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Diana and her Nymphs surprised by Satyrs
Oil on canvas. 1639 - 1640
Rubens, Peter Paul
Diana and her Nymphs surprised by Satyrs
Oil on canvas. 1639 - 1640
Rubens, Peter Paul

Diana the huntress is resting with her court of Nymphs in a clearing in the woods when she is attacked by a group of Satyrs. Rubens turned this painting into a virtuoso exercise in composition. In the [+]

The Moon. Diana with the Sign of Cancer
Oil on canvas. XVI century
Facchetti, Pietro (Copy After Raphael (Raffaello Sanzio))
The Moon. Diana with the Sign of Cancer
Oil on canvas. XVI century
Facchetti, Pietro (Copy After Raphael (Raffaello Sanzio))

In the foreground, Diana holds a bow in her left hand while extracting an arrow from her quiver with the right. The moon appears over her forehead, and behind her, a fragment of the Zodiac includes th [+]

Marriage of Peleus and Thetis
Oil on canvas. 1636 - 1638
Jordaens, Jacques
Marriage of Peleus and Thetis
Oil on canvas. 1636 - 1638
Jordaens, Jacques

As with the Rape of Hippodamia (P01658), this marriage scene was commissioned from Rubens as part of the mythological cycle drawn from Ovid´s Metamorphoses, which was to serve as the main artistic dec [+]

The Rape of Proserpine
Oil on canvas. 1636 - 1637
Rubens, Peter Paul -Painter- (And Workshop)
The Rape of Proserpine
Oil on canvas. 1636 - 1637
Rubens, Peter Paul -Painter- (And Workshop)

Proserpine, daughter of the earth goddess Ceres, was kidnapped by Pluto, the god of the underworld. Despite the resistance put up by Minerva, Venus and Diana, their relationship would blossom into lov [+]

Diana and Callisto
Oil on canvas. Ca. 1635
Rubens, Peter Paul
Diana and Callisto
Oil on canvas. Ca. 1635
Rubens, Peter Paul

The Roman poet Ovid, in his book Metamorphosis (III, 401-532), tells the story of Diana and the nymph Callisto. Zeus was attracted to the nymph and took the form of Diana to seduce and rape her. Diana [+]

Diana and Callisto
Oil on canvas. 1745 - 1749
Pierre, Jean-Baptiste-Marie
Diana and Callisto
Oil on canvas. 1745 - 1749
Pierre, Jean-Baptiste-Marie

In Book II of his Metamorphosis, Ovid tells how Jupiter tricked Callisto. This very beautiful nymph who was part of Diana the Huntress´ entourage was seduced by Jupiter, who took on the appearan [+]

Diana and her Nymphs hunting
Oil on oak panel. 1636 - 1637
Rubens, Peter Paul
Diana and her Nymphs hunting
Oil on oak panel. 1636 - 1637
Rubens, Peter Paul

Recognizable by the crescent-moon-shaped diadem on her head, Diana hunts deer with spears and dogs, accompanied by various nymphs. The extremely horizontal composition is one of the peculiarities of t [+]

Diana in a Landscape
Oil on canvas. 1739
Loo, Louis-Michel Van
Diana in a Landscape
Oil on canvas. 1739
Loo, Louis-Michel Van

Diana, the Roman goddess of the hunt, sleeps outdoors, leaning on a boulder and wrapped in a leopard skin. She wears her symbol, the crescent moon, on her head and her clothes are of classical inspira [+]

Landscape with Diana and Acteon
Oil on panel. Ca. 1608
Clerck, Hendrik de; Alsloot, Denis Van
Landscape with Diana and Acteon
Oil on panel. Ca. 1608
Clerck, Hendrik de; Alsloot, Denis Van

Hunting in the woods, Acteon stops on the banks of a stream when he sees Diana and her nymphs bathing nude on the opposite bank. Fascinated by their beauty, he observes them with a challenging and amu [+]

The Birth of the Sun and the Triumph of Bacchus
Oil on canvas. 1761
Giaquinto, Corrado
The Birth of the Sun and the Triumph of Bacchus
Oil on canvas. 1761
Giaquinto, Corrado

This is a sketch of the fresco that Corrado Giaquinto painted in the former stairway at the Madrid’s Royal Palace, which is now the Hall of Columns. That fresco, his last work at the Royal Palace, is [+]

The Hunt of Meleager
Oil on canvas. 1634 - 1639
Poussin, Nicolas
The Hunt of Meleager
Oil on canvas. 1634 - 1639
Poussin, Nicolas

Until very recently there was total confusion as to the origin of this painting and the circumstances surrounding its entry into the Royal Collection. Its original owner was formerly thought to have b [+]

Diana and a Nymph Discovered by a Satyr
Oil on canvas. 1622 - 1627
Dyck, Anthony Van (Workshop Of)
Diana and a Nymph Discovered by a Satyr
Oil on canvas. 1622 - 1627
Dyck, Anthony Van (Workshop Of)

From the 1857 Inventory of the Royal Museum through 2002, this work was listed as Diana and Endymion Discovered by a Satyr, but L. Ruiz has demonstrated that the scene is Diana and a Nymph Discovered [+]

Diana bathing with her Nymphs
Oil on copperplate. Ca. 1624
Poelenburch, Cornelis Van
Diana bathing with her Nymphs
Oil on copperplate. Ca. 1624
Poelenburch, Cornelis Van

The scene here unfolds in the foreground, which is occupied by a large rocky outcrop and trees and on the right opens onto a luminous landscape enclosed by mountains in the background. The spatial tra [+]

Diana
Black chalk, White chalk on green paper. Before 1769
Bayeu, Francisco
Diana
Black chalk, White chalk on green paper. Before 1769
Bayeu, Francisco

Figura femenina sentada en una nube con la cabeza de perfil derecho. Dibujo preparatorio para la figura correspondiente en la parte inferior izquierda del fresco de la Apoteosis de Hércules, pintado a [+]

The Birth of Apollo and Diana
Ink, White lead, Wash on laid paper. Ca. 1625
Rubens, Peter Paul
The Birth of Apollo and Diana
Ink, White lead, Wash on laid paper. Ca. 1625
Rubens, Peter Paul

Held by two young maids, Leto gives birth to Diana and Apollo before a temple portico. She is surrounded by women and children who help her bear the pain. A second group of children in the foreground [+]

Diana
Black chalk, White chalk on green paper. 1764
Bayeu, Francisco
Diana
Black chalk, White chalk on green paper. 1764
Bayeu, Francisco

Semidesnuda y reclinada en una nube. Dibujo preparatorio para la figura correspondiente en la parte central derecha del fresco de la Caída de los Gigantes en el Palacio Real de Madrid. En el fresco de [+]

Diana Tending the Sleeping Endymion
Pencil, Grey-brown ink on yellow paper. Late XVI - Primer cuarto del siglo XVII century
Villamena, Francesco (Attributed To)
Diana Tending the Sleeping Endymion
Pencil, Grey-brown ink on yellow paper. Late XVI - Primer cuarto del siglo XVII century
Villamena, Francesco (Attributed To)

[+]

Diana
Pencil, Grey-brown wash on white paper. 1790 - 1800
Gandolfi
Diana
Pencil, Grey-brown wash on white paper. 1790 - 1800
Gandolfi

Diana sentada a la izquierda, de perfil; ante ella un lebrel y un amorcillo con el carcaj. Es dibujo de gran calidad, más cercano al estilo de Gaetano que al de Ubaldo, y parece preparatorio para un r [+]

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