Van Haarlem, Cornelis

The frieze arrangement of the figures places this work in the painter`s classical phase, which began in 1594, the same year as the date on this painting. In Van Thiel`s view, it could be the picture w [+]

The Birth of the Sun and the Triumph of Bacchus
Oil on canvas. 1761
Giaquinto, Corrado
The Birth of the Sun and the Triumph of Bacchus
Oil on canvas. 1761
Giaquinto, Corrado

This is a sketch of the fresco that Corrado Giaquinto painted in the former stairway at the Madrid’s Royal Palace, which is now the Hall of Columns. That fresco, his last work at the Royal Palace, is [+]

Vulcan's Forge
Oil on canvas. 1630
Velázquez, Diego Rodríguez de Silva y
Vulcan's Forge
Oil on canvas. 1630
Velázquez, Diego Rodríguez de Silva y

A figure suddenly appears on the left in a forge where various blacksmiths are working, dressed in an orange robe and wearing a laurel wreath, with rays of light emerging from his head. This is Apollo [+]

Apollo and the Python
Oil on canvas. 1636 - 1638
Vos, Cornelis de
Apollo and the Python
Oil on canvas. 1636 - 1638
Vos, Cornelis de

The scene represents a passage from Ovid´s Metamophoses. After killing the monstrous Python, Apollo falls victim to one of Cupid´s arrows, which inflames his impossible love of Jupiter´s daughter, Dap [+]

Landscape with Leto and the Peasants Transformed into Frogs
Oil on canvas. Third quarter of the XVII century
Agüero, Benito Manuel de
Landscape with Leto and the Peasants Transformed into Frogs
Oil on canvas. Third quarter of the XVII century
Agüero, Benito Manuel de

This work´s subject is quite uncommon in Spanish painting, although frequent in Italian seicento works. It is drawn from Ovid´s Metamorphoses (VI, 337-382), which narrates how, fleeing Jun [+]

Apollo and the Python
Oil on panel. 1636 - 1637
Rubens, Peter Paul
Apollo and the Python
Oil on panel. 1636 - 1637
Rubens, Peter Paul

Apollo fights the terrible Python to free beautiful Andromeda, who was destined to be one of the victims of this monster. She is sketched in behind the beast. In the air, Cupid shoots his arrows into [+]

Apollo and Daphne
Oil on canvas. 1636 - 1638
Thulden, Theodoor Van
Apollo and Daphne
Oil on canvas. 1636 - 1638
Thulden, Theodoor Van

Ovidio cuenta la transformación de Dafne en árbol en el libro I de las Metamorfosis (452-552): "(...) El primer amor de Febo fue Dafne, la hija de Peneo, un amor que no produjo el ignorante azar, sino [+]

The Death of Hyacinth
Oil on panel. 1636 - 1637
Rubens, Peter Paul
The Death of Hyacinth
Oil on panel. 1636 - 1637
Rubens, Peter Paul

Apollo helplessly contemplates the death throes of his beloved Hyacinth, who was hit by one of the discs the two were throwing in a display of their athletic skills. This is one of the preparatory ske [+]

Triumph of Cybele
Oil on copperplate. XVII century
Lint, Pieter Van
Triumph of Cybele
Oil on copperplate. XVII century
Lint, Pieter Van

[+]

The Fall of Phaethon
Oil on canvas. 1636 - 1638
Eyck, Jan Carel Van
The Fall of Phaethon
Oil on canvas. 1636 - 1638
Eyck, Jan Carel Van

Faetón, hijo de Apolo, para comprobar que era realmente hijo del dios Febo, pidió a su padre poder conducir durante un día el carro del sol. A pesar de las advertencias de su padre de la peligrosidad [+]

Parnassus
Oil on canvas. 1630 - 1631
Poussin, Nicolas
Parnassus
Oil on canvas. 1630 - 1631
Poussin, Nicolas

Parnassus, the mythological mountain of Apollo and the Muses is the scene for a celebration of the Arts, especially Poetry. Apollo offers the nectar of the gods to a poet, probably Homer, who is crown [+]

Apollo
Black chalk, White chalk on green paper. Before 1769
Bayeu, Francisco
Apollo
Black chalk, White chalk on green paper. Before 1769
Bayeu, Francisco

Figura masculina sentada en una nube, mirando hacia la derecha y por encima de la cabeza una tela flotante. En la misma composición hay un estudio de manos para la misma figura. Dibujo preparatorio pa [+]

Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous
Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous

As J.A. Gere pointed out in 1981 (pencil note on the modern museum mount), the composition is taken from Polidoro´s facade decoration of the Palazzo Milesi, Rome. Judging from the style, the cop [+]

The chariots of Apollo
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Il Bergamasco (Attributed To)
The chariots of Apollo
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Il Bergamasco (Attributed To)

The drawing´s style points more in the direction of Giovanni Battista Castello than Cambiaso. Typically, Castello´s line-work is more consistent in thickness, with fewer and less powerfully emphasized [+]

Apollo
Black chalk, White chalk on grey paper. 1786
Bayeu, Francisco
Apollo
Black chalk, White chalk on grey paper. 1786
Bayeu, Francisco

Dibujo preparatorio para la figura principal en la parte central izquierda del fresco de Apolo protegiendo las Ciencias y las Artes en la Biblioteca del Palacio Real de Madrid. Se representa a la figu [+]

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