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Charles IV and his Family honoured by the University of Valencia
Oil on canvas. 1802
López Portaña, Vicente
Charles IV and his Family honoured by the University of Valencia
Oil on canvas. 1802
López Portaña, Vicente

During his visit to Valencia in 1802, the Literary University of the city gave the King this painting which shows the university, personified as a young matron, introducing the royal family to the var [+]

Marriage of Peleus and Thetis
Oil on canvas. 1636 - 1638
Jordaens, Jacques
Marriage of Peleus and Thetis
Oil on canvas. 1636 - 1638
Jordaens, Jacques

As with the Rape of Hippodamia (P01658), this marriage scene was commissioned from Rubens as part of the mythological cycle drawn from Ovid´s Metamorphoses, which was to serve as the main artistic dec [+]

The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco
The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco

Francesco Albani was a much favoured pupil of Annibale Carracci. His success was partially due to mythological paintings such as The toilet of Venus (P1) and The judgement of Paris (P2), whose refined [+]

The Rape of Proserpine
Oil on canvas. 1636 - 1637
Rubens, Peter Paul -Painter- (And Workshop)
The Rape of Proserpine
Oil on canvas. 1636 - 1637
Rubens, Peter Paul -Painter- (And Workshop)

Proserpine, daughter of the earth goddess Ceres, was kidnapped by Pluto, the god of the underworld. Despite the resistance put up by Minerva, Venus and Diana, their relationship would blossom into lov [+]

The Spinners, or the Fable of Arachne
Oil on canvas. 1655 - 1660
Velázquez, Diego Rodríguez de Silva y
The Spinners, or the Fable of Arachne
Oil on canvas. 1655 - 1660
Velázquez, Diego Rodríguez de Silva y

This painting is the result of two acts carried out in different periods. First, Velázquez painted the surface occupied by the figures and the tapestry in the background. Later, in the 18th cen [+]

Pietro Maria Rossi, Count of San Secondo
Oil on panel. 1535 - 1538
Parmigianino. Girolamo Francesco Maria Mazzola
Pietro Maria Rossi, Count of San Secondo
Oil on panel. 1535 - 1538
Parmigianino. Girolamo Francesco Maria Mazzola

Educated as a young man in France and Florence, in 1527 Pier Maria Rossi (1504-1547), Seventh Count of San Secondo, was in the service of Clement VII but that same year entered the employment of Charl [+]

Garland of Flowers with Minerva and Mercury
Oil on panel. Ca. 1790
Espinós, Benito
Garland of Flowers with Minerva and Mercury
Oil on panel. Ca. 1790
Espinós, Benito

Espinós structures his composition into three contrasting parts, including a mythological scene with two sculptural Olympian gods in the centre. They are surrounded by a large and colourful gar [+]

Religion assisted by Spain
Oil on canvas. 1572 - 1575
Titian (Tiziano Vecellio)
Religion assisted by Spain
Oil on canvas. 1572 - 1575
Titian (Tiziano Vecellio)

Religion succoured by Spain (c.1572-75), belongs to the last group of paintings that Titian sent to Philip II in 1576, one year before the artist’s death. As such, it is almost seven decades older tha [+]

The Judgement of Paris
Oil on panel. 1606 - 1608
Rubens, Peter Paul
The Judgement of Paris
Oil on panel. 1606 - 1608
Rubens, Peter Paul

As Homer tells it in The Iliad, Paris the shepherd, son of Priam, had to decide with of the three goddesses —Juno, Venus or Minerva— was the most beautiful, and give her the golden apple Mercury he ha [+]

Olympus. The Battle of the Giants
Oil on canvas. 1767 - 1768
Bayeu, Francisco
Olympus. The Battle of the Giants
Oil on canvas. 1767 - 1768
Bayeu, Francisco

Francisco Bayeu, who came from minor nobility, trained in Zaragoza under José Luzán (who, years later, would also teach Francisco de Goya). However, a decisive change in the young Bayeu´ [+]

Cadmus and Minerva
Oil on canvas. 1636 - 1638
Jordaens, Jacques
Cadmus and Minerva
Oil on canvas. 1636 - 1638
Jordaens, Jacques

La historia de Cadmo y la aparición de Minerva aparece en el libro III de las Metamorfosis (95-114): "(...) Mientras el vencedor calcula el tamaño del enemigo vencido, se oyó de repente una voz; no er [+]

The Judgement of Paris
Oil on canvas. Ca. 1638
Rubens, Peter Paul
The Judgement of Paris
Oil on canvas. Ca. 1638
Rubens, Peter Paul

The mythological story of the Judgment of Paris begins with the wedding of Thetis and Peleus, where Eris, goddess of Discord, challenged the most beautiful goddesses to take a golden apple which she t [+]

The Judgement of Paris
Pencil, Grey-brown wash on white paper. XVIII century
Anonymous (Circle Of Novelli, Pietro Antonio)
The Judgement of Paris
Pencil, Grey-brown wash on white paper. XVIII century
Anonymous (Circle Of Novelli, Pietro Antonio)

A la derecha sentado sobre unas rocas y vestido de pastor, Paris, en su mano ofrece la manzana de oro a Venus, en pie, entre Juno, sentada de espaldas, y Minerva.El dibujo lleva una atribución a Grazi [+]

The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))
The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))

The composition is that of a lost painting of the subject by Veronese, carried out for the Fondaco dei Turchi, Venice, the appearance of which is known from an engraving published in 1691. A painted v [+]

The Judgement of Paris
Black chalk, Red chalk on dark yellow paper. XVII century
Liberi, Pietro
The Judgement of Paris
Black chalk, Red chalk on dark yellow paper. XVII century
Liberi, Pietro

Dibujo que representa el tema del Juicio de París. En la escena puede verse, a la derecha, a Paris, sentado sobre una roca, entregando la manzana de oro (o una naranja, según otras interpretaciones de [+]

Minerva
Black chalk, White chalk on green paper. Before 1769
Bayeu, Francisco
Minerva
Black chalk, White chalk on green paper. Before 1769
Bayeu, Francisco

Figura femenina en pie sobre una nube que apoya la mano izquierda en el escudo. Dibujo preparatorio para la figura correspondiente en la parte central del fresco la Apoteosis de Hércules, pintado ante [+]

The Judgement of Paris
Pencil, Grey-brown wash on laid paper. XVIII century
Camarón, José
The Judgement of Paris
Pencil, Grey-brown wash on laid paper. XVIII century
Camarón, José

Dibujo en el que se representa a Paris, sentado en una roca de perfil a la izquierda de la composición, tiende la manzana a Venus, semidesnuda en el centro. A la derecha, Minerva con el casco y lanza, [+]

The Judgement of Paris
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
The Judgement of Paris
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. [+]

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