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Carlos Luis de Ribera y Fievé, eldest son of the neoclassical painter, Juan Antonio de Ribera, was also a painter and a friend of Federico de Madrazo, who made this portrait while both lived in [+]
This work is an excellent example of the way in which an interest in the art of Spain´s Golden Age combines in Mariano Fortuny´s paintings with the close study of subjects made from life. Nude Old Man [+]
Fortuny made an ample number of copies of famous paintings, some as late as the end of the 1860s. They reveal his interest in deepening his knowledge of the painting of the great masters, especially V [+]
The King is portrayed as a Roman emperor, with laurel wreath and classical toga. Barba was one of the leading figures in the first generation of Spanish artists to train in Rome, where he lived from 1 [+]
Apollo holds a lyre and in keeping with Praxitelean ideals adopts an elegant contraposto pose. The original version was commissioned by Antonio Canova to decorate the Real Casa del Labrador at Aranjue [+]
Like Cubero’s Apollino (E00805), this sculpture of the young Mercury bearing his caduceus, inspired by the Doryphoros of Polykleitos, was intended for the statue gallery at the Real Casa del Labrador [+]
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