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The Wedding
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de
The Wedding
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de

A beautiful young woman has just married an ugly, fat man. From the side he looks like a pig, but he is clearly rich. Wearing a rather worn dress coat, the bride´s father follows the procession [+]

Feminine folly
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Feminine folly
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

This subject was treated by Goya in 1791in his cartoon for the tapestry entitled The Straw Manikin. Whereas in that piece the theme is playful, in the Disparates series it is rendered somber by the pr [+]

What is the use of a cup?
Etching, Aquatint, Wash, Burnisher on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de
What is the use of a cup?
Etching, Aquatint, Wash, Burnisher on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de

Disasters of War, 59, What is the use of a cup?. Goya devoted many of the prints in the first part of The Disasters of War to scenes in which the civilian population is the innocent victim of soldiers [+]

Harvest of the Dead
Etching, Aquatint, Burnisher on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de
Harvest of the Dead
Etching, Aquatint, Burnisher on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de

Disasters of War, 63, Harvest of the Dead.Goya devoted many of the prints in the first part of The Disasters of War to scenes in which the civilian population is the innocent victim of soldiers´ exces [+]

It’s no use crying out
Etching, Aquatint, Burnisher, Burin on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de
It’s no use crying out
Etching, Aquatint, Burnisher, Burin on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de

Disasters of War, 58, It’s no use crying out. Goya devoted many of the prints in the first part of The Disasters of War to scenes in which the civilian population is the innocent victim of soldiers´ e [+]

The healthy and the sick
Etching, Aquatint, Burnisher, Burin on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de
The healthy and the sick
Etching, Aquatint, Burnisher, Burin on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de

Disasters of War, 57, The healthy and the sick.Goya devoted many of the prints in the first part of The Disasters of War to scenes in which the civilian population is the innocent victim of soldiers´ [+]

Neither do these
Drypoint, Etching, Wash, Burin on paper. 1814 - 1815
Goya y Lucientes, Francisco de
Neither do these
Drypoint, Etching, Wash, Burin on paper. 1814 - 1815
Goya y Lucientes, Francisco de

Goya devoted many of the prints in the first part of The Disasters of War to scenes in which the civilian population is the innocent victim of soldiers´ excesses, particularly with women presented as [+]

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