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The Persecution of the Harpies
Oil on canvas. 1636 - 1638
Quellinus, Erasmus
The Persecution of the Harpies
Oil on canvas. 1636 - 1638
Quellinus, Erasmus

Las Harpías, seres mitológicos mitad mujer mitad pájaro, son perseguidas por Zetes y Calais, los hijos alados de Boreas. Esta historia es narrada por Ovidio pero de manera muy breve en las Metamorfosi [+]

Bacchus and Ariadne
Oil on canvas. 1636 - 1638
Quellinus, Erasmus
Bacchus and Ariadne
Oil on canvas. 1636 - 1638
Quellinus, Erasmus

La historia de Ariadna y el dios tiene dos momentos fundamentales: uno es el encuentro entre ellos en la isla de Naxos después de que ésta fuera abandonada allí por Teseo, tema que representó Tiziano [+]

View of the Gardens of the Villa Medici, Rome, with a Statue of Ariadne
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y
View of the Gardens of the Villa Medici, Rome, with a Statue of Ariadne
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y

In late 1629, the thirty-year-old Velázquez went to Italy for the first time, remaining there for more than a year. During this trip he executed various history paintings, some portraits and at [+]

Sacrifice to Bacchus
Oil on canvas. Ca. 1634
Stanzione, Massimo
Sacrifice to Bacchus
Oil on canvas. Ca. 1634
Stanzione, Massimo

While it is first listed in 1666 at the Alcázar, where it hung alongside Ribera’s Fable of Bacchus or Teoxenia (of which only three fragments have survived: two at the Museo del Prado and one i [+]

The Naked Maja
Oil on canvas. 1795 - 1800
Goya y Lucientes, Francisco de
The Naked Maja
Oil on canvas. 1795 - 1800
Goya y Lucientes, Francisco de

An image of Venus in the nude, lying on a green velvet divan with pillows and a spread. Legend would have it that this was the Duchess of Alba, but the sitter has also been identified as Pepita Tud&oa [+]

The Triumph of Bacchus
Oil on canvas. 1636 - 1638
Vos, Cornelis de
The Triumph of Bacchus
Oil on canvas. 1636 - 1638
Vos, Cornelis de

El carro triunfal de Baco con todo su cortejo en relación con la hostilidad del rey Penteo aparece en libro III de las Metamorfosis de Ovidio (528 seq.): "(...) Ha llegado Líber; los campos resuenan c [+]

Diana and a Nymph Discovered by a Satyr
Oil on canvas. 1622 - 1627
Dyck, Anthony Van (Workshop Of)
Diana and a Nymph Discovered by a Satyr
Oil on canvas. 1622 - 1627
Dyck, Anthony Van (Workshop Of)

From the 1857 Inventory of the Royal Museum through 2002, this work was listed as Diana and Endymion Discovered by a Satyr, but L. Ruiz has demonstrated that the scene is Diana and a Nymph Discovered [+]

Jason and the Golden Fleece
Oil on canvas. 1636 - 1638
Quellinus, Erasmus
Jason and the Golden Fleece
Oil on canvas. 1636 - 1638
Quellinus, Erasmus

En este caso, como en otros de la Torre de la Parada, Rubens no ha seguido las Metamorfosis de Ovidio sino las Fábulas de Higinio (Capítulo III): "(...) Frixo llegó a la Cólquide. Allí, según órdenes [+]

Cupid on a dolphin
Oil on canvas. 1636 - 1638
Quellinus, Erasmus
Cupid on a dolphin
Oil on canvas. 1636 - 1638
Quellinus, Erasmus

Esta representación del dios del amor niño no se corresponde con ninguna historia concreta, más allá de la propia representación del mismo. Hijo de Venus, a la que causa bastantes problemas con sus fl [+]

The Death of Eurydice
Oil on canvas. 1636 - 1638
Quellinus, Erasmus
The Death of Eurydice
Oil on canvas. 1636 - 1638
Quellinus, Erasmus

La historia de Eurídice aparece en dos ocasiones en el ciclo de la Torre de la Parada; su muerte y su truncada salida de los infiernos. Su muerte es narrada por Ovidio en el libro X (5-10) de las Meta [+]

The Andrians
Oil on canvas. 1523 - 1526
Titian (Tiziano Vecellio)
The Andrians
Oil on canvas. 1523 - 1526
Titian (Tiziano Vecellio)

Having delivered the Bacchus and Ariadne in 1523 Titian then painted The Andrians, also inspired by Philostratus (Imagines I, 25). The scene is set on the island of Andros, a place so favoured by Bacc [+]

Bacchanal
Oil on canvas. 1625 - 1626
Poussin, Nicolas
Bacchanal
Oil on canvas. 1625 - 1626
Poussin, Nicolas

This is a traditional scene from the iconography of Bacchus, the Roman god of wine. It depicts his meeting with Ariadne on the island of Naxos. The god rides a chariot pulled by lions, and helps his f [+]

The Rape of Europe
Oil on canvas. 1636 - 1638
Quellinus, Erasmus
The Rape of Europe
Oil on canvas. 1636 - 1638
Quellinus, Erasmus

El rapto de Europa por parte de Júpiter lo narra Ovidio en sus Metamorfosis en el libro II (838-875): "(...)Se atrevió también la princesa, sin saber a quién montaba, a sentarse sobre el lomo del toro [+]

Bacchus and Ariadne
Pencil, Grey-brown wash, White lead on papel verjurado, verdoso. Ca. 1715
Conca, Sebastiano
Bacchus and Ariadne
Pencil, Grey-brown wash, White lead on papel verjurado, verdoso. Ca. 1715
Conca, Sebastiano

La composición enmarcada a tinta presenta a la izquierda a Ariadna sentada; a la derecha, Baco la corona en pie y un fauno arrodillado vierte el vino en un ánfora. Al fondo, Sileno, transportado por s [+]

Ariadne sleeping
White marble. 150 - 175
Roman Sculptor
Ariadne sleeping
White marble. 150 - 175
Roman Sculptor

En la pintura de Velázquez que representa una vista del jardín de la Villa Medici en Roma (P1211) se identifica en una logia la estatua de una figura yacente apenas esbozada por el artista. De la figu [+]

Ariadne
Marble. XVIII century
Anonymous
Ariadne
Marble. XVIII century
Anonymous

This sculpture is relatively close to a Hellenistic original (c. 150 BC) in the Musei Vaticani. Abandoned by Theseus, whom she had helped to defeat the Minotaur, the Cretan princess Ariadne is shown s [+]

The Andrians
Etching on laid paper. 1640 - 1650
Podestà, Giovanni Andrea; Rossi, Giovanni Giacomo De'
The Andrians
Etching on laid paper. 1640 - 1650
Podestà, Giovanni Andrea; Rossi, Giovanni Giacomo De'

Esta estampa reproduce la pintura de Tiziano que se conserva en el Museo del Prado (P418). Podestá pasó al aguafuerte hacia 1636 las tres pinturas que Tiziano había realizado para Alfonso I d´Este, du [+]

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