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Virgin and Child
Oil on canvas. Mid-XVIIcentury
Arias Fernández, Antonio
Virgin and Child
Oil on canvas. Mid-XVIIcentury
Arias Fernández, Antonio

The shaft of a column and a curtain behind the figures define the indoor setting for a scene whose intimate familiarity is based on its naturalist resolution and the degree of realism with which both [+]

The Annunciation
Oil on canvas. 1597 - 1600
el Greco (Domenikos Theotokopoulos)
The Annunciation
Oil on canvas. 1597 - 1600
el Greco (Domenikos Theotokopoulos)

A passage from the New Testament (Luke I, 26-38) that tells of the annunciation of the Virgin´s motherhood by the Archangel Gabriel and the incarnation of Christ in Mary by the Holy Ghost in the form [+]

The Annunciation
Oil on canvas. Ca. 1663
Rizi, Francisco
The Annunciation
Oil on canvas. Ca. 1663
Rizi, Francisco

The impetus of the dashing, powerful and monumental angel comes from Ribera. The conception of space and of the sky, with clouds that grow denser in the area just over the luminous horizon, seeks an e [+]

The Foundation of Santa Maria Maggiore in Rome. The Patrician's Dream
Oil on canvas. 1664 - 1665
Murillo, Bartolomé Esteban
The Foundation of Santa Maria Maggiore in Rome. The Patrician's Dream
Oil on canvas. 1664 - 1665
Murillo, Bartolomé Esteban

This painting and its companion, The Patrician Reveals his Dream to the Pope (P995), are among Murillo’s most renowned works. The two arched works were intended to hang beneath a small dome in the rec [+]

The Holy Family with a Little Bird
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Holy Family with a Little Bird
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

A domestic scene filled with tenderness showing the Virgin Mary winding a skein of thread and watching the Christ Child, who leans on Saint Joseph while he plays with a little bird and a dog. The almo [+]

The Annunciation
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
The Annunciation
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

A New Testament scene (Luke 1, 26-38) that depicts the Archangel Gabriel´s Annunciation to the Virgin Mary and her acceptance of the fact that she will become the Mother of God through the intercessio [+]

The Annunciation
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Annunciation
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

The Archangel Gabriel has descended from the heavens and kneels before Mary to announce the birth of Christ. The Angel holds some white lilies symbolising purity in his left hand while with the right [+]

The Annunciation
Oil on canvas. Ca. 1663
Rizi, Francisco
The Annunciation
Oil on canvas. Ca. 1663
Rizi, Francisco

This painting presents the moment when the Archangel Gabriel, holding a spray of lilies, appears to the Virgin Mary and announces that she will give birth to the Son of God. Mary is depicted kneeling [+]

Saint Anne teaching the Virgin to read
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban
Saint Anne teaching the Virgin to read
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban

Painters from Seville were very fond of this apocryphal episode from the Virgin’s childhood. Here, Murillo used it to bring various levels of reality into a single pictorial space: first, historical r [+]

The Annunciation
Oil on canvas. Second half of the XVII century
Antolínez y Sarabia, Francisco (Attributed To)
The Annunciation
Oil on canvas. Second half of the XVII century
Antolínez y Sarabia, Francisco (Attributed To)

This canvas and its companions (P586 to P590) are from the Convent of San Felipe el Real (Madrid). They entered the Museo del Prado from the Museo de la Trinidad. While traditionally assigned to Franc [+]

The Holy Family with a Bird
Etching, Burin on continuous paper. 1786 - 1788
Salvador Carmona, Juan Antonio -Engraver- (After Murillo, Bartolomé Esteban); Calcografía Nacional
The Holy Family with a Bird
Etching, Burin on continuous paper. 1786 - 1788
Salvador Carmona, Juan Antonio -Engraver- (After Murillo, Bartolomé Esteban); Calcografía Nacional

Estampa grabada por Juan Antonio Salvador Carmona que reproduce el óleo de Murillo conservado en el Museo Nacional del Prado (P960). Rodríguez Moñino dice que grabó la estampa entre 1786 y 1788 (Rodrí [+]

The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on laid paper. 1796
Muntaner y Moner, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Esteve, Agustín; Imprenta Real
The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on laid paper. 1796
Muntaner y Moner, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Esteve, Agustín; Imprenta Real

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Holy Family with a Bird
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Zöllner, Ludwid Theodor -Lithographer- (After Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Holy Family with a Bird
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Zöllner, Ludwid Theodor -Lithographer- (After Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Ludwid Theodor Zöllner (1796?-1860) que reproduce el lienzo de Bartolomé Murillo conservado en el Museo Nacional del Prado (P00960). Esta estampa se entregaba con el cuadernillo X [+]

The Virgin and Child
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Cano, Alonso); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Virgin and Child
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Cano, Alonso); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Alonso Cano conservado en el Museo Nacional del Prado (P00627). Esta estampa se entregaba con el cuadernillo LXXI ac [+]

The Holy Family with a Bird
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Zöllner, Ludwid Theodor -Lithographer- (After Murillo, Bartolomé Esteban); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family with a Bird
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Zöllner, Ludwid Theodor -Lithographer- (After Murillo, Bartolomé Esteban); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Ludwid Theodor Zöllner (1796?-1860) que reproduce el lienzo de Bartolomé Murillo conservado en el Museo Nacional del Prado (P00960). Esta estampa se entregaba con el cuadernillo X [+]

The Annunciation
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Murillo, Bartolomé Esteban); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Annunciation
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Murillo, Bartolomé Esteban); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Bartolomé Esteban Murillo conservado en el Museo Nacional del Prado (P00969). Esta estampa se entre [+]

The Virgin and Child
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Cano, Alonso); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Virgin and Child
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Cano, Alonso); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Alonso Cano conservado en el Museo Nacional del Prado (P00627). Esta estampa se entregaba con el cuadernillo LXXI ac [+]

The Virgin and Child
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Cano, Alonso); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Virgin and Child
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar -Lithographer- (After Cano, Alonso); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi que reproduce el lienzo de Alonso Cano conservado en el Museo Nacional del Prado (P00627). Es la estampa LXXI que va acompañada de un texto explicativo de [+]

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